20 10 290 https://artgalleries.milne-library.org/files/original/4aa6d876c0733eda717887789ede68f0.jpg 28c6e25d4d0bca3178d3e0e02d7e1f28 https://artgalleries.milne-library.org/files/original/1f2a87323b6c56503c231fd681cdfa96.jpg c88bff1b9ba222d24a31cb470e1566ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Robert Green Collection Description An account of the resource Gift from Robert Green (at one time a faculty member at SUNY Geneseo). Green's Arabian Nights Puppets Collection consists of 27 puppets from 1925. This collection was exhibited at the Geneva Historical Society and Museum in 1977. Contributor An entity responsible for making contributions to the resource Robert Green and Students Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arabian Nights Puppets: Robber (1982.1.21) Subject The topic of the resource One Thousand and One Nights, a collection of Middle Eastern and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age. Description An account of the resource Wood and Fabric. Left foot has a varnished space for labeling. Date of attribution: 1925 Old Number: G-P-Green-21. Exhibit History: Geneva Historical Society and Museum. Christmas, 1977 Creator An entity primarily responsible for making the resource Robert Green and students Source A related resource from which the described resource is derived Gift from Robert Green (at one time a faculty member at SUNY Geneseo) Date A point or period of time associated with an event in the lifecycle of the resource Created 1925 Received c.1950 Accessioned 1982 Relation A related resource One of 27 puppets in Robert Green's Arabian Nights Collection (1982.1.1-1982.1.27) Format The file format, physical medium, or dimensions of the resource 21" x 7" x 6" Identifier An unambiguous reference to the resource within a given context 1982.1.21 Publisher An entity responsible for making the resource available Robert Green and students Rights Information about rights held in and over the resource Geneseo Foundation Language A language of the resource English Type The nature or genre of the resource Marionette; puppet Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1925 Contributor An entity responsible for making contributions to the resource Robert Green https://artgalleries.milne-library.org/files/original/774ad1a7fc9ed852a2a64c450d348305.jpg 2ec90f67f49b6043f04d4e681851dde6 https://artgalleries.milne-library.org/files/original/7cb47cf9f67d1eb1718bf3018a008335.jpg 43f6ce7f5525735e8126f4099117625a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Robert Green Collection Description An account of the resource Gift from Robert Green (at one time a faculty member at SUNY Geneseo). Green's Arabian Nights Puppets Collection consists of 27 puppets from 1925. This collection was exhibited at the Geneva Historical Society and Museum in 1977. Contributor An entity responsible for making contributions to the resource Robert Green and Students Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arabian Nights Puppets: Selim-Rich Subject The topic of the resource One Thousand and One Nights, a collection of Middle Eastern and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age. Description An account of the resource Wood and Fabric. The left foot of the puppet has a space varnished for labeling. Date of attribution: 1925 Old Number: G-P-Green-2. Exhibit History: Geneva Historical Society and Museum. Christmas, 1977 Creator An entity primarily responsible for making the resource Robert Green and students Source A related resource from which the described resource is derived Gift from Robert Green (at one time a faculty member at SUNY Geneseo) Date A point or period of time associated with an event in the lifecycle of the resource Created 1925 Received c.1950 Accessioned 1982 Relation A related resource One of 27 puppets in Robert Green's Arabian Nights Collection (1982.1.1-1982.1.27) Format The file format, physical medium, or dimensions of the resource 22" x 7" x 6" Identifier An unambiguous reference to the resource within a given context 1982.1.2 Publisher An entity responsible for making the resource available Robert Green and students Rights Information about rights held in and over the resource Geneseo Foundation Language A language of the resource English Type The nature or genre of the resource Marionette; puppet Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1925 Contributor An entity responsible for making contributions to the resource Robert Green https://artgalleries.milne-library.org/files/original/4fbc7c89ad87cf435b0855a9d3fab831.jpg 13f09ee4b5d394660b6bb9733d4108fb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Robert Green Collection Description An account of the resource Gift from Robert Green (at one time a faculty member at SUNY Geneseo). Green's Arabian Nights Puppets Collection consists of 27 puppets from 1925. This collection was exhibited at the Geneva Historical Society and Museum in 1977. Contributor An entity responsible for making contributions to the resource Robert Green and Students Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arabian Nights Puppets: Silk Slave Subject The topic of the resource One Thousand and One Nights, a collection of Middle Eastern and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age. Description An account of the resource Wood and Fabric. Left foot has a varnished space for labeling. Date of attribution: 1925 Old Number: G-P-Green-16. Exhibit History: Geneva Historical Society and Museum. Christmas, 1977 Creator An entity primarily responsible for making the resource Robert Green and students Source A related resource from which the described resource is derived Gift from Robert Green (at one time a faculty member at SUNY Geneseo) Date A point or period of time associated with an event in the lifecycle of the resource Created 1925 Received c.1950 Accessioned 1982 Relation A related resource One of 27 puppets in Robert Green's Arabian Nights Collection (1982.1.1-1982.1.27) Format The file format, physical medium, or dimensions of the resource 11" x 7" x 6" Identifier An unambiguous reference to the resource within a given context 1982.1.16 Publisher An entity responsible for making the resource available Robert Green and students Rights Information about rights held in and over the resource Geneseo Foundation Language A language of the resource English Type The nature or genre of the resource Marionette; puppet Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1925 Contributor An entity responsible for making contributions to the resource Robert Green https://artgalleries.milne-library.org/files/original/981da9e6a4ebbc14fcc3377247169cae.JPG 010232310b6dc439090cb755cf45d45d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Robert Green Collection Description An account of the resource Gift from Robert Green (at one time a faculty member at SUNY Geneseo). Green's Arabian Nights Puppets Collection consists of 27 puppets from 1925. This collection was exhibited at the Geneva Historical Society and Museum in 1977. Contributor An entity responsible for making contributions to the resource Robert Green and Students Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arabian Nights: Puppets: Snake Charmer Subject The topic of the resource One Thousand and One Nights, a collection of Middle Eastern and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age. Description An account of the resource Wood and Fabric. Left foot has a varnished space for labeling. Snake Charmer. Date of attribution: 1925 Old Number: G-P-Green-11. Exhibit History: Geneva Historical Society and Museum. Christmas, 1977 Creator An entity primarily responsible for making the resource Robert Green and students Source A related resource from which the described resource is derived Gift from Robert Green (at one time a faculty member at SUNY Geneseo) Date A point or period of time associated with an event in the lifecycle of the resource Created 1925 Received c.1950 Accessioned 1982 Relation A related resource One of 27 puppets in Robert Green's Arabian Nights Collection (1982.1.1-1982.1.27) Format The file format, physical medium, or dimensions of the resource 11" x 6" x 17" Identifier An unambiguous reference to the resource within a given context 1982.1.11 Publisher An entity responsible for making the resource available Robert Green and students Rights Information about rights held in and over the resource Geneseo Foundation Language A language of the resource English Type The nature or genre of the resource Marionette; puppet Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1925 Contributor An entity responsible for making contributions to the resource Robert Green https://artgalleries.milne-library.org/files/original/63ba2ebea8f3f863e156791824d85b94.jpg f1057d6ea3b5f5e50bf9eab46603b028 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlee R. Holton Collection Description An account of the resource The Collection telling the story of 'Othello' in prints. Colophon Othello Re-Imagined in Sepia Images from Original Intaglios by Curlee Raven Holton Text by Ian Smith PhD Portfolio printed on BFK White container bound in Iris book cloth wich spines of Asahi cloth Printed and bound at The Experimental Printmaking Institute Lafayette College, Easton, PA printer: Jase Clark Evan McGovern This is Number: 2012 Creator An entity primarily responsible for making the resource Curlee R. Holton Date A point or period of time associated with an event in the lifecycle of the resource 2012 Language A language of the resource English Contributor An entity responsible for making contributions to the resource Geneseo Foundation and the Milne Library Archives Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Accession The accession number assigned to the (likely physical) work for which this digital image serves as surrogate. 2013.14.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arrival Subject The topic of the resource A visual representation of 'Othello' Description An account of the resource Sepia print of a man on a horse. Creator An entity primarily responsible for making the resource Curlee R. Holton Source A related resource from which the described resource is derived Purchased from Curlee R. Holton Publisher An entity responsible for making the resource available Printed and bound at the Experimental Printmaking Institute Lafayette College, Easton, PA Date A point or period of time associated with an event in the lifecycle of the resource 2012 Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Holton Collection Accession items: 2013.14.1 through 2013.14.22 Format The file format, physical medium, or dimensions of the resource 17'' x 11.25'' Language A language of the resource English Type The nature or genre of the resource Experimental Prints Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Late 21st Century Contributor An entity responsible for making contributions to the resource Curlee R. Holton Identifier An unambiguous reference to the resource within a given context 2013.14.5 2012 African American Contemporary Holton Othello Printmaker Prints https://artgalleries.milne-library.org/files/original/881b8c53d1d4a925f34af1f2d760f45f.jpg 3a2a520b3e6cbf3de15cdaa1a001dae5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlee R. Holton Collection Description An account of the resource The Collection telling the story of 'Othello' in prints. Colophon Othello Re-Imagined in Sepia Images from Original Intaglios by Curlee Raven Holton Text by Ian Smith PhD Portfolio printed on BFK White container bound in Iris book cloth wich spines of Asahi cloth Printed and bound at The Experimental Printmaking Institute Lafayette College, Easton, PA printer: Jase Clark Evan McGovern This is Number: 2012 Creator An entity primarily responsible for making the resource Curlee R. Holton Date A point or period of time associated with an event in the lifecycle of the resource 2012 Language A language of the resource English Contributor An entity responsible for making contributions to the resource Geneseo Foundation and the Milne Library Archives Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Accession The accession number assigned to the (likely physical) work for which this digital image serves as surrogate. 2013.14.4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Arrival: A Festive Welcome and Hope for a Bright Future Subject The topic of the resource A visual representation of 'Othello' Description An account of the resource Title page preceding print of "The Arrival." Creator An entity primarily responsible for making the resource Curlee R. Holton Source A related resource from which the described resource is derived Purchased from Curlee R. Holton Publisher An entity responsible for making the resource available Printed and bound at the Experimental Printmaking Institute Lafayette College, Easton, PA Date A point or period of time associated with an event in the lifecycle of the resource 2012 Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Holton Collection Accession items: 2013.14.1 through 2013.14.22 Format The file format, physical medium, or dimensions of the resource 4.5'' x 2'' Language A language of the resource English Type The nature or genre of the resource Experimental Prints Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Late 21st Century Contributor An entity responsible for making contributions to the resource Curlee R. Holton Identifier An unambiguous reference to the resource within a given context 2013.14.4 2012 African American Contemporary Holton Othello Printmaker Prints https://artgalleries.milne-library.org/files/original/1e229b3e0ccabcd098bd5950ae818ca0.jpg 896113dbc143a80443e69873decd6b32 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richard Beale Subject The topic of the resource Former faculty Richard Beale's various collections Creator An entity primarily responsible for making the resource Richard Beale Rights Information about rights held in and over the resource Geneseo Foundation Language A language of the resource English Type The nature or genre of the resource Prints and paintings Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Created between 1963-1992 Date A point or period of time associated with an event in the lifecycle of the resource 1963-1992 Description An account of the resource Former faculty Richard Beale's various collections including several prints Source A related resource from which the described resource is derived Purchased from the Geneseo Foundation Publisher An entity responsible for making the resource available Richard Beale Contributor An entity responsible for making contributions to the resource Richard Beale Relation A related resource The Richard Beale Collection including: 1980.9.4; 1981.3; 2010.1.1; 2010.2.1; 2010.3.1; 2010.4.1-2010.4.6 Identifier An unambiguous reference to the resource within a given context Includes: 1980.9.4; 1981.3; 2010.1.1; 2010.2.1; 2010.3.1; 2010.4.1-2010.4.6 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Accession The accession number assigned to the (likely physical) work for which this digital image serves as surrogate. 1981.3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Geneseo Seal Subject The topic of the resource Former faculty Richard Beale's various collections Description An account of the resource SUNY Geneseo's Seal Two women, one appearing as Lady Liberty the other appearing as Justice, a shield with the word 'Geneseo' on it between them. A globe with an eagle are on the shield. Creator An entity primarily responsible for making the resource Richard Beale Source A related resource from which the described resource is derived Originally given to Dr. Francis Moench by Mr. Beale, 1964. From the series that was commissioned by the school and executed by Mr. Beale. Publisher An entity responsible for making the resource available Richard Beale Date A point or period of time associated with an event in the lifecycle of the resource 1963 Contributor An entity responsible for making contributions to the resource Dr. Francis Moench Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource The Richard Beale Collection Format The file format, physical medium, or dimensions of the resource 16'' x 16'' Language A language of the resource English Identifier An unambiguous reference to the resource within a given context 1981.3 Formerly: C-2D-Beale Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1963 Type The nature or genre of the resource Woodcut https://artgalleries.milne-library.org/files/original/41c98ed383eca610fd66f0961620bcea.jpg 3f492e981cef7ccc01c67ed3cb9fb7c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlee R. Holton Collection Description An account of the resource The Collection telling the story of 'Othello' in prints. Colophon Othello Re-Imagined in Sepia Images from Original Intaglios by Curlee Raven Holton Text by Ian Smith PhD Portfolio printed on BFK White container bound in Iris book cloth wich spines of Asahi cloth Printed and bound at The Experimental Printmaking Institute Lafayette College, Easton, PA printer: Jase Clark Evan McGovern This is Number: 2012 Creator An entity primarily responsible for making the resource Curlee R. Holton Date A point or period of time associated with an event in the lifecycle of the resource 2012 Language A language of the resource English Contributor An entity responsible for making contributions to the resource Geneseo Foundation and the Milne Library Archives Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Accession The accession number assigned to the (likely physical) work for which this digital image serves as surrogate. 2013.14.7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Seduction Subject The topic of the resource A visual representation of 'Othello' Description An account of the resource Sepia print with figure in the top left corner and bottom right. Creator An entity primarily responsible for making the resource Curlee R. Holton Source A related resource from which the described resource is derived Purchased from Curlee R. Holton Publisher An entity responsible for making the resource available Printed and bound at the Experimental Printmaking Institute Lafayette College, Easton, PA Date A point or period of time associated with an event in the lifecycle of the resource 2012 Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Holton Collection Accession items: 2013.14.1 through 2013.14.22 Format The file format, physical medium, or dimensions of the resource 17'' x 11.5'' Language A language of the resource English Type The nature or genre of the resource Experimental Prints Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Late 21st Century Contributor An entity responsible for making contributions to the resource Curlee R. Holton Identifier An unambiguous reference to the resource within a given context 2013.14.7 2012 African American Contemporary Holton Othello Printmaker Prints https://artgalleries.milne-library.org/files/original/56ad622472d9587529e815c1b3fef6e3.jpg a902a0d65642ebd9047f81ad6333541f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Curlee R. Holton Collection Description An account of the resource The Collection telling the story of 'Othello' in prints. Colophon Othello Re-Imagined in Sepia Images from Original Intaglios by Curlee Raven Holton Text by Ian Smith PhD Portfolio printed on BFK White container bound in Iris book cloth wich spines of Asahi cloth Printed and bound at The Experimental Printmaking Institute Lafayette College, Easton, PA printer: Jase Clark Evan McGovern This is Number: 2012 Creator An entity primarily responsible for making the resource Curlee R. Holton Date A point or period of time associated with an event in the lifecycle of the resource 2012 Language A language of the resource English Contributor An entity responsible for making contributions to the resource Geneseo Foundation and the Milne Library Archives Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Accession The accession number assigned to the (likely physical) work for which this digital image serves as surrogate. 2013.14.6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Seduction: Her Father invited me often, asking me to relate "the story of my life" Subject The topic of the resource PrintA visual representation of 'Othello' Description An account of the resource Title page preceding print of "The Seduction." Creator An entity primarily responsible for making the resource Curlee R. Holton Source A related resource from which the described resource is derived Purchased from Curlee R. Holton Publisher An entity responsible for making the resource available Printed and bound at the Experimental Printmaking Institute Lafayette College, Easton, PA Date A point or period of time associated with an event in the lifecycle of the resource 2012 Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Holton Collection Accession items: 2013.14.1 through 2013.14.22 Format The file format, physical medium, or dimensions of the resource 4.5'' x 2'' Language A language of the resource English Type The nature or genre of the resource Experimental Prints Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Late 21st Century Contributor An entity responsible for making contributions to the resource Curlee R. Holton Identifier An unambiguous reference to the resource within a given context 2013.14.6 2012 African American Contemporary Holton Othello Printmaker Prints https://artgalleries.milne-library.org/files/original/35cea9d32da4cd2c9a6b95557e9a96a9.jpg 8e0b6d885f239cdd474bf23ddb52726d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Width 1980 Height 1590 Bit Depth 8 Channels 3 IPTC String date_created:28.11.2012 IPTC Array a:1:{s:12:"date_created";s:10:"28.11.2012";} Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mr. and Mrs. Samuel S. Silverman Collection Description An account of the resource This Collection contains oil paintings from several School of Paris artists: Blaquiere, Grandmaison, Hardy, Hasegawa, Marchand des Raux, Sanh, Tanaka, Ubeda, Coignard, Priking, Goetz and Grandjean. These are all artists that were active in and around Paris after WWII. Roger Blaquiere was born in Paris in 1933. He attended the School of Applied Arts and the National School of Beaux Arts. He won the Prix d'Art Monumental in 1956, the Prix Casa Velazquez in 1959 and the Grand Prix de Rome in 1963. Blaquiere has had one-man shows in Madrid as well as in Paris. From 1958-1963, he participated in the Salon of Young Painters at the Museum of Modern Art. He exhibited in the Salon d'Automne in 1959 and 1960. He was one of twenty young French painters presented by the Museum of Modern Art and the Alliance Francaise in a traveling show in the United States. Stuart Preston, critic of the New York Times, reported that he and one other painter in the Exhibition gave promise of a fine future as an artist. Both France and the City of Paris have purchased his works. James Coignard was born in Tours, France in 1925. He remained there until he was 17, then went to live in Paris. During the war, he returned to Touraine. While there, he met the painter Marchand des Raux. When Marchand des Raux returned to St. Jean, Cap Ferrat, Coignard joined him and worked in the studio belonging to Marchand des Raux. He made his home with this painter for many years. Coignard set himself up in a pottery studio in St. Cloud, continuing to paint and draw and to exhibit in the galleries of the Left Bank. In Paris, he met other painters and took part in the difficult life of Paris. He married in 1956 and abandoned Paris and pottery. He went to live on the Riviera. He had one-man shows in Sweden, Geneva, Venice, Paris, New York and Berlin. He also took part in a School of Paris exhibition in Dublin in 1960 and in Tokyo in 1961. He is represented in the following museums: Dublin Museum, Museum of San Diego, Museum of New Mexico, Historical Society of Montana, La Jolla Art Centre, Oklahoma Art Centre. Group Shows: 1956, Won first prize in Barcelona show of Fine Arts. 1957, Second Prize young painters & Juan Gris Prize honorable mention. 1959, Alexandria Biennale. 1960, Ecole de Paris & Galerie Charpentier. 1961, Salon de Paris (Japan). 1964, Biennale de Menton. 1964, First Prize Dorothy Gould. Henri Goetz was born in New York in 1909 and arrived in Paris in 1930. He became a naturalized French citizen in 1949. Goetz had 32 one-man exhibitions in Europe. He is well known for his work in pastel and engraving as in painting. He started as a surrealist painter and developed into one of the foremost in abstraction. All of his work is done from nature, he made his sketches on the spot and then did the painting or pastel. In 1947, Alain Resnais did a film on him. He was a highly respected teacher as well, having two academies in Paris and being professor at the American School in Fontainebleau. He is represented at the following museums: Museum of Modern Art, Paris. Museum of Grenoble. Museum of Eliat. Museum of Newark (NJ). Museum of St. Etienne. Museum of San Diego (CA). Raymond Grandjean was born in Lyon, France in 1929. He was independent in his artistic development, becoming a non-figurative painter in 1951. He had one-man shows in France since 1954 and participated in group shows in Italy and Germany. He is represented in the Museum of Lyon, and in the Museum of Modern Art in New York. Louis de Grandmaison was born in Le Havre in 1928. He studied for a time with Andre Lhote. He had one-man shows in Paris since 1960 and participated in many group shows in the Museum of Modern Art (Paris), Luxembourg and New York. He is represented in the collections of the City of Paris, the Museum of Modern Art (Paris) and in private collections throughout Europe and the United States. Shoichi Hasegawa was born in 1929 in Japan. His first one-man show was in Japan in 1957. He went to Paris in 1961 and worked in the studio of S.W. Hayter. He exhibited in the Salon of Young Painters, and in the Salon des Independants in 1962 and in many important group shows in Paris, London, Portugal, South America, Australia and Canada. In 1964, he had a one-man show at the Galerie La Nouvelle Gravure in Paris, at the Galerie Philadelphie (Paris), Stockholm, and Yugoslavia. His works are in the following museums: Victoria and Albert (London), Bibliotheque Nationale (Paris), Museum of Modern Art (New York), Norrkopings Museum (Sweden) and the French Ministry of Cultural Affairs (Paris). Louis Marchand des Raux was born in Touraine in 1904 and went to the south of France in 1920. He started to paint in 1934 and was completely self-taught. An eminent collector, Adolphe Schloss, encouraged him and purchased his first canvases. He was the chief landscapist at the chateau "Ile-de-France" belonging to the Baronne Ephrussi de Rothschild. His work reflects the rich colors of the flowers that surrounded him. He exhibited widely in France, London and Italy. Franz Priking was born in 1927 in Germany. In 1947 he was attracted to painting and abandoned his college studies in Weimar, entering the Bauhaus in Weimar (the college founded by Klee and Kandinsky). In 1948, he entered the Academy of Berlin, the class of Max Pechstein. As a student, he traveled to France in 1950 and lived there from then on. He exhibited in Germany, London, Geneva, throughout France and the United States. Georges Sanh was born in 1909 in Hanoi, his father was French. He is a self-taught painter and expresses himself in a very personal way. He has been exhibited in Sweden, Norway, Switzerland and the United States. Shu Tanaka was born in Tokyo in 1908, the son of a traditional painter. He studied at the Beaux Arts in Tokyo and was in China in 1935-1936. He went to live in Paris in 1954. He has exhibited in Tokyo and in many shows in Paris, particularly in the Musee Galliera with the Japanese painters of Paris in four successive years. He was influenced by the School of Paris tangentially but retained the Japanese spirit in his paintings. Augustin Ubeda was born in Spain in 1925. He attended the Beaux Arts in Madrid from 1944-1948 and exhibited throughout Spain from 1949-1953. He won a scholarship to study in France and stayed in Paris from that point on. In 1957, he won the prize for young painters and had his first one-man show in Paris. He has exhibited in France, Switzerland, England, Sweden, Canada, Italy, the United States and all over South America. The Collector, Mr. Silverman, owned a chain of stores and he was contacted through Edgar Tafel to donate the School of Paris paintings to SUNY Geneseo Contributor An entity responsible for making contributions to the resource Mr. and Mrs. Samuel Silverman Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thibaudieres Subject The topic of the resource Oil Painting Description An account of the resource Japanese style painting, rock formation Oil on canvas School of Paris Signature: LR and on back Shu Tanaka was born in Tokyo in 1908, the son of a traditional painter. He studied at the Beaux Arts in Tokyo and was in China in 1935-1936. He went to live in Paris in 1954. He has exhibited in Tokyo and in many shows in Paris, particularly in the Musee Galliera with the Japanese painters of Paris in four successive years. He was influenced by the School of Paris tangentially but retained the Japanese spirit in his paintings. Old Accession Number:SL-2D-Tanaka-2. Creator An entity primarily responsible for making the resource Shu Tanaka (1908- ) Source A related resource from which the described resource is derived Gift from Mr. and Mrs. Samuel Silverman Date A point or period of time associated with an event in the lifecycle of the resource 1980 Relation A related resource One of 21 Oil Paintings in the Silverman Collection (1980.8.1 - 1980.8.21) Format The file format, physical medium, or dimensions of the resource 23.5 x 28.75 Identifier An unambiguous reference to the resource within a given context 1980.8.18