9 10 290 https://artgalleries.milne-library.org/files/original/b1a1c8c7fe1e07665d026fdc56896b3a.JPG 62130e860e85c9391afa366641b49678 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Altare nella Sagrestia di S. Maria della Consolanione Subject The topic of the resource Altar of the Sacristy of St. Mary of Consolation Description An account of the resource Table XII The altar that knight Tosi wants to introduce in this table is located in the sacristy of the church of St. Mary of Consolation. Simplistic and the base gently adorned with festoons and two -arms that is encased of Cibo. In the middle there was a table in this verse of the Psalmist - worship Deum in Sanctis ejus. - Two nimble pillars adorned with elegant chandeliers from the work and which skirted the quadrilateral intended to contain a painting , there are two nuts on the ends being in the basement , and stand up holding up the entablature with their capitals to put the whole ovules stars and light garlands of flowers. An entablature ending in volutes, with antefixes in the sides and in the middle of a seraph end of the altar: one in the middle above the main entablature of Innocent VIII noble weapon of the powerful Cibo family. It will be enough to make after work but have noticed that the band of the quadrilateral said above, and all full of golden ornaments, and that taste good proportions, the elegance of the ensemble and the delicacy of the carvings make this a most valuable monument altar art of the fifteenth century. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/d39848c4c8c6fe5b089d1d2de22c9504.JPG 48353d761e6995e63727690d1a9e1625 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli del Monumento Sepolcrale di Bernardo Sculteto e Giovanni Knibe nella Chiesa di S. Maria dell'Anima Subject The topic of the resource Details of the sepulchral monument of Bernard Sculteti and Giovanni Knibe in the church of St. Mary of the Spirit Description An account of the resource Table XI As we said in the mirrors of the ornaments that are subject to the niches may be better at this table where those others are carved into the base put on the best evidence. Here there is foliage and flowers and baskets; birds here and lizards and many other oddities of this work to delight greatly those who endeavor to look at them. In that and to observe that the author unknown to us dispose of this beautiful moment with such adroitness those many details contribute to make their own choice for a good understanding correspondence, united to that of the whole which form the principal merit of each work art. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/fa79e112b5386a67cf4b1c69593c48b2.JPG 9110edd67decdd5e707b882515c37bea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Bernard Sculteti e Giovanni Knibe nella Chiesa di S. Maria dell'Anima Subject The topic of the resource Sepulchral monument of Bernard Sculteti and Giovanni Knibe in the church of St. Mary of the Spirit Description An account of the resource Table X The company built the hospital in Rome for the German nation in 1543 fulfilled the duty of gratitude by putting in the church of St. Mary of the Soul a grave Bernardo Sculteti and John Knibe : one of these and still healthy and the other dying they had donated their property to the company . And so did the tomb and the fact that the knight Tosi has to be seen in this table. The stones that reminds the reader two virtuoso action to be imitated , of charity and gratitude, as the first base , on which it is located less than a second great but certainly richer than various carvings. Since this is the first protruding pedestal of the three pillars, which rise two sides and one in the middle dividing the monument, to support the entablature with a pediment in which space starts to carved a skull. The two parties, each enclosed between two pillars, take half the figure of a parapet and half that of a niche closing almost half of the window. Both of parapets are covered head to toe as wall hangings studded with magnificent arabesques that you seem to look at one another. But if you examine the uncovers and their parts , you will gradually reveals much variety of work that you see that copy disappear as if by magic , and raised under the eye ornaments, two originals , if having nothing in common if you take away the ' harmony of proportions and style . In those niches then, that almost half open to the diaspora of the guardrails, you spot an Ermin like looking pitiful that the two have expanded their wealth to humanity suffering. The institution which avedno and perpetual expiatory prayers for their souls, even today sends his voice to praise grateful to the charity at the back of God. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/fea1c1ea28a814fcd69a590bc8fee1cd.JPG ef73afe3b1fe669f961961cc977ae3e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Beatrice e Lavinia Ponzetti nella Chiesa di S. Maria della Pace Subject The topic of the resource Sepulchral monument of Beatrice and Lavinia Ponzetti in the church of St. Mary of Peace. Description An account of the resource Table IX In the right part of the last chapel in St. Mary of Peace is this deposit and precisely next to that outlined in Table VI. Point from which it differs, is that you will look at the concept is that you like to consider the general arrangement of the parts, the same rectangular shape, the same movement of festoons, the weapons themselves noble and inclusion at the bottom, in the same round percent flowers and foliage in the upper part. But if you think it is the same with its symmetry and distribution as a whole and in parts, do not induce that one is a copy of the other as from the details. In some of these, especially in the foliage and ornaments, each of them presents new and various styles. The lapidary inscription tells us that in this tomb were closed year 1503 with all joy of Ferdinand Ponzetti dean of Protonotaries apostolic, four years before he would put the other to himself and his family. And what was his delight, such as the hopes and delights from death well you see those expressed by two busts sculpted by the two rounds mentioned: Beatrice and Lavigna, one of age six and the other of eight were taken by the plague, and a tragedy to their uncle who loved them with tenderness. And in fact if we look at all those faces full of grace and innocence, we get to read in the belief that to see them suddenly disappear it cost him pain so severe that he never forgot it. Which lasted, however, as in him four years later, it tries to highlight the melancholy spirant by the words of the inscription which he placed another tomb, and we reported that to table V. We believe, therefore, that he wrote a truth when he wrote about the every sweetness to his live lost with these two beloved nieces gone. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/f3f6dc974fa7a1248a19a0681768cb80.JPG ae04cf1f6b0565e59ac40eb6122c3356 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli del Monumento Sepolcrale di Diego ex Valdes in S. Giacomo de Spangnuoli Subject The topic of the resource Details of the sepulchral monument of Diego EX. Valdes in St. James of the Spaniards Description An account of the resource Table VIII If every work of those centuries combines every minute that appreciated beauty befits their partial studies, they are welcome to still be amateurs of beautiful artistic details of the monument described above such as the Knight Tosi in his drawing on this board. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/0ff02c97fc05c5be7baba8e6b58040ed.JPG 1dd4022a7fafe9a45d26ca256c93e588 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Diego ex Valdes in S. Giacomo de Spagnuoli Subject The topic of the resource Sepulchral monument of Diego EX. Valdes in St. James of the Spaniards Description An account of the resource Table VII Not many years that the hospice attached to the church of St. Mary in Montserrat, has made at least two Valenziani and the Aragonese , the first in 1319 , the other in 1495 , a vague porch was built with the design of architect Knight Peter Camporese. And this porch welcomed all the works of culture that came to fame as a valuable existing in St. James, the Spanish national church already threatened to ruin. Now among the various monuments of the fifteenth and sixteenth centuries there greeted especially true for purity and ease of style that does not gracefully proportioned and the richness of ornamented and why in 1506 the Spanish bishop Ex- Valdes prepared himself. The Knight Tosi, studying in all its details and the style with which this work diligently conducted, believed to recognize that the same sansovino explained in other sculptures for certain the outputs were from his own chisel: therefore he drew from the same work as its author. If any esteem having to disagree with the opinion that it was precisely those the author will not be able to stop not agree in saying , will be conducted this work that only could a hand so valiant as that of Sansovino. Two large pillars and an elegant close in if the monument. Three compartments in the large base are the ones smallest side-arms of the deceased, the average and the largest stones, where laws as he himself ordered the sepulcher, and how many years he lived plucked death on December 26, 1506 being the butler of the Pope Alexander VI. On this basis, two shelves stick out from a band full of gentle grooves to hold up a delicate frame supporting the urn to bury the beautiful by the grace of proportions and for the ornaments: lies stretched over it on the deceased prelate. In the middle of the ballot is written a Latin couplet: there was in this wise counsel to prepare the grave before the death of that and uncertain time. A Greek cross in the middle and the two candlesticks burning in the sides occupy three slots marked in that part of the wall that you have between the urn and the beautiful frieze composed of heads of scrafini, which runs from one to the other capitals of the two pillars. There arises on those close to the monument in semicircular shape a band of exquisite work, leaving between itself and the frame bezel that contains a Virgin and Child flanked by two kneeling angels. Anyone who stands in looking at this monument is not removed since it does not contemplate any first convinced upheld in it all the qualities that essence, represent a masterpiece of the art of that era. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/be1c7fa803e225dfc4b54fc7dd7381e5.JPG 6a083f5cbcfe6cb84d3a8fe97d46c3a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale della Famiglia Ponzetti nella Chiesa di S. Maria della Pace Subject The topic of the resource Sepulchral monument of the Ponzetti family in the church of St. Mary of Peace. Description An account of the resource Table VI Ferdinand Ponzettiint in the year 1509 erected a tomb to his family; spear of noble and ancient lineage of Naples transplanted to Rome had to be here to flourish. And growing in the chapel the statue of St. Mary of Peace in the church built with the architecture of Baccio Pintello by Pope Sixtus IV, as we have said elsewhere, obtained for the concord of Christian principles - This tomb, as seen on the table, is a simple, rectangular shape and divided into two parts - the lower, almost base- wide, contains a framework in which it holds the entry where people are buried and who it was intended for the funeral room. The frame of this picture adorned with festoons read that has two coats of arms on his hips formed a shield that represents two hands indicating a rise and the other the set of a star , life and death. At the top, almost the urn, see among the various intertwined flowers and leaves with whimsical animals, two rounds comprising two half-figure portrait of an old man and a young person of a family who rests in here. Both play a sad face in a scroll, perhaps one where recorded and what was the old plant that produced their gentile offspring. Maybe that thought saddens them that it is not worth blazon to instantly lengthen the days prescribed in live human? Or maybe that they be freezing outside of his native land? This would lead us to believe the words that Ferdinand wrote on the stones-Vetustissimae Ponzettorii familiae partenopeeRomae obiture- inspiring words to Christians but it is but a melancholy resignation to a deep pain. If not it better to reveal the cause of their sadness other store that Ferdinand raised a few years before this. The time was a major disaster. We'll see him at the table IX: but of this, I was given and what we track down the author's name and those who do not question was one among talented artists of his century. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/750b7fba791347b634e04672d66507ac.JPG d0a5e3fda1ac338711e4d7c2f85512c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli del Monumento Sepolcrale di Gio. Andrea Bocciacio nel Chiostro di S. Maria della Pace Subject The topic of the resource Details of the sepulchral monument of Gio, Andrea Bocciacio in the cloister of St. Mary of Peace. Description An account of the resource Table V We did not make the word of how they conducted the decorations of the monument described diaspora; everyone can appreciate for themselves the merit of the individual parts that the knight Tosi offers in this table for the examination of the lovers of fine art. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/1eecdaa4b19e23030c439313f4819b8a.JPG 3a2d2a732d88b9dfa3ab4cd6b5bf0ecb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Gio. Andrea Bocciacio nel Chiostro di S. Maria della Pace Subject The topic of the resource Sepulchral monument of Gio. Andrea Bocciacio in the cloister of St. Mary of peace. Description An account of the resource Table IV At the time that Sixtus IV Celebrated harmony with the Christian principles, he even raised a temple to the Virgin Mary under the invocation of peace and made at a monastery- precisely in the cloister of this , that and the work of Bramante Lazzari , as the shy Militia recognized many mediocre things also saw the columns of the second order lay in the middle of the arches of the porch and one does not know that the contrast of the lower arch of the architecture above , the deposit is designed by Knight Tosi and recorded in the this table - Three shelves overhanging the wall supporting a large base in the midst of which the ministry is seen hanging horizontally in two bands , and flanked by two noble arms surmounted by miter . Two nimble pillars arise on this basis supporting an entablature and an elegant close between a hara on which lies a man dressed in the clothes of bishops with overlapping hands to his chest. An inscription on the anterior face in the year 1497 reveals the name and dignity of Andrew Bocciacci jurist and bishop of Modena, a man of great stature, in which Pope Sixtus saw to Ferdinand, King of Sicily, and the successors Innocent VIII and Alexander VI in the Hercules, Duke of Ferrara, who is not in the Inquisition for heretics to Savoin. In the sides of the coffin many books are overlapped one another , perhaps to symbolize, or perhaps to signify the product was extinct, or perhaps better to indicate that here rests on the fame of his doctrine. Some nimble and light festoons formed bells running from one capital to the other side of the pillars on the space that lies between the urns with elegant coffered ceiling. It is not known who the author of this deposit was. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/3862d636a775189cb536f51247d22c90.JPG 1a1edac2ab5e587ca9b3d70ccc9e8f65 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ciborio di Mino da Fifsole nella Chiesa di S. Maria in Trastever Subject The topic of the resource Siena di Fiesole in the church of St. Mary at TerraServer Description An account of the resource TABLE III OPVS MINI- these words are read to the foot of the tabernacle where the holy oils are situated in the passage where the sacristy of St. Maria in Trastevere is located-And these words, as we all see, stray away some doubts about its author's name. Which we do not know if it came to thank his work at the sight of the beholder; the best glue elegance of that neck of the ornaments or exquisite crafting with good design of carved figures and bas-relief. Sure, after being delighted overall, we are delighted to view in its details; grateful to the knight Tosi who has such accuracy in posing the design at which point Mino da Fiesole decided to shape it and make it through marble. The name of this author makes you want to remind him of when he writes the Vasari: about art instead of squaring the stones with Desiderio of Settignano, young and excellent in sculpture, who begins to make from earth the things that his master had done in marble, and with such skill that he points out which artist would seize him first before putting it to work on things that his art brought him up from. He was so fond and grew affection toward Mino that, when Desire died, he had so much despair that he grew bored with the Sojourn in Florence and abandoned the city and is here in Rome. Of the few jobs that Mino did in Rome, some were lost; he was willed therefore to know Knight Tosi who had chosen to be a part of this collection of works that survived. And presently treating this tabernacle, we sell it consisting of two pillars, by the Corinthian order, of a simple base decorated with vague foliage and supported by an eagle in flight between two cornucopias of such beautiful sculpture that not by an entablature and a pediment containing elegant ones in the middle of the Holy Spirit that is upon all the work. in the closed compartment of those pillars, five angels stand in various poses, some which sing hosanna and others which support the tabernacle where on top, these words are written- olea sancta-This is located in the middle of two niches put in perspective surmounted by a frame of rich work and flanked on the outside by two candlesticks that each have a prophet explaining laws, in that verse of Ecclesiastics -eum Cibavit vitae pane-and in that left these words taken from the seventh seventieth psalm of David- panem coeli debit eis- That alludes to the mystery of the Eucharist, in which it certainly also helps that the figure of the Savior is standing on the frame above the two aforementioned niches. On the cross from his left and right hand while it's raining blood in a chalice below. A crown of seraphim always acts behind praising with him offerings to the Eternal Father his very blood for the redemption of mankind to him that falls under the Eucharistic species in his redeemed souls to keep you well and is as beautiful as the remade passion in the eyes of God Oh, in those sacred symbols, the cross and the chalice, it contains a great idea, the love of the creator for his creation! Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860