15 10 290 https://artgalleries.milne-library.org/files/original/55364a63e7c902ea84563c9c23ba5b1b.jpg 8e234c9b511e01d164be5ef94986577b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richard Beale Subject The topic of the resource Former faculty Richard Beale's various collections Creator An entity primarily responsible for making the resource Richard Beale Rights Information about rights held in and over the resource Geneseo Foundation Language A language of the resource English Type The nature or genre of the resource Prints and paintings Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Created between 1963-1992 Date A point or period of time associated with an event in the lifecycle of the resource 1963-1992 Description An account of the resource Former faculty Richard Beale's various collections including several prints Source A related resource from which the described resource is derived Purchased from the Geneseo Foundation Publisher An entity responsible for making the resource available Richard Beale Contributor An entity responsible for making contributions to the resource Richard Beale Relation A related resource The Richard Beale Collection including: 1980.9.4; 1981.3; 2010.1.1; 2010.2.1; 2010.3.1; 2010.4.1-2010.4.6 Identifier An unambiguous reference to the resource within a given context Includes: 1980.9.4; 1981.3; 2010.1.1; 2010.2.1; 2010.3.1; 2010.4.1-2010.4.6 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Accession The accession number assigned to the (likely physical) work for which this digital image serves as surrogate. 1980.9.4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource To Sappho, Across the Years Subject The topic of the resource Former faculty Richard Beale's various collections Description An account of the resource Landscape with a Red Sun, trees and rock formation with a male body laying at the bottom. "Venus was in the trees with her red eye gleaming. and I was in my bed alone. Silence came to touch me Like a wandering thought and you had gone." Creator An entity primarily responsible for making the resource Richard Beale Source A related resource from which the described resource is derived Purchased by the Geneseo Foundation Student Art Association / Student Government (Fall 1979) Publisher An entity responsible for making the resource available Richard Beale Date A point or period of time associated with an event in the lifecycle of the resource 1970 Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Richard Beale Collection Format The file format, physical medium, or dimensions of the resource 17.875 in x 16.675 in Language A language of the resource English Type The nature or genre of the resource Intaglio print; realism Identifier An unambiguous reference to the resource within a given context 1980.9.4 Formerly: S-2D-Beale Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1970 Contributor An entity responsible for making contributions to the resource Richard Beale https://artgalleries.milne-library.org/files/original/1e229b3e0ccabcd098bd5950ae818ca0.jpg 896113dbc143a80443e69873decd6b32 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richard Beale Subject The topic of the resource Former faculty Richard Beale's various collections Creator An entity primarily responsible for making the resource Richard Beale Rights Information about rights held in and over the resource Geneseo Foundation Language A language of the resource English Type The nature or genre of the resource Prints and paintings Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Created between 1963-1992 Date A point or period of time associated with an event in the lifecycle of the resource 1963-1992 Description An account of the resource Former faculty Richard Beale's various collections including several prints Source A related resource from which the described resource is derived Purchased from the Geneseo Foundation Publisher An entity responsible for making the resource available Richard Beale Contributor An entity responsible for making contributions to the resource Richard Beale Relation A related resource The Richard Beale Collection including: 1980.9.4; 1981.3; 2010.1.1; 2010.2.1; 2010.3.1; 2010.4.1-2010.4.6 Identifier An unambiguous reference to the resource within a given context Includes: 1980.9.4; 1981.3; 2010.1.1; 2010.2.1; 2010.3.1; 2010.4.1-2010.4.6 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Accession The accession number assigned to the (likely physical) work for which this digital image serves as surrogate. 1981.3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Geneseo Seal Subject The topic of the resource Former faculty Richard Beale's various collections Description An account of the resource SUNY Geneseo's Seal Two women, one appearing as Lady Liberty the other appearing as Justice, a shield with the word 'Geneseo' on it between them. A globe with an eagle are on the shield. Creator An entity primarily responsible for making the resource Richard Beale Source A related resource from which the described resource is derived Originally given to Dr. Francis Moench by Mr. Beale, 1964. From the series that was commissioned by the school and executed by Mr. Beale. Publisher An entity responsible for making the resource available Richard Beale Date A point or period of time associated with an event in the lifecycle of the resource 1963 Contributor An entity responsible for making contributions to the resource Dr. Francis Moench Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource The Richard Beale Collection Format The file format, physical medium, or dimensions of the resource 16'' x 16'' Language A language of the resource English Identifier An unambiguous reference to the resource within a given context 1981.3 Formerly: C-2D-Beale Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1963 Type The nature or genre of the resource Woodcut https://artgalleries.milne-library.org/files/original/bb676d1107f46f15fd39f1c75c99f8ca.jpg b014354600286db8b33062e3fb7b3e08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Parth Inferiobe url Monumento Di Giulio II nella Chiesa di S. Pietro in Vincoli Subject The topic of the resource Bottom of the monument of Giulio II in the church of San Pietro in Vincoli Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/17ef16eb31160bc62fca5f98ee757b3d.jpg de844ea69bc8fb5722987240653bbace Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcrali di Salvo Cassetta Bernardo Nicolini e del Beato Giovanni dello l'Angelico nella Chiesadi S. Maria sopra Minerva Subject The topic of the resource Tombs of Salvo Cassetta Bernardo Nicoline and of Beato Giovanni of L’Angelico in the church of Santa Maria sopra Minerva Description An account of the resource Of the three monuments etched in this table, the first contains the mortal remains of Salvo Cassetta, who died in 1483 aged 70 . He was inquisitive, Master of the Sacred Palace and general of his order. Sixtus IV sent as ambassador to Germany for some (comporvi) some ecclesiastical affairs, and did so with great praise. The second recalls to posterity the name and likeness of Bernard Nicolini , who died full of high hopes in the age of 46 years , when he was already in the possession came all the affection Immortal Pope Clement VII. The third monument is dedicated to one of the greatest artistic celebrities of the fifteenth century, B. Angelo da Fiesole, who died in the odor of sanctity 1455 for 68 years. This is perhaps to be considered for the most illustrious forerunner of the sixteenth century, came to (pinger) heads a marvelous beauty, moved by his sole inspiration and keep up without any idea of the ideal beauty of antiquity. (Narrasi) him an anecdote, which proves the depth of expression that, is the type characteristic of his genius. It was already a monk, when one day he saw him come out of the room he was forced his door, and found himself prostrate with his face to the ground and sobbed bitterly. Was no reason to have started to paint Christ on the cross, and identifying himself in his subject from nearly fall into a kind of ecstasy and divine love. Maybe crying for mercy from ' torments suffered by the Savior, and perhaps not being able to find the world to faithfully render the heavenly nobility of that face. Who better to represent what could (giugnere) that felt so passionately? Soul truly angelic! And from the calmness of his smiling face, as it is depicted in this monument, one can easily argue that all of serenity and sweetness that he had to have his spirit. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/a3bbc6def5a458bbeafddc1e4c086be7.jpg 84083f2d4e1ea89be2a80624f7a24160 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcrali di Girolamo Buzi e di Andrea Bregno nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Tombs of Girolamo Buzi and of Andrea Bregno in the church of Santa Maria sopra Minerva Description An account of the resource Of these two monuments, one on the right remembers the name of a famous carver in marble, Andrea Bregno, author of the beautiful altar for us reproduced in Table LVI of this volume. From (scolpitavi) epigraph above we can argue what account it was this artist in the times in which he lived, and they're good faith to us his beautiful works. Maybe too the call saying he used the art of sculpting abolished, but this is amnesty for those who wrote in 1506 talking about that which was enough life better than 85 years. In the great ship of the church of S. Maria sopra Minerva was placed this lovely little monument, that I had the luck of the draw before the restorations of the vast temple. Today it is seen battered and mutilated in the chapel of St. Raimondo, and that the last of those that open into the small ship right to be placed with a little trick at the foot of the pillar right of the said chapel. There, he lost his hoof to another small monument that and close, and that perhaps he would have welcomed even in its integrity under him as many times as they were seen by the eye of some intelligent observer. but this would have been even if he had not been preserved this ' two beautiful Corinthian capitals, which will put the maker will build it, but instead, perhaps they have been lost in the midst of the hustle and bustle of stuff, you think ugly prepending two Ionic capitals formed above those seen in the monument of Antonio Castalio we reported in Table LXI. And to fit the balustrade of the chapel stood still cut off half of one of his beautiful (candelierine). The other monument shown in this table remembers the name of Grolamo Buzi, a Roman patrician and apostolic abbreviator, died at the young age of 25 years 1517. It is a small shrine decorated with carvings axes nice and kind. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/4d2819e795343988f647aa64d45e6363.jpg e37cbedcbbc4c9e12caf6228ed767929 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Icnografia dei Monumenti Contenuti nel Volume III in meta dei prospetti Subject The topic of the resource Horizontal representations of the monuments contained in Volume III in half views Description An account of the resource As we did with the other two first volumes, although this is (chuide icnografica) with a table containing the plants in half the DEA reports of all the monuments of that composed this third volume. We placed our every care to ensure that in such smallness were strictly (serbate), as is fitting for architectural works, the proportions of the original. F. M. Tosi Architect Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/7bf15942aeddecfb6300c08c2d1aee43.jpg b7c525532b316a7ab865c583c3e7b366 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcarale del Card. Lorenzo Ciro Gia in S. Maria del Popolo - Ura Altare in S. Cosimato Subject The topic of the resource Tomb of Cardinal Lorenzo Ciro Previously in Santa Maria del Popolo- Now Altar in San Cosimato Description An account of the resource The Cardinal Lorenzo Cibo, Genoese patrician and a descendant of the noble family who willed original heraldic writers of Greece, is remembered by biographers as very learned man and angelic costumes. Taken from a special devotion to S. Lorenzo was the lawyer for as long as he lived in the land of 'celestial, and to better (addimostrare) his affection is a great saint, wanted in the church of Santa Maria del Popolo dedicate the chapel, however, is sacred to him, and he in his own expense he built and beautifully decorated, giving it a rich dowry. He left in his will that his body was buried in the chapel, but the lack of charity 'posterity after a few centuries removed that monument, and changing its destination transporting him elsewhere. And this distinguished prelate in the church that he embellished there is another memory that the following inscription on top of the chapel he made walling to its patron saint: (LATIN) The monument is missing urn and of epigraphs: the first we do not know where it is, the second comes Ciaconio, and then make a gift to 'our readers. So this could be a reward at that good soul! (LATIN) And because he was nephew of Innocent VIII, as in this' inscription is written, it must be nice to him the bronze monument erected to the memory of this Pope in the Vatican, and led, as we said in the Table. LX from (Pollaijuolo). Under this monument was placed over a century a memory (risguardante) Cibo that we do not refer for the sake of brevity. Lorenzo Cibo was born in 1450. It was prefect of the Castle S. Angel, canon of St. Peter and archbishop of Benevento in 1485. On 14th March 1489 he was created cardinal priest of St. Susanna, regardless of S. Cecilia with the administration of the church of Vannes in Brittany and the abbey of Staffarda. Instituted a chapel in the Vatican basilica with four beneficiaries, which had (riporsi) the spear, which passed the cost of the Savior. For the sorrows of him occurred since the election of Alexander VI, who was not in good view, Lorenzo seriously sick, and not even after death of that Pontiff. So sick intervened in the conclaves of Pius III and Julius II, and he died shortly after in 1503, aged 53 and 14 as a cardinal. The bas-relief of the monument alludes to the special devotion he had for S. Lorenzo, who is put in place to present it in heaven in the presence of the Virgin Mary. The four statues placed it 'pillars reminiscent of the principal virtues in an eminent degree you feel! All his biographers there are witness, and we, passing others, will end with the following words of Folietta in his book (LATIN) Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/01da6897c9c2c851e1cb7f79506e3651.jpg f78f534ec8bc7cc827b03b49e76196e3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcrale di Vincenzo e Marcello Rustico nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Tomb of Vincenzo and Marcello Rustico in the church of Santa Maria sopra Minerva Description An account of the resource A right hand of the little port of St. Maria sopra Minerva is placed against the wall this time and supported by three carved corbels. The white marble statue lies down on the urn reminds the effigy of Rural Vincent apostolic secretary and man eminently versed in Greek and Latin literature. Marcello was his father's secretary and writer, and also apostolic. The monument was in place by his son and grandson Anthony. It is not lacking in its simplicity, elegance, and graceful are the ornaments which are the two pillars, and overlaid them entablature. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/1fde8c996722acb52088cd5581910bce.jpg eee362ddee5005d43a0814cfdf46a145 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Altare nella Basilica di S. Giovanni in Laterano Subject The topic of the resource Altar in the Basilica of San Giovanni in Laterano Description An account of the resource As we said in the table LXV intend to repeat here, about the conduct of this elegant altar: that the author is something that is unknown and that it is the work of beautiful and exquisite work, both for the invention of the ornaments, which for the proportion of 'members. Is seen in the Basilica of St. John leaned over the door of the chapel of the ancient family Massimi, noble architecture by Giacomo della Porta. The holy place in the middle of the recess formed between the cross-pillar is the figure of St. James Major, who holds the drone with his right hand or stick (viatorio) from which hangs a shell and a diaper, and has a book in his left hand close to his chest, and with whom he also holds a piece of the rich pallium that descends from the humerus I miss and wraps around with a nice party folds. The whole work is something very gentle and pure you pe 'that adorned her for the correctness of' his (modani), which prayers you do notice it more 'four, cute pilasters ending in many capitals of composite order and very vague to see. The beautiful cornice that rests above these, (comechè) original (estita) not, must not occur for what I imagined, but it is the result of my research. Because finding a day in the cloister of the basilica, in the last one of 'its corners a small fragment of the entablature, whose frieze was decorated with garlands woven with bells, and each of them contained a shell in the middle. Built soul I doubt this was not the cornice of 'altar, I wanted to measure the proportions and examine thoroughly the parties. In seeing that everything between them was answered exactly easy to convince me of the truth of the fact, and seeing me more convinced that ran from the similarity between the shells of the 'one to one that is suspended from the drone of S. James, I said so much that was the thing, and I wanted to add it to 'work to make something pleasing to the artists. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/793aa567b2850135425e7d89c7179a3f.jpg cb49b8a61472fc6a271722690b7f29d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Giovanni battista de Cavalieri nella Chiesa dell' Ara-Corli Subject The topic of the resource Tomb of Giovanni Battista de’Cavalieri in the church of Ara-Coeli Description An account of the resource Giovanni Battista Cavalieri, a Roman patrician, young age while growing up in the virtues, honors, riches, it was from her that does not look neither provided nor to age, and revolves around his scythe inexorably caught forever in many sweet hopes. Sure that a painful feeling of pity filling my heart gazing into the monument of this unfortunate young man, but I see it when I surmounted by a cross, and I think the sweetness of the eternal future homeland, which will be much more intense, as much as resigned and generous was the abandonment of 'labile and passengers suffering of this world, I envy rather than pity the fate of the extinct. So the advantage that you have in gazing at the Christian sepulchers, which, if nothing else, there (avvezzano) to look with an eye of indifference and scorn broke the brief joys of this miserable earth. Forgive me this digression before the tomb of a young husband and son loved so dearly. She was the mother Lucrezia Massimi who put this memory, and that you keep with expressions (all'estinto) son speaks in the epigraph. The decorative part of the monument Remember her condition of the deceased, then the two genes act to extinguish the torches mourn the untimely death of the young to the sides of the torso that recalls his effigy. The two pillars are decorated arms, flowers, bows, (quadrella), torches and musical instruments; frieze of flowers and crests, and the base swags and other arms of the family. The all conducted with great care and kindness set up a very pleasant to look at. The tomb is placed in the Chapel of 'Sir Knights who is the latest in the left hand. It was made by walling Tommasso Orsini in honor of St. Gregory the Great, and Pauline Maffei in the seventeenth century build again the altar and adorned with fine marble. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860