3 10 290 https://artgalleries.milne-library.org/files/original/16a9eb33227039621c2f4f3fa60bc4bd.jpg 6fe77817226b534fcff05535ccba0a63 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format Format of the item being described (e.g., painting, drawing, print, sculpture, tapestry,photograph, etc.) Lithograph Physical Dimensions The actual physical size of the original image or object, in inches and/or centimeters. 22.5 x 28.5 Inches Accession The accession number assigned to the (likely physical) work for which this digital image serves as surrogate. 2018.1.7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bolis Description An account of the resource It is a part of the "10 Plagues" scenes. It is a black and yellow lithograph. Creator An entity primarily responsible for making the resource Cohen, Adele Date A point or period of time associated with an event in the lifecycle of the resource 1985 Format The file format, physical medium, or dimensions of the resource Paper, lithograph, 22.5 x 28.5 Inches Language A language of the resource English Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context 2018.1.7 https://artgalleries.milne-library.org/files/original/ee966b21061053d9d50416004ffd74f8.JPG 464705355c9be23925edda5758c25ab8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Agnes Jeffrey Collection Description An account of the resource A biography of the artist, Agnes Jeffrey, by her niece, Virginia Jeffrey Smith, who gave the paintings to SUNY Geneseo in Agnes Jeffrey's memory: "Agnes Jeffrey was born in Edinburgh March 1806 and died in Rochester, NY, November, 1896. She was the third child of John Jeffrey, a leading barrister (lawyer) of Edinburgh and of Elizabeth McConnel, his wife. The family lived in York Place, Edinburgh, a very beautiful Georgian house which I have seen. They also have a summer place in Wigtownshire, going there each year by a three day's drive in their coach. She and her sisters painted and she studied painting in Edinburgh and then in London. Her watercolor "American wild flowers" took the first prize at the Crystal Palace- England's first world fair. She came to America, probably in the 1840s, to keep house for her widowed mother and two brothers who had preceded her to America and lived in Canadaigua. Her art was undoubtedly influenced by Raeburn, Scotland's chief artist who had painted portraits of her father and uncle. Her brother William, a leading attorney, who had come to the United States to act as agent for Mr. John Geig of Canadaigua in the Phelps Gorham Estate (land development), later moved to Rochester opening his own practice. Upon the death of his wife, Agnes came to Rochester to live, caring for his children, especially the two little girls- Clarice Greig Jeffrey, also a painter and who taught painting at the old Mechanics Institute, and Mary, also an artist who later married A. Byron Smith and became my mother. Four generations of the Jeffrey family have painted professionally. After her brother's death, and his property lost through mismanagement by his executor, she supported the two girls for years by painting and teaching art. A woman of intellectual ability, she was in authority in botany and on the Bible, teaching a Bible class most of her life. At the age of seventy she decided [she] wanted to read Dante in the original and began the study of Italian and learned to speak it as well as to read it fluently." Contributor An entity responsible for making contributions to the resource Virginia Jeffrey Smith Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bougainvillaea Vines Subject The topic of the resource Watercolor Description An account of the resource Realism. The date of attribution is c. 1870. Jeffrey's signature is found in the lower right corner. For more information of Agnes Jeffrey, see collection description. Signature: LR. Old Accession Number: J-2D-JEFFREY-A-9 Creator An entity primarily responsible for making the resource Agnes Jeffrey (1806-1896) Source A related resource from which the described resource is derived Gift to the college in 1971 from Virginia Jeffrey Smith of East Avenue, Rochester, NY, grand niece of Agnes Jeffrey. Part of the "Art of Four Generations of Jeffrey Family Women" exhibit sponsored by the College from June 27th to July 18th, 1976 at the Brodie Fine Arts Gallery. Also shown in "The Genteel Pastime: 19th Century Watercolors by the Ladies of the Jeffrey Family" at the Memorial Art Gallery of the University of Rochester from December 9, 1988 to February 26, 1989. Date A point or period of time associated with an event in the lifecycle of the resource 1980 Format The file format, physical medium, or dimensions of the resource 14.938" x 20.75" Identifier An unambiguous reference to the resource within a given context 1980.48 Publisher An entity responsible for making the resource available Gifted by Virgina Jeffrey Smith. Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Jeffrey Collection 1980.40-1980.57 Language A language of the resource English Type The nature or genre of the resource Watercolor on paper Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant c. 1870 https://artgalleries.milne-library.org/files/original/292c82f7ef3c8f46c213d183e3c6ac32.jpg 2cc489fe47fee0a3e803ab46a50db6e0 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format Format of the item being described (e.g., painting, drawing, print, sculpture, tapestry,photograph, etc.) Lithograph Physical Dimensions The actual physical size of the original image or object, in inches and/or centimeters. 20 Inches x 5,5 Inches Accession The accession number assigned to the (likely physical) work for which this digital image serves as surrogate. 2018.1.6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cactus Leaf Study II Description An account of the resource It is a part of the "10 Plagues" scenes and is a brown lithograph of what seems like a bird. Creator An entity primarily responsible for making the resource Cohen, Adele Date A point or period of time associated with an event in the lifecycle of the resource 1975 Format The file format, physical medium, or dimensions of the resource Paper, lithograph, 20 x 8.5 Inches Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context 2018.1.6 https://artgalleries.milne-library.org/files/original/185ce78cb65861683cd57d4bd826b419.jpg 5e8964e5fb18bcb69917f72341220e9d Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format Format of the item being described (e.g., painting, drawing, print, sculpture, tapestry,photograph, etc.) Lithograph Physical Dimensions The actual physical size of the original image or object, in inches and/or centimeters. 22.5 x 28.5 Inches Accession The accession number assigned to the (likely physical) work for which this digital image serves as surrogate. 2018.1.4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cattle Disease Description An account of the resource This is a part of the "10 Plagues" scenes. It is a brown and black lithograph. Creator An entity primarily responsible for making the resource Cohen, Adele Date A point or period of time associated with an event in the lifecycle of the resource 1985 Format The file format, physical medium, or dimensions of the resource Paper. Lithograph, 22.5 x 28.5 Inches Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context 2018.1.4 https://artgalleries.milne-library.org/files/original/3862d636a775189cb536f51247d22c90.JPG 1a1edac2ab5e587ca9b3d70ccc9e8f65 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ciborio di Mino da Fifsole nella Chiesa di S. Maria in Trastever Subject The topic of the resource Siena di Fiesole in the church of St. Mary at TerraServer Description An account of the resource TABLE III OPVS MINI- these words are read to the foot of the tabernacle where the holy oils are situated in the passage where the sacristy of St. Maria in Trastevere is located-And these words, as we all see, stray away some doubts about its author's name. Which we do not know if it came to thank his work at the sight of the beholder; the best glue elegance of that neck of the ornaments or exquisite crafting with good design of carved figures and bas-relief. Sure, after being delighted overall, we are delighted to view in its details; grateful to the knight Tosi who has such accuracy in posing the design at which point Mino da Fiesole decided to shape it and make it through marble. The name of this author makes you want to remind him of when he writes the Vasari: about art instead of squaring the stones with Desiderio of Settignano, young and excellent in sculpture, who begins to make from earth the things that his master had done in marble, and with such skill that he points out which artist would seize him first before putting it to work on things that his art brought him up from. He was so fond and grew affection toward Mino that, when Desire died, he had so much despair that he grew bored with the Sojourn in Florence and abandoned the city and is here in Rome. Of the few jobs that Mino did in Rome, some were lost; he was willed therefore to know Knight Tosi who had chosen to be a part of this collection of works that survived. And presently treating this tabernacle, we sell it consisting of two pillars, by the Corinthian order, of a simple base decorated with vague foliage and supported by an eagle in flight between two cornucopias of such beautiful sculpture that not by an entablature and a pediment containing elegant ones in the middle of the Holy Spirit that is upon all the work. in the closed compartment of those pillars, five angels stand in various poses, some which sing hosanna and others which support the tabernacle where on top, these words are written- olea sancta-This is located in the middle of two niches put in perspective surmounted by a frame of rich work and flanked on the outside by two candlesticks that each have a prophet explaining laws, in that verse of Ecclesiastics -eum Cibavit vitae pane-and in that left these words taken from the seventh seventieth psalm of David- panem coeli debit eis- That alludes to the mystery of the Eucharist, in which it certainly also helps that the figure of the Savior is standing on the frame above the two aforementioned niches. On the cross from his left and right hand while it's raining blood in a chalice below. A crown of seraphim always acts behind praising with him offerings to the Eternal Father his very blood for the redemption of mankind to him that falls under the Eucharistic species in his redeemed souls to keep you well and is as beautiful as the remade passion in the eyes of God Oh, in those sacred symbols, the cross and the chalice, it contains a great idea, the love of the creator for his creation! Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/7870cd9847ac9f63fd05cc6c784d263b.jpg 380a9cff09f1212adaa93acfb91939d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ciborio nella Chiesa di S. Giovanni de Genevesi Subject The topic of the resource TABLE XCIII CIBORIUM In the Church of Saint Giovanni of Genoa Description An account of the resource TAVOLA XCIII We took this design of a pretty ciborium from the church of St. Genovesi, which in our opinion, is commendable and worthy of giving various amounts of exquisite work of others. It is composed of two pillars resting on a simple base, which is supported by two dolphins in the middle by a plaque on which is carved an eagle, and this is placed in the arms of Meriaduca Cicala, to whom we dedicated the monument from table 92, although the work was erected at his own expense, incorporating the shield of the initial letters of his name and family name. It is said that the pillars supporting a lintel covered with carved works of small globes. In the frieze there are two festoons tied together by a ribbon, and above an entablature with ovules, which are seen again in the tympanum, which is what makes it stand out. On this gable, the artist drew the divine dove with outstretched wings, which reminds us of the love of God who gives the institutions of divine sacraments. In the interpillar, one can see two angels, with their hands clasped on their chests and their eyes looking towards heaven, which flank the tabernacle on whose door which is held up by a pediment reads “SANCTUM OLEUM INFIRMORUM”. On this side of the door shows the perspective of two angels coming out from above, and above them raises a divided bezel, which is supported by a frame whose overhang supports three statues, of which the side ones are ancient and seem to be two saints, both of whom are carrying pergaments in their hands, on which the mystery of the Eucharist is written. The first figure in the background is the divine Redeemer, and to the left of him is the sign of redemption and to the right of him is the cup filled with his living blood, which is the precious price he paid to his father for human redemption. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/fa1003e14f7ae4a450b0fa84aaafb94b.jpg 46e42cc921e93d67fafd998ca5ae7f90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ciborio-e Monumento Sepolcrale di Costanza Piccolomini Nel Chiontro di S. Agostino Subject The topic of the resource Ciborium and tomb of Costanza Piccolomini in the cloister of Sant’Agostino Description An account of the resource To enter the Cloister of S. Augustine, if a tired hand turns, the show is facing four monuments, the penultimate of which we will describe below (Table LXIII.) And the last is dedicated to the memory of Constance Piccolomini, whose son speaks very fondly of it 'four verses that are read in the plaque in front of the coffin. The monument was erected in the church of S. Augustine the year 1477, under the pontificate of Sixtus IV; afterwards for the changes which are suffering inside that temple, was transported to this beautiful work in the cloister, where it exists, however, but however much damaged. The lower part of this monument is simple, as anyone can see, but not missing in ornaments conducted with very good grace. The top three pillar components, of which the middle one form as a small front building, flanked by two Corinthian columns on which they are standing straight up two Evangelists, each with a parchment explained and you turn around an arc, in which the center of the middle relief is carved the figure of Christ, that men should be reminded he lay on the ground in one piece in a sacrament of love. In these columns, we do not know when they were replaced with two spirals very ugly, which (discordine) as with the rest of the monument will be able to see every man for himself. Under the cornice, which, starting from the capitals of the columns, turns in a vain quest ' interpillar format niche, are two angels holding a cup in her hands on which is far-fetched the sacred Eucharistic symbol of our faith. More still under (opresi?) the door that was to enclose the sacred species, the sides of which are placed two angels standing in adoration. The niches carved into the two-pillar side are occupied by two figures, one representing St. Augustine and the other Menasca: perhaps hinting at a special devotion to these saints of the buried. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/299e11f54ef9e954c433460377795638.JPG 316fd7f52d2800cc9c0018201ed11aa6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ciborium nella Chiesa di S. Marco Subject The topic of the resource Ciborium in the church of St. Marco Description An account of the resource Table XVIII Among the few works of sculpture by Mino da Fiesole in Rome hath made the ciborioche committed the Cardinal Barbo, then Paul II, and existing in the ancient church of St. Marc. True and not having Mino wrote your name in it. But whether we like to hear Vasari to tell how that the Cardinal said all weapons placed in his noble palace adjoining the said church, palace built by him and then by Clement VII granted to the Republic of Venice, and if after hearing the Vasari we will to consider one of those same coats of arms surmounted by a cardinal's hat and Barbo almost to the ciborium, and if you finally land on behalf of the style with which to coat the figures and carvings of all of the work were carried out, there will be no doubt that this sacred monument is due to the chisel of the school by Desiderio of Settignano. The knight Tosi offers us to view the drawing in this Table. A simple frame superimposed on the shield of the lion salient Barbo. Is based on two pillars with vague workings of foliage, and on this a very elegant entablature ends on the monument. He's in the middle of the frame mentioned a chalice and paten covered by the host of this bloodless, in front of the point of a base on which to pose the divine tabernacle surrounded by four angels posed in admiration. Below the lintel can be seen in the lacunar place in perspective and then the Holy Spirit descend by a halo of fire. Anyone who looks at such a job, if you do not want to have certainty about the author by his easy manner and gentle are conducted where the cuts will be other consideration of any kind, just with an eye to the figure of the four adoring angels to conclude that the same hand that has posed as those of the ciborium of St. Mary in Trastevere was only able to give these movements are graceful. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/eed8913c0f34c292a0b7fe040708a1c9.jpg 0ffb113842f481ac8b999eb9c087e9f7 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format Format of the item being described (e.g., painting, drawing, print, sculpture, tapestry,photograph, etc.) Lithograph Physical Dimensions The actual physical size of the original image or object, in inches and/or centimeters. 30 x 20 Inches Accession The accession number assigned to the (likely physical) work for which this digital image serves as surrogate. 2018.1.30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collage 1, Lithograph Description An account of the resource Lithograph Collage Creator An entity primarily responsible for making the resource Cohen, Adele Date A point or period of time associated with an event in the lifecycle of the resource Unknown Format The file format, physical medium, or dimensions of the resource 30 x 20 Inches, Lithograph Language A language of the resource English Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context 2018.1.30 https://artgalleries.milne-library.org/files/original/43aae8bf129c0b3c08ae01443d79aed8.jpg 800b339855441c8e03a97029ff1bc956 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlee R. Holton Collection Description An account of the resource The Collection telling the story of 'Othello' in prints. Colophon Othello Re-Imagined in Sepia Images from Original Intaglios by Curlee Raven Holton Text by Ian Smith PhD Portfolio printed on BFK White container bound in Iris book cloth wich spines of Asahi cloth Printed and bound at The Experimental Printmaking Institute Lafayette College, Easton, PA printer: Jase Clark Evan McGovern This is Number: 2012 Creator An entity primarily responsible for making the resource Curlee R. Holton Date A point or period of time associated with an event in the lifecycle of the resource 2012 Language A language of the resource English Contributor An entity responsible for making contributions to the resource Geneseo Foundation and the Milne Library Archives Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Accession The accession number assigned to the (likely physical) work for which this digital image serves as surrogate. 2013.14.22 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Colophon (text) Subject The topic of the resource A visual representation of 'Othello' Description An account of the resource Text description of print collection. Colophon Othello Re-Imagined in Sepia Images from Original Intaglios by Curlee Raven Holton Text by Ian Smith PhD Portfolio printed on BFK White container bound in Iris book cloth wich spines of Asahi cloth Printed and bound at The Experimental Printmaking Institute Lafayette College, Easton, PA printer: Jase Clark Evan McGovern This is Number: 2012 Creator An entity primarily responsible for making the resource Curlee R. Holton Source A related resource from which the described resource is derived Purchased from Curlee R. Holton Publisher An entity responsible for making the resource available Printed and bound at the Experimental Printmaking Institute Lafayette College, Easton, PA Date A point or period of time associated with an event in the lifecycle of the resource 2012 Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Holton Collection Accession items: 2013.14.1 through 2013.14.22 Language A language of the resource English Type The nature or genre of the resource Experimental Prints Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Late 21st Century Contributor An entity responsible for making contributions to the resource Curlee R. Holton Identifier An unambiguous reference to the resource within a given context 2013.14.22 2012 African American Contemporary Holton Othello Printmaker Prints