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                  <text>This collection contains ceramics from a variety of Native American groups, including the Zuni, Acoma, Isleta, Zia, Santo Domingo, Tesuque, San Ildefonso, Santa Clara, San Juan, Picuris, and Taos.&#13;
&#13;
The collection was accompanied by maps of the area, postcards, photographs, magazine/news articles, a typewritten lecture to accompany the pottery and 22 Atchinson, Topeka and Santa Fe Railway calendar pictures depicting Indians and the area.&#13;
&#13;
The Harmon Collection also contains garments from the Cuna Indians of San Blas, Panama</text>
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                <text>Label Description: "Acoma N.M. 754" &#13;
&#13;
Acoma pottery is known for being intricately decorated. The pieces are also generally large, and used for storage purposes. This vase was identified by Harmon as unique in Indian craft. It is decorated with the traditional squash pattern but is a Grecian shape that the fourteen year old potter copied from a history book.&#13;
&#13;
&#13;
Further information can be found in the Harmon Collection information folder. &#13;
&#13;
&#13;
Old Accession Number: H-PT-UNKNOWN-SWNAI-6. </text>
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                  <text>This collection contains ceramics from a variety of Native American groups, including the Zuni, Acoma, Isleta, Zia, Santo Domingo, Tesuque, San Ildefonso, Santa Clara, San Juan, Picuris, and Taos.&#13;
&#13;
The collection was accompanied by maps of the area, postcards, photographs, magazine/news articles, a typewritten lecture to accompany the pottery and 22 Atchinson, Topeka and Santa Fe Railway calendar pictures depicting Indians and the area.&#13;
&#13;
The Harmon Collection also contains garments from the Cuna Indians of San Blas, Panama</text>
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                <text>Bowl, white with brown painted decoration.  Label Description: "35" in pencil, Acoma painted on base. &#13;
&#13;
Acoma pottery is known for being intricately decorated. The pieces are also generally large, and used for storage purposes.&#13;
&#13;
Further information can be found in the Harmon Collection information folder.&#13;
&#13;
&#13;
Old Accession Number: H-PT-UNKNOWN-SWNAI-31.  &#13;
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                  <text>This collection contains ceramics from a variety of Native American groups, including the Zuni, Acoma, Isleta, Zia, Santo Domingo, Tesuque, San Ildefonso, Santa Clara, San Juan, Picuris, and Taos.&#13;
&#13;
The collection was accompanied by maps of the area, postcards, photographs, magazine/news articles, a typewritten lecture to accompany the pottery and 22 Atchinson, Topeka and Santa Fe Railway calendar pictures depicting Indians and the area.&#13;
&#13;
The Harmon Collection also contains garments from the Cuna Indians of San Blas, Panama</text>
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                <text>Bowl, white with brown painted decorations. Label Description: "30" "Acoma" painted on bottom. &#13;
&#13;
Acoma pottery is known for being intricately decorated. The pieces are also generally large, and used for storage purposes.&#13;
&#13;
Further information can be found in the Harmon Collection information folder.&#13;
&#13;
&#13;
Old Accession Number: H-PT-UNKNOWN-SWNAI-25. &#13;
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            <name>Source</name>
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                  <text>A biography of the artist, Agnes Jeffrey, by her niece, Virginia Jeffrey Smith, who gave the paintings to SUNY Geneseo in Agnes Jeffrey's memory: &#13;
&#13;
"Agnes Jeffrey was born in Edinburgh March 1806 and died in Rochester, NY, November, 1896. She was the third child of John Jeffrey, a leading barrister (lawyer) of Edinburgh and of Elizabeth McConnel, his wife. The family lived in York Place, Edinburgh, a very beautiful Georgian house which I have seen. They also have a summer place in Wigtownshire, going there each year by a three day's drive in their coach. She and her sisters painted and she studied painting in Edinburgh and then in London. Her watercolor "American wild flowers" took the first prize at the Crystal Palace- England's first world fair. She came to America, probably in the 1840s, to keep house for her widowed mother and two brothers who had preceded her to America and lived in Canadaigua. Her art was undoubtedly influenced by Raeburn, Scotland's chief artist who had painted portraits of her father and uncle. Her brother William, a leading attorney, who had come to the United States to act as agent for Mr. John Geig of Canadaigua in the Phelps Gorham Estate (land development), later moved to Rochester opening his own practice. Upon the death of his wife, Agnes came to Rochester to live, caring for his children, especially the two little girls- Clarice Greig Jeffrey, also a painter and who taught painting at the old Mechanics Institute, and Mary, also an artist who later married A. Byron Smith and became my mother. Four generations of the Jeffrey family have painted professionally. After her brother's death, and his property lost through mismanagement by his executor, she supported the two girls for years by painting and teaching art. A woman of intellectual ability, she was in authority in botany and on the Bible, teaching a Bible class most of her life. At the age of seventy she decided [she] wanted to read Dante in the original and began the study of Italian and learned to speak it as well as to read it fluently."</text>
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                <text>One of two panel mat with Thistle (1980.42) &#13;
Realism. The date of attribution is c. 1870 &#13;
&#13;
For more information on Agnes Jeffrey, see collection description. &#13;
&#13;
Old Accession Number: J-2D-JEFFREY-A-2. &#13;
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                <text>Agnes Jeffrey (1806-1896)</text>
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                <text>Gift to the college in 1971 from Virginia Jeffrey Smith of East Avenue, Rochester, NY, grand niece of Agnes Jeffrey. Part of the "Art of Four Generations of Jeffrey Family Women" exhibit sponsored by the College from June 27th to July 18th, 1976 at the Brodie Fine Arts Gallery Also shown in "The Genteel Pastime: 19th Century Watercolors by the Ladies of the Jeffrey Family" at the Memorial Art Gallery of the University of Rochester from December 9, 1988 to February 26, 1989.</text>
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                <text>Geneseo Foundation </text>
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                <text>Jeffrey Collection 1980.40-1980.57</text>
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