9 10 290 https://artgalleries.milne-library.org/files/original/2f5ef637801c6f5ccb6360a5ac5913f3.JPG 4a16dade1ff7760d0c193a8de6fd6943 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Agnes Jeffrey Collection Description An account of the resource A biography of the artist, Agnes Jeffrey, by her niece, Virginia Jeffrey Smith, who gave the paintings to SUNY Geneseo in Agnes Jeffrey's memory: "Agnes Jeffrey was born in Edinburgh March 1806 and died in Rochester, NY, November, 1896. She was the third child of John Jeffrey, a leading barrister (lawyer) of Edinburgh and of Elizabeth McConnel, his wife. The family lived in York Place, Edinburgh, a very beautiful Georgian house which I have seen. They also have a summer place in Wigtownshire, going there each year by a three day's drive in their coach. She and her sisters painted and she studied painting in Edinburgh and then in London. Her watercolor "American wild flowers" took the first prize at the Crystal Palace- England's first world fair. She came to America, probably in the 1840s, to keep house for her widowed mother and two brothers who had preceded her to America and lived in Canadaigua. Her art was undoubtedly influenced by Raeburn, Scotland's chief artist who had painted portraits of her father and uncle. Her brother William, a leading attorney, who had come to the United States to act as agent for Mr. John Geig of Canadaigua in the Phelps Gorham Estate (land development), later moved to Rochester opening his own practice. Upon the death of his wife, Agnes came to Rochester to live, caring for his children, especially the two little girls- Clarice Greig Jeffrey, also a painter and who taught painting at the old Mechanics Institute, and Mary, also an artist who later married A. Byron Smith and became my mother. Four generations of the Jeffrey family have painted professionally. After her brother's death, and his property lost through mismanagement by his executor, she supported the two girls for years by painting and teaching art. A woman of intellectual ability, she was in authority in botany and on the Bible, teaching a Bible class most of her life. At the age of seventy she decided [she] wanted to read Dante in the original and began the study of Italian and learned to speak it as well as to read it fluently." Contributor An entity responsible for making contributions to the resource Virginia Jeffrey Smith Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Milrose Abbey Subject The topic of the resource Watercolor Description An account of the resource Realism c. 1870 Gifted to the college in 1971 Old Accession number: J2D-JEFFREY-A-13 For more information read the Jeffrey Collection description. Creator An entity primarily responsible for making the resource Agnes Jeffrey (1806-1896) Source A related resource from which the described resource is derived Gifted by Virginia Jeffrey Smith Gift from Virginia Jeffrey Smith of East Avenue, Rochester, NY, grand niece of Agnes Jeffrey. Part of the "Art of Four Generations of Jeffrey Family Women" exhibit sponsored by the College from June 27th to July 18th, 1976 at the Brodie Fine Arts Gallery Also shown in "The Genteel Pastime: 19th Century Watercolors by the Ladies of the Jeffrey Family" at the Memorial Art Gallery of the University of Rochester from December 9, 1988 to February 26, 1989. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Format The file format, physical medium, or dimensions of the resource 10.5" x 14.1875" Identifier An unambiguous reference to the resource within a given context 1980.56 Publisher An entity responsible for making the resource available Virginia Jeffrey Smith Rights Information about rights held in and over the resource Geneseo Foundation Language A language of the resource English Type The nature or genre of the resource Watercolor on paper Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant c. 1870 Relation A related resource Jerrrey Collection 1980.40-1980.57 https://artgalleries.milne-library.org/files/original/7bf15942aeddecfb6300c08c2d1aee43.jpg b7c525532b316a7ab865c583c3e7b366 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcarale del Card. Lorenzo Ciro Gia in S. Maria del Popolo - Ura Altare in S. Cosimato Subject The topic of the resource Tomb of Cardinal Lorenzo Ciro Previously in Santa Maria del Popolo- Now Altar in San Cosimato Description An account of the resource The Cardinal Lorenzo Cibo, Genoese patrician and a descendant of the noble family who willed original heraldic writers of Greece, is remembered by biographers as very learned man and angelic costumes. Taken from a special devotion to S. Lorenzo was the lawyer for as long as he lived in the land of 'celestial, and to better (addimostrare) his affection is a great saint, wanted in the church of Santa Maria del Popolo dedicate the chapel, however, is sacred to him, and he in his own expense he built and beautifully decorated, giving it a rich dowry. He left in his will that his body was buried in the chapel, but the lack of charity 'posterity after a few centuries removed that monument, and changing its destination transporting him elsewhere. And this distinguished prelate in the church that he embellished there is another memory that the following inscription on top of the chapel he made walling to its patron saint: (LATIN) The monument is missing urn and of epigraphs: the first we do not know where it is, the second comes Ciaconio, and then make a gift to 'our readers. So this could be a reward at that good soul! (LATIN) And because he was nephew of Innocent VIII, as in this' inscription is written, it must be nice to him the bronze monument erected to the memory of this Pope in the Vatican, and led, as we said in the Table. LX from (Pollaijuolo). Under this monument was placed over a century a memory (risguardante) Cibo that we do not refer for the sake of brevity. Lorenzo Cibo was born in 1450. It was prefect of the Castle S. Angel, canon of St. Peter and archbishop of Benevento in 1485. On 14th March 1489 he was created cardinal priest of St. Susanna, regardless of S. Cecilia with the administration of the church of Vannes in Brittany and the abbey of Staffarda. Instituted a chapel in the Vatican basilica with four beneficiaries, which had (riporsi) the spear, which passed the cost of the Savior. For the sorrows of him occurred since the election of Alexander VI, who was not in good view, Lorenzo seriously sick, and not even after death of that Pontiff. So sick intervened in the conclaves of Pius III and Julius II, and he died shortly after in 1503, aged 53 and 14 as a cardinal. The bas-relief of the monument alludes to the special devotion he had for S. Lorenzo, who is put in place to present it in heaven in the presence of the Virgin Mary. The four statues placed it 'pillars reminiscent of the principal virtues in an eminent degree you feel! All his biographers there are witness, and we, passing others, will end with the following words of Folietta in his book (LATIN) Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/5313de6cb30117210a3d8187458eb834.jpg a08c9f7ad7afe0336eaa253b0447fec0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcrale di Gherardo Maffei. Brigida Milizia, Stefano Capodiferro e Benedetto Ponto nella Chiesa dell'Ara-coeli Subject The topic of the resource TABLE CIV SEPULCHRAL MONUMENTS OF GHERARDO MAFFEI, BRIGIDA MILIZIA, STEFANO CAPODIFERRO, E BENEDETTO PONTO In the Church of Araroeli Description An account of the resource TABLE CIV In this most gracious Church of St. Maria of Ara-Coeli, made over the temple of Giove Feretrio, raised by Romoto to vote in a battle against the Cecinensi peoples, and it contains many precious moments of every art style and every age, that there is an abundance for individuals to observe. Aleuni, as understood by four others, understood that this table marked 104 is the one we will speak about. But before you can look at the two words above this art from ancient times, what was finished in Etrusci by the architects of the sixteenth century and their particular tastes and styles. I want to say that this art shows a history in the kind of marble that was used and the way it was adorned with the facades of houses. After the painter Duccio had hollowed the figures in the marble cathedral of Siena, this art was thought to be perfected by Domenico Beccafuni, who led so many subjects of Genesi, and who still has among the most beautiful artistic monuments. And the way of doing so pleased him, and outraged the best craftsmen, who wanted to pursue it even on the facades of the houses. Today, they seem to have going into disuse and have almost been lost, and we see particular evidence for this in the distinguished sculptor Mr. Vincenzo Gaissi, who designed the marble in a forceful and original way, and has been able to replace the fragile asphalt, when previously its grooves were unfilled, and made it much more durable and lasting. These are very beautiful works for the committee of the lovely Prince Alexander of Torlonio, who displayed the freshly made monument to adverse viewers. But it is time to go back to the discussion of our illustration of the monument. The first of them, and the others that follow, make up a quadrilateral in the center enclosed by a circle of leaves and flowers, as well as the figure of a deer, which represents the generosity of the Lord, to whom this coat of arms belongs. At the of the sepulchral plaque, it is known to hold and preserve the remains of the deceased Gerardo Maffei of Velletri, who was known for his costumes, pious ways, and knowledge which got him much praise as an apostolic writer, who was in charge of the register of the apostolic chamber, and the secretary of many Roman Popes. In the second monument, which is more ornate than the first, but otherwise created in a similar way, there is an outline around the effigy of Brigid, posthumous daughter of Francis Militia, wife of the Evangelist Risoca, who is deposited in this tomb. This figure carved in marble is a wonderful and sad work for the sad resignation that shines from his face, and for the east of the clothes and the blankets surrounded by delicate pleats. On the sides of the head, you can see the names, with a picture of a rampant greyhound dog, which teaches that fidelity should be the warrior to God and to the prince. The ornaments, which are the frieze of this monument, are sunken in and made of marble, and filled with metals: this is the only example of this style we have seen in Rome, and we could not omit it from the collection because it is something so unique. In the third picture, you can see a man wearing a long dress, and over his shoulders is a peninsula. This is the portrait of Stefano Capodiffero, who was a unique man, who was fairly lucky, yet impassive in reactions. His sepulchral monument was paid for by Diana Tebaldi, who was unhappy over conditions of common mortals, and the bitter task of seeing the composing bones of his son for whom he hoped his eyes were closed. As in the previous ones, the head us surrounded by two coats of arms (of Tebaldi of Capodiferro from left to right), which expresses the love to the hardships of life, and in another is a half prancing horse that represents generosity and love. The epigraph on these monuments reads much more, and we were able to find it after a great deal of care. So, again, we know that the marble epigraph was disturbed by the enemies of the deceased with the intent of affronting his memory. It is here where we read about the accurate description of the church and convent of Ara-Coeli, which left to us by P. Casimiro. On page 102 of his work, which discusses the monument, he says “two plaques are seen on the floor, however, graphite composes the inscriptions at the foot of Stefano and Tiberius, which have been destroyed and levelled by envy, and they were found in the library of Emo Albrani Alexander, the other place mentioned in the register”. As for how much care we put in throughout the book and in other works by the same author, we have come to find that the epigraph is of swine and vesicular disease, rather than the words he promises us. That which we were able to find more of in the memorial of the Sepulchral Cardinal Francis Gualdi, is in the process of being printed by Mr. Benedetto and Mr. Constantine Mellini Gigli.3 Finally, the fourth is far more ornate than any of those aforementioned, and has stayed in the midst of the family, consisting of a rampant lion traveling through three mountains, signifying the great and generous actions, and his invincible and virile mind. This monument is in memory of Benedetto Podio, a young teenager removed from the world by dead, to signify hope to his relative and much of the country. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/01da6897c9c2c851e1cb7f79506e3651.jpg f78f534ec8bc7cc827b03b49e76196e3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcrale di Vincenzo e Marcello Rustico nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Tomb of Vincenzo and Marcello Rustico in the church of Santa Maria sopra Minerva Description An account of the resource A right hand of the little port of St. Maria sopra Minerva is placed against the wall this time and supported by three carved corbels. The white marble statue lies down on the urn reminds the effigy of Rural Vincent apostolic secretary and man eminently versed in Greek and Latin literature. Marcello was his father's secretary and writer, and also apostolic. The monument was in place by his son and grandson Anthony. It is not lacking in its simplicity, elegance, and graceful are the ornaments which are the two pillars, and overlaid them entablature. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/e64997cfcb9126447d9252962933fd1e.jpg 61e5da7f917cf71879bc19c6c9a8c2bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcrali di Giovacchino Torriani C. Cantacuzeno E Leonardo Mansueti nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource TABLE LXXXIII SEPULCHRAL TOMB OF GIOVACCHINO TORRIANI C. CANTACUZENO E LEONARDO MANSUETI In the Santa Maria sopra Minerva Church Description An account of the resource TABLE LXXXIII The church of Saint Maria above Minerva was erected over the ruins of the temple of a Goddess, who people offered many spoils in thanksgiving for the victories against enemies of Rome. This church has always been under the protection of the popes, and of great veneration of the Romans; and though it is always kept adorned, it was not long ago that the door to that degree of splendor that befits the house of God was opened by the Reverends PP. Dominicans were allocated in the annexed convent. The special devotion with which he gave the constant concern to the floor and the walls so they were crowded with sepulchral monuments can be seen here, and we have listed them here, as we took them from that magnificent temple. The first of which much adorned with foliage and flowers and was named after Gioacchino Torriani, from the noble city, Venice; who, after he had the religious order of the preachers, was appointed General for his great goodness and scholarliness. He knew several languages and divine sciences were among the first intellects of his time. The second monument consists of an arch supported by pillars adorned with very elegant pedestals, and a shrine arises form them, which consists of a base, fluted pilasters, and entablatures. On the pillar, there are inscriptions which remind us of the three Christians, of whom <the monument> contains the mortal remains: Caterina Cantacuseno Floridi, a noble Cypriot with many beautiful qualities that can be equated to the old matrons; of Isabella Belli, the only daughter, a delight to her relatives; and of Ettore Legles of Cyprus, this monument is erected to him and those above mentioned. In the third monument, with architecture and ornate decorations almost equal to the first, awaits the resurrection of Leonardo Mansueti from Perugia, the most knowledgeable theologian, who had Christian integrity. He was a religious preacher and, under Paul II, he was the master of the Sacred Apostolic Palaces, and was universally valued. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/a3bbc6def5a458bbeafddc1e4c086be7.jpg 84083f2d4e1ea89be2a80624f7a24160 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcrali di Girolamo Buzi e di Andrea Bregno nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Tombs of Girolamo Buzi and of Andrea Bregno in the church of Santa Maria sopra Minerva Description An account of the resource Of these two monuments, one on the right remembers the name of a famous carver in marble, Andrea Bregno, author of the beautiful altar for us reproduced in Table LVI of this volume. From (scolpitavi) epigraph above we can argue what account it was this artist in the times in which he lived, and they're good faith to us his beautiful works. Maybe too the call saying he used the art of sculpting abolished, but this is amnesty for those who wrote in 1506 talking about that which was enough life better than 85 years. In the great ship of the church of S. Maria sopra Minerva was placed this lovely little monument, that I had the luck of the draw before the restorations of the vast temple. Today it is seen battered and mutilated in the chapel of St. Raimondo, and that the last of those that open into the small ship right to be placed with a little trick at the foot of the pillar right of the said chapel. There, he lost his hoof to another small monument that and close, and that perhaps he would have welcomed even in its integrity under him as many times as they were seen by the eye of some intelligent observer. but this would have been even if he had not been preserved this ' two beautiful Corinthian capitals, which will put the maker will build it, but instead, perhaps they have been lost in the midst of the hustle and bustle of stuff, you think ugly prepending two Ionic capitals formed above those seen in the monument of Antonio Castalio we reported in Table LXI. And to fit the balustrade of the chapel stood still cut off half of one of his beautiful (candelierine). The other monument shown in this table remembers the name of Grolamo Buzi, a Roman patrician and apostolic abbreviator, died at the young age of 25 years 1517. It is a small shrine decorated with carvings axes nice and kind. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/de527a8335dee1bf9959eee10bfbf0e4.JPG df599c6f1b73cb6769c581bae42c3022 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcrali di Pietro Pintori E Di Francesco De Buglioni nella Chiessa di S. Onofrio. Tavola Con L'Instituzione E Gli Obblighi Della Cappellania Ex Valdes. Gia in S. Giacomo de Spagnuoli - ora nel Chiostro di Monserralo Subject The topic of the resource 3 plaques with descriptions written in italian. Description An account of the resource Soon to be translated. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 4 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/17ef16eb31160bc62fca5f98ee757b3d.jpg de844ea69bc8fb5722987240653bbace Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcrali di Salvo Cassetta Bernardo Nicolini e del Beato Giovanni dello l'Angelico nella Chiesadi S. Maria sopra Minerva Subject The topic of the resource Tombs of Salvo Cassetta Bernardo Nicoline and of Beato Giovanni of L’Angelico in the church of Santa Maria sopra Minerva Description An account of the resource Of the three monuments etched in this table, the first contains the mortal remains of Salvo Cassetta, who died in 1483 aged 70 . He was inquisitive, Master of the Sacred Palace and general of his order. Sixtus IV sent as ambassador to Germany for some (comporvi) some ecclesiastical affairs, and did so with great praise. The second recalls to posterity the name and likeness of Bernard Nicolini , who died full of high hopes in the age of 46 years , when he was already in the possession came all the affection Immortal Pope Clement VII. The third monument is dedicated to one of the greatest artistic celebrities of the fifteenth century, B. Angelo da Fiesole, who died in the odor of sanctity 1455 for 68 years. This is perhaps to be considered for the most illustrious forerunner of the sixteenth century, came to (pinger) heads a marvelous beauty, moved by his sole inspiration and keep up without any idea of the ideal beauty of antiquity. (Narrasi) him an anecdote, which proves the depth of expression that, is the type characteristic of his genius. It was already a monk, when one day he saw him come out of the room he was forced his door, and found himself prostrate with his face to the ground and sobbed bitterly. Was no reason to have started to paint Christ on the cross, and identifying himself in his subject from nearly fall into a kind of ecstasy and divine love. Maybe crying for mercy from ' torments suffered by the Savior, and perhaps not being able to find the world to faithfully render the heavenly nobility of that face. Who better to represent what could (giugnere) that felt so passionately? Soul truly angelic! And from the calmness of his smiling face, as it is depicted in this monument, one can easily argue that all of serenity and sweetness that he had to have his spirit. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/907bf17ac87e729ee47e3cfe3fdfd714.jpg ab392d1ba2b2762a1267984319c085e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcrali di Uberto Strozzi, Antonio Castalio e Girolano Butigella nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Tombs of Uberto Strozzi, Antonio Castalio and Girolano Butigella in the church of Santa Maria sopra Minerva Description An account of the resource There are three monuments. The first is a memory burial Alberto Strozzi Mantua, who died in 1553, operates all of white marble, simple but beautiful in its proportions and with the portrait of the deceased in a bust in full relief. The last Butigella remember the name of Jerome, Doctor of Law, who died in 1515, just 45 years old and man in 'his day (stimabilissimo). The median is sacred to the memory of Antonio Castalio, writer and papal archives of 80 years died in 1533. Before you renew the church of S. Maria sopra Minerva, in the mound under this monument (leggevansi) a marble table in the following two couplets: Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/ad7440bc75b1a561533a5939fffec7af.JPG 062abf35b661b9122ee152d5895bf625 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento a Dante Alighieri Subject The topic of the resource Monument to Dante Alighieri to the illustrious and papal Of the beautiful arts Roman Academy Of St. Luke Description An account of the resource Title Page The terrible singer of the Three Kingdoms sits at a throne where the pedestal reads that mysterious apostrophe. But, we want to say at once, analyze each mystery if you look good in that little rod that opens the door of Dite, and these sententious words-What advantage in the fairy given through a horn hit? - Pronounced solemnly made from the sky. But we did not make it slows us in a comment. We will stop in looking at that big crown with laurel and fixed eyes to the sky is in this attitude: having written the last words of his book, the pen has gone away almost automatically, while with the spirit engrossed in a ray of divine wisdom, however, basks in contemplation. The love that makes new the sun and the other stars Here is what is added when the attention is stopped on who looks at the monument that the knight Francesco Tosi Maria consecrated to Dante Alighieri on the title of this collection. As this happens because the monument itself, with defects richness of the ornaments, which instead all parties subscribing , but because these are available for a rational rays converge at all since the center , who willed to recognize in the main: Topic . In fact, you are descended from this and to examine its parts, and first among them stand where they are collected into three compartments of equal number symbolizing the three realms of the divine comedy. View in from the right Charon the demon and the evil seed of Adam to go on the wave brunette Acheron, in the middle of the mystical chariot drawn by the mystic hill griffin seven dancers around, the four feathered animals, and two old dress odd but seems in place, and finally the old man alone be sleeping with his face witty. And among these allegories of the holy virtues, the evangelists, the New and Old Testament, go to wonderful hymned and the ledge of divine things, theology, figuration Beatrice. Finally, in what is missing from you are presented to the eye. The high triumph of the Cerace Kingdom The topics covered so open and again before the divine volume, in order to return you to contemplate him who and teacher of color who can lift up with one at home and himself a sublime monument of glory. It alerts you to stay right on the head with them, that if this was the big prize of knowing, ever more worthy stop for front and girded himself. He and only after having seen and thought everything that catered granted carry the eye around the other parts of the work, and to consider the four pillars of beautiful chandeliers of various flowers and foliage flanking the niche where sits the poet and with the very capitals rise to support the architrave frieze and cornice . And over this, trying to finish the monument with a semi-circular shape that lots of drawers made of foliage and poetic, in whose midst was fierce and the bezel is engraved in a pitiful tragedy of Ugolino; precisely what the haggard face revealing of the sons to the father unhappy of the horrible reality of his situation, whose biting his hands from the pain. Poor children whose prime of life was stripped before the eyes of his father’s last moments with despairing barbarism! Poor father whose name, in which you summarize all the dearest pleasures of nature, was hit with the most acute tip while his heart bled! Oh a painting of a crime so horrendous that makes people bow to his words just as he who gives one shudder to human nature, it squeezes out from the edge of the tears of pity, for which we feel how beautiful that sublimed daughter of God truly is. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860