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                <text>Raccolta di Monumenti Sacri E Sepolcrali Scolpiti Roma Nei Secoli XV E. XVI&#13;
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                <text>Title page of Volume 5</text>
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                <text>"Collection &#13;
      Of &#13;
Sacred Monuments and Tombs &#13;
                                     Sculptured in Rome during the XV and XVI Centuries&#13;
                                                      Measured and Drawn &#13;
                                       From the Architect Knight Francesco M. Tosi&#13;
                                                  And Contoured with Vines&#13;
                                              Works Rewarded with a Medal &#13;
                                                 From the Insigne Pontificate &#13;
                                        Roman Academy of the Beautiful Arts &#13;
                                                  Denominated by St. Luca &#13;
                                                To whom it is also dedicated &#13;
 VOLUME &#13;
        5&#13;
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                <text>Drawn by Francesco M. Tosi&#13;
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                <text>circa 1835-1860</text>
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                <text>Geneseo Foundation</text>
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                <text>Volume 1, 2, 3, and 4</text>
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                <text>Etching</text>
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            <name>Identifier</name>
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                <text>Italian Monuments in Rome created during the 15th and 16th Century&#13;
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                <text>Prints were made circa 1835 to 1860&#13;
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                  <text>A biography of the artist, Agnes Jeffrey, by her niece, Virginia Jeffrey Smith, who gave the paintings to SUNY Geneseo in Agnes Jeffrey's memory: &#13;
&#13;
"Agnes Jeffrey was born in Edinburgh March 1806 and died in Rochester, NY, November, 1896. She was the third child of John Jeffrey, a leading barrister (lawyer) of Edinburgh and of Elizabeth McConnel, his wife. The family lived in York Place, Edinburgh, a very beautiful Georgian house which I have seen. They also have a summer place in Wigtownshire, going there each year by a three day's drive in their coach. She and her sisters painted and she studied painting in Edinburgh and then in London. Her watercolor "American wild flowers" took the first prize at the Crystal Palace- England's first world fair. She came to America, probably in the 1840s, to keep house for her widowed mother and two brothers who had preceded her to America and lived in Canadaigua. Her art was undoubtedly influenced by Raeburn, Scotland's chief artist who had painted portraits of her father and uncle. Her brother William, a leading attorney, who had come to the United States to act as agent for Mr. John Geig of Canadaigua in the Phelps Gorham Estate (land development), later moved to Rochester opening his own practice. Upon the death of his wife, Agnes came to Rochester to live, caring for his children, especially the two little girls- Clarice Greig Jeffrey, also a painter and who taught painting at the old Mechanics Institute, and Mary, also an artist who later married A. Byron Smith and became my mother. Four generations of the Jeffrey family have painted professionally. After her brother's death, and his property lost through mismanagement by his executor, she supported the two girls for years by painting and teaching art. A woman of intellectual ability, she was in authority in botany and on the Bible, teaching a Bible class most of her life. At the age of seventy she decided [she] wanted to read Dante in the original and began the study of Italian and learned to speak it as well as to read it fluently."</text>
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                <text>Ruined Castle</text>
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                <text>Realism c. 1870&#13;
&#13;
Old Accession number: J-2D-JEFFREY-A-12&#13;
&#13;
For more information see the Jeffrey Collection Description</text>
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                <text>Agnes Jeffrey (1806-1896)</text>
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                <text>Gifted by Virginia Jeffrey Smith.&#13;
&#13;
Gift from Virginia Jeffrey Smith of East Avenue, Rochester, NY, grand niece of Agnes Jeffrey. Part of the "Art of Four Generations of Jeffrey Family Women" exhibit sponsored by the College from June 27th to July 18th, 1976 at the Brodie Fine Arts Gallery Also shown in "The Genteel Pastime: 19th Century Watercolors by the Ladies of the Jeffrey Family" at the Memorial Art Gallery of the University of Rochester from December 9, 1988 to February 26, 1989.</text>
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            <name>Date</name>
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                <text>1980</text>
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                <text>15" x 20.625"</text>
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                <text>1980.55</text>
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                <text>Virginia Jeffrey Smith</text>
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                <text>Geneseo Foundation</text>
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            <name>Type</name>
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                <text>c. 1870</text>
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                <text>Jeffrey Collection 1980.40-1980.57</text>
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              <description>A name given to the resource</description>
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                  <text>Raccolta di Monumenti Sacri e Sepolcrali Volume 3</text>
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                  <text>Roman Sculpture from the 15th and 16th Century&#13;
&#13;
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                  <text>Volume 3 of 5&#13;
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                  <text>Drawn by Francesco M. Tosi&#13;
&#13;
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                  <text>Presso l'Editore Proprietario&#13;
&#13;
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              <name>Date</name>
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                  <text>15th and 16th Century Sculpture&#13;
&#13;
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              <name>Contributor</name>
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                  <text>Unknown Donor&#13;
&#13;
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Geneseo Foundation&#13;
&#13;
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                  <text>Volumes 1, 2, 4, and 5&#13;
&#13;
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                  <text>Italian translated by Bianca Pedulla</text>
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                  <text>Italian Monuments in Rome created during the 15th and 16th Century&#13;
&#13;
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                  <text>Prints were made circa 1835 to 1860</text>
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                <text>Scolture dell' Antico Altares del Presepe nella Basilica Liberiana</text>
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                <text>Sculpture of the ancient altar of the nativity in the Basilica Liberiane</text>
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            <description>An account of the resource</description>
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                <text>More polite yet, much more beautifully decorated, though perhaps by only one hand, is this bas-relief placed in comparison with the others that we examined in the previous table. It is an exquisite and careful work so that it is the a delight to see it (dovesi?) and certainly regarded as a good century of art, mostly for the figure of the Virgin, which has over the tunic a cloak, that goes around with beautiful division of folds, and growing grace, majesty, and devotion to the whole figure that has its hands clasped over its chest and the face full of devout meditation. &#13;
Two recesses can be seen on either side of the Virgin close to a nice frame, and in which there are two arches topped by beautiful ornaments and kept in the hall by two angels, which are positioned towards the Virgin and they hold their hands clasped to their chests in adoration.&#13;
The upper part of the bas-relief ends as an arched tympanum shot with rosettes and broad beans at the ends, and rests with these above the capitals of two graceful pillars flanking the entire work. In this compartment of the eardrum, under which there is no frame at all, are carved of beautiful ornaments, which encloses between them a figure of Christ who raised his right hand to bless the upper and his left hand resting on an open book, almost to show people the evangelical precepts which left them in his glorious missionary on Earth. </text>
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                <text>Drawn by Francesco M. Tosi</text>
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                <text>Geneseo Foundation</text>
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                <text>Prints were made circa 1835 to 1860</text>
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                <text>English</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Still image</text>
              </elementText>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="18282">
                <text>2018.1.26</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="576" public="1" featured="0">
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      <file fileId="673">
        <src>https://artgalleries.milne-library.org/files/original/d6a9df1ff4f5cfce9b9b47fc23992b73.jpg</src>
        <authentication>f01f7c19a6e2d3a63ecfc53621c3d594</authentication>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>Format of the item being described (e.g., painting, drawing, print, sculpture, tapestry,photograph, etc.)</description>
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              <text>Drawing</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image or object, in inches and/or centimeters.</description>
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              <text>17 x 14 Inches</text>
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          <name>Accession</name>
          <description>The accession number assigned to the (likely physical) work for which this digital image serves as surrogate.</description>
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            <elementText elementTextId="18261">
              <text>2018.1.24</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Sketches: Works in Progress 13</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Cohen, Adele</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18254">
                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="18255">
                <text>Pencil on Paper, 17x 11 Inches</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
              </elementText>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Still Image</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="18258">
                <text>2018.1.24</text>
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