22 10 290 https://artgalleries.milne-library.org/files/original/f06498182207860705fd0f494819167c.JPG 8fa4e7021cc3c82df3895e297d34acf1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Francesco Tornabuoni nella Chiesa di S. MAria sopra Minerva Subject The topic of the resource Sepulchral monument of Francesco Tornabuoni in the church of St. Mary above Minerva Description An account of the resource Table XIII Who is the face on the wall to look at the left door of the church of St. Mary on top of Minerva presents this store. Two shelves will support the plan with the two side posts and placed upon the frame form the interior of a room, where rich coffin lies stretched over a gentle boy. to which race and which country was this flower of youth and beauty, which forms here the teacher portrayed in marble by Mino da Fiesole, you would know that the two arms of noble hang hanging on the walls of the room, one of Florence and the other of the Tornabuoni, if not better than declare the entry governed by two ribbons and ornaments noble is in the middle of the urn. Since we know it as the one who sleeps the eternal sleep that Francis was a nice house, which granted the years of living with pain of all and in especially way the Pontiff Sixtus IV which was extortionate. And if I want a mind not so much love that he wore Sisto as to the state of his family, wealth and powerful mercantile credit in that not to be related to the Doctors, you will learn how to light the bitter death of him dying from grass in a splendid life of hopes and honors. Between the two arms that already hang on the wall, seeing a circle of blazing light in which Jesus is crucified, perhaps to indicate how his glory was taken to the soul of the deceased is more pure and shining with all worldly glory. Just look at this monument to judge him worthy of holding a gem in the sculpture of the sixteenth century, which of all the connoisseurs of this art is judged the statue of Mino. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/014c4f7f20fb3d1e1dc526263a3024a6.JPG 2fac7aceba702cee3567efab90b79331 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli del Monumento Sepolcrale di Francesco Tornabuoni nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Details of the Sepulchral monument of Francesco Tornabuoni in the church of St. Mary above Minerva Description An account of the resource Table XIV The single parts of the described monument, showed in this Table in a higher level than the one in prospective, proves the truth better than when the written diaspora around his artistic merit. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/5344ed1bbd63e10e5dc16a995b275e66.JPG d4fa9ac5f6741f4c118e690cdc308d4d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Benedetto Maffei nella Chiesa di S. MAria sopra Minerva Subject The topic of the resource Sepulchral monument of Benedict Maffei in the church of St. Mary above Minerva Description An account of the resource Table XV Descending from the minor ship of the church of St. Mary above Minerva, the fourth chapel that is seen and the one that was founded by the Maffei family of Verona and entitled to Salvatore e an s. Fillip Neri. And to the left point of this chapel the child mercy of Achille Maffei posed the tomb to the father Benedetto, a man with a big reputation of the doctrine under the Pontificate Sisto IV. The tomb we estimate to be one of the vague rings so our knight Tosi formed this valuable necklace to show the richness of the sister arts at that time that in endless mines resurrected treasuring the beautiful and the true. And everything in it, and thanks simplicity. And a socket on a base with three recesses this , the average and more wide a tombstone that the virtues of the deceased and those more narrow side and a coat of glue company of his family to Italian writers of the decades. Above the urn with Greek subscription and over the urn in a case where the middle and carved the image of the extinct. And all that is contained between two pillars Composite order raised on the sides to support the entablature which ends the monument. From the second urn or box lintel start to a vacuum that seems to have been intended for a painting. But this came down to us, the time subtracted from our view as to our memory of the author's name so precious deposit. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/e3855316871d3fb24ac9d2c4d726ce02.JPG 0c210e9a715f5e6deaadbb2bc139ff24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Pietro Ferricio nel Chiostro di S. Maria sopra Minerva Subject The topic of the resource Sepulchral monument of Peter Ferricio in the cloister of St. Mary above Minerva Description An account of the resource Table XVI Sincere and also the author of this monument located in the cloister of the said church of St. Mary Above Minerva. If, however, we do not detect his work and gave the name , well it reveals the prowess of him, and that taste for ornamentation and architecture for exquisite style with which I have dealt with figures in bas-relief , this was reputation for his work in one of the best of that time. Easy as a whole so that the author seems not to place and will study hard to compose it ; to lower and one of the two pillars of the Corinthian order sources are collected by two pedestals where the arms of the deceased cardinal , end I gave to a architrave with frieze and cornice which closes the monument . Between the pillars, on the base, and precisely on a pedestal adorned with small pods, you see a magnificent carvings flanking urn with a plaque, which in a nutshell is manifest as the one that lies above it in bishop's robes were the cardinal of S. And protector of the Church and of Preachers. And it was these Cardinal Peter Ferrici for his doctrine so much forward to the estimate of Popes Paul II and Pope Sixtus IV to be into the management of state affairs, reveals another inscription incised on the base. The cause us to back and top of the urn in seven mirrors, the three largest of which contain two of a graceful candelabrum, one, the middle one, a cross. On these compartments scrolls a frame to put ovules and pods and Marente in the two pillars. And the space between it and the lintel and filled by a bezel where you admire the Virgin Mary with the divine son Jesus placed between two angels that genuflect before. From these figures we learn as looks matter sometimes come alive under the hand of the artist to make believe for a moment that descended to inform the spirit. This happens when the author rose with the mind up to the mentioned transforming of the power in the hand of marble in almost convey their thoughts. Of course those are marble figures, but there was in their faces that I do not know if that is not pure and radiant and earthly thing, perhaps a reflection where the eternal light of God to beautify the face of the heavenly creatures. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/07d7a363ede276147013068a54debf18.JPG 5b2a3d00b8eb9639d90c0b30f7fcbc26 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli del Monumento Sepolcrale di Pietro Ferricio nel Chiostro di S. Maria sopra Minerva Subject The topic of the resource Details of the Sepulchral monument of Peter Ferricio in the cloister of St. Mary above Minerva Description An account of the resource Table XVII From this table, which provides us with precision the details we have enough to better them admiring the artistic merit of the sepulchral monument described above. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/299e11f54ef9e954c433460377795638.JPG 316fd7f52d2800cc9c0018201ed11aa6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ciborium nella Chiesa di S. Marco Subject The topic of the resource Ciborium in the church of St. Marco Description An account of the resource Table XVIII Among the few works of sculpture by Mino da Fiesole in Rome hath made the ciborioche committed the Cardinal Barbo, then Paul II, and existing in the ancient church of St. Marc. True and not having Mino wrote your name in it. But whether we like to hear Vasari to tell how that the Cardinal said all weapons placed in his noble palace adjoining the said church, palace built by him and then by Clement VII granted to the Republic of Venice, and if after hearing the Vasari we will to consider one of those same coats of arms surmounted by a cardinal's hat and Barbo almost to the ciborium, and if you finally land on behalf of the style with which to coat the figures and carvings of all of the work were carried out, there will be no doubt that this sacred monument is due to the chisel of the school by Desiderio of Settignano. The knight Tosi offers us to view the drawing in this Table. A simple frame superimposed on the shield of the lion salient Barbo. Is based on two pillars with vague workings of foliage, and on this a very elegant entablature ends on the monument. He's in the middle of the frame mentioned a chalice and paten covered by the host of this bloodless, in front of the point of a base on which to pose the divine tabernacle surrounded by four angels posed in admiration. Below the lintel can be seen in the lacunar place in perspective and then the Holy Spirit descend by a halo of fire. Anyone who looks at such a job, if you do not want to have certainty about the author by his easy manner and gentle are conducted where the cuts will be other consideration of any kind, just with an eye to the figure of the four adoring angels to conclude that the same hand that has posed as those of the ciborium of St. Mary in Trastevere was only able to give these movements are graceful. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/393fc1a437773fd9563ce538c50ae482.JPG 7b904d3066b934ef5f9d25d6a016887d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Altare nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Altar in the church of St. Mary above Minerva Description An account of the resource Table XIX It would be enough that the altar is presented in this table to have made a wise degree of perfection in which they were the sister arts in the fifteenth and sixteenth century. In fact, the architectural proportions or want to, or do you want for the finiteness of the sculptures of ornaments or do you want in order for the beautiful fresco painting depicting the Annunciation of the Virgin Mary that he and the altar of a work of art worthy of economic. It is in the chapel of Cardinal Caraffa of Oliviero founded by his family in the strait of the crown in the church of St. Mary above Minerva, dedicating it to St. Thomas Aquinas. If you're looking scruffy draw because any stand that forms the canteen, what comes for this reason that is no longer the old: and enclosed between two pedestals where the weapon of the house and carved jug Steelyard. At this overlooks a small base which in the extreme sides of the coat of arms of Cardinal Founder and most within two angels kneeling. Precisely those arms are raised above the two pillars of the Corinthian order of exquisite work when the ignition locking between two scenes of the Annunciation party. See it from one side of the archangel Gabriele ATO to utter the sublime words to Mary, and that in the middle while the other St. Thomas Aquinas presents to her the Cardinal Olivier devotee who commissioned the work, and founder of the chapel. Attic that overpowers the frame of the entablature to four previously fixed to the heads of satyrs with swirls and festoons of flowers and fruit. The value that each can see in this work of art it heartened the desire to know what it cleft the architect, who would lead with such grace carvings and who finally was painting the fresco. But if this desire is disappointed by history and tradition as the architect and sculptor whose founder, Cardinal at work, well it compensates for learning the name of the author of the painting. This which is attributed by some people to B. Angelico da Fiesole, there can be no doubt, moreover, is the work of Filippino Lippi. Of that same Filipino in the upper part of the same chapel he painted the Assumption and the lower the Apostles did not dispute that St. Thomas Aquinas which occupies the entire wall straight: that dispute was judged since its contemporary excellent painting, and held in the same esteem by posterity. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/e801fcf85c29045f4f7f459c36a61ec6.JPG 2f59a6acb8e40fa13f44fe424edd4b4f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli dell'Altare nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Details of the Altar in the church of St. Mary above Minerva Description An account of the resource Table XX The details of the sacred monument displayed on the preceding table are so many wise and rich qualities that the knight Tosi proposed to present them clearly in this. And what made love that the advice was to bring together in this collection means how many more he stigmas advantaged to study in special character where the arts of the time you took a glorious side of originality. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/f8f7bafede74e133086bbaa29e56d2d8.JPG 4ac73633eb0d238e79554e9c7a927f1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Giacomo Tebaldi nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Sepulchral monument of James Tebaldi in the church of St. Mary above Minerva Description An account of the resource Table XXI In the same church of St. Mary above Minerva, even on the same wall where the tomb of the Tornabuoni and just above this referred to the treatment table XIII property rises deposit drawn in this table. Five shelves, including standard or candelabra or run festoons of fruit, whose support base in the middle two winged cherubs hold a table. In this written and how the monument superimposed divided into two floors with a frame, was erected to the memory of Cardinal James Tebaldi died in 1466, and for his Christian virtues had in great admiration of Pope Calisto. In the lower floor lies an urn above the cardinal dressed in bishop's robes. From the depth of the upper floor is revealed this was intended to contain some sculpture, ignoring, however, if never been asked or if it was then removed. The pillars cut in the middle of the frame that already have to aim in the below -arms of the noble lineage of Tebaldi, in two niches above the Saints James and Rocco, the one and the other patrons of the deceased. It overlooks the entablature and finally to them this a stylish over- honored, in the midst of which is a bas-relief in a glory of the Divine Savior scrafini having a book in his left hand , the book of his law , and with his right hand in the act of blessing . Oh this figure really shines with divine beauty! With a nod from him who can destroy and bless as in this act manifested to man the whole spirit of His law of love! Not without good reason is attributed to this monument carver Andrea Verrocchio by a talented artist of the time. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/6c525c0d55726028fcbed5a6b88c382b.JPG ae1a705cadb38c7b5861f216be28de56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Benedetto Soranzo nella Chiesa di S. Maria Sopra Minerva Subject The topic of the resource Sepulchral monument of Benedict Soranzo in the church of St. Mary above Minerva Description An account of the resource Table XXII And if the opinion of the author of the Knight Tosi around the Ex - Valdes storage place in St. James of the Spaniards , and then moved onto the porch of the hospice of St. Mary of Montserrat, was received with acclaim by the smart of ' art will also not without good reason that we write to Sansovino on this tomb that Victor Superanzio Venetian patrician consecrated to the memory of his brother Benedict , Archbishop of Nicosia apostolic secretary of Innocent VIII and Ceremonies of Alexander V , failure to live fresh age of 45 years. In fact, the two monuments can be said to be equal to each other, which changes where the Ex- Valdes must be distinguished from that of Superanzio you are of slight moment and diversify away from essentially all from one from the other, that would be indifferent and warn the passarcene. As one of the Ex - Valdes of this Superanzio is formed of two pillars adorned with sconces and Display heads and foliage of exquisite work, as in that of the base presents in these three compartments with -arms of the deceased and with the inscription on the life and death of him. Also in this that in those two shelves hold up a frame on which to pose the urn which by way of supporting the coffin of the deceased cardinal. If not this beautiful urn ornament and straight legs of a lion and bigger than that of Ex- Valdes and therefore somewhat covering the three compartments marked in the wall There arises more from at the frieze that is not in other store which frieze, however, and as well as in the compound of heads seraphim, and begins and ends in the pillars on which stands a band and turn in a semicircle in closing the monument, presenting in its bezel Mary with her son in the middle, St. John the Baptist on the right and left Pontiff St., figure all graciously carved in bas-relief. We will cease from noting the similarity of the two works almost perfect without mentioning that among the middle urn hath in this as well as in the plaque, which reads a couplet where do you copy nice advice from mortals. The council which consists in this, that I give every studio in not many years but both does that in life, whatever Salesian life, flowing honest and pious. But after observing how these two works are the children of one idea to another and therefore one countenance together, let us hasten to declare that what goes into the ornaments they COTAL variety to wonder how many other details can dress the same general concept. Eleven years before the Ex-Valdes, died the Superanzio came to life: this is detected by the respective lapidary inscriptions. Although the chronological date of their death is not certain proof of the creation of monuments, not of necessity that the Ex-Valdes, because dead after the Superanzio, not even after it was raised the deposit, the more that those prepare for living in the if and but a strong indication that the erection of this preceded that of the other, in short, this is the original and the other the imitation. Both, however, however, and in one another and start to copy as much of the artistic beauty of details that make you forget the question of the originality of the general thought of the work. This monument is to the left of the chapel already sacred to St. Agnes of Montepulciano and now at St. Raymond in the church of St. Mary above Minerva. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860