14 10 290 https://artgalleries.milne-library.org/files/original/4b7e5886bedd4d4726445168d806178a.jpg 9220400899120bbae727c44cc8d99295 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale de Fratelli Antonio e Pietro Pollaioli nella Chiesa di S. Pietro in Vincoli Subject The topic of the resource Tomb of brothers Antonio and Pietro Pollarili in the church of San Pietro in Vincoli Description An account of the resource Where there stands the church of S. Pietro in Vincula willed to pious tradition have made wall the first church in Rome, the Prince of the Apostles, and dedicated to SS. Savior. However this may be that, it is certain that the fire of Nero razed the ground all those primitive buildings, and not before 442 of our era was throw the first stone of this temple that since that time he devoted himself to S. Pietro in Vincula. And that is because Eudoxia, wife of Theodosius the young emperor of the East, being gone to visit the Holy Places of Jerusalem, was a gift from Juvenal, Patriarch of the chain that held this city bound S. Peter in prison, which she sent to give to the Vicar of Christ in Rome. We wanted to say this to manifest in our readers what God was always dear to this sacred place, and to make our way to talk about the cool that we play on this same table on the monument (de' Pollajuoli), and which will mean an awful scourge that desolated Rome in the year 680. Historians relate (Bar yr. 680 - PIE DIAC. De gest. Longob.lib.6.c.5) that in that year, after the eclipse of the sun and moon awoke in Rome is a great place if it lasted most all died. But a good servant of God in the revelation that the disease had ceased, though in this temple had crack an altar in honor of St. Sebastian, as the facts of what happened. It still said that during the plague saw some night time wandering around the city an angel with the devil, and that the husbandmen morning many deaths were in this house or that for many shots to the commandment of the angel had given to his door the demon hunter with a skewer. That's the subject of cool. Now passing to the monument, there will certainly be those who ignore the name of ' brothers Pollajuoli , both painters of much merit . Antonio first practiced the art of the goldsmith, he helped lead the Ghiberti doors of St. John, afterwards made many works in painting, and finally brought him to Rome by Pope Innocent VIII ordered the burial of this metal and that of his predecessor Pope Sixtus IV, who works in the Basilica of St. Peter, and one of the most beautiful monuments that can be admired there. In addition to this cast in bronze main door of the temple to the vast order of Eugenius IV, who was allocated to Filaret, a sculptor from Florence, to perpetuate the memory of the Council of Florence. Death came to these two brothers one after the other in 1498, there were relatives this burial in S. Pietro in Vincula, where in the memory of the joint affection that kept them always alive, they were portrayed in a natural next to each other. The ch. Vasari commentator, John. Forgings, reports note amended by an error in another epitaph made to Pollaiuolo, which reads another edition of Vasari. Here it is: LATIN Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/fa1003e14f7ae4a450b0fa84aaafb94b.jpg 46e42cc921e93d67fafd998ca5ae7f90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ciborio-e Monumento Sepolcrale di Costanza Piccolomini Nel Chiontro di S. Agostino Subject The topic of the resource Ciborium and tomb of Costanza Piccolomini in the cloister of Sant’Agostino Description An account of the resource To enter the Cloister of S. Augustine, if a tired hand turns, the show is facing four monuments, the penultimate of which we will describe below (Table LXIII.) And the last is dedicated to the memory of Constance Piccolomini, whose son speaks very fondly of it 'four verses that are read in the plaque in front of the coffin. The monument was erected in the church of S. Augustine the year 1477, under the pontificate of Sixtus IV; afterwards for the changes which are suffering inside that temple, was transported to this beautiful work in the cloister, where it exists, however, but however much damaged. The lower part of this monument is simple, as anyone can see, but not missing in ornaments conducted with very good grace. The top three pillar components, of which the middle one form as a small front building, flanked by two Corinthian columns on which they are standing straight up two Evangelists, each with a parchment explained and you turn around an arc, in which the center of the middle relief is carved the figure of Christ, that men should be reminded he lay on the ground in one piece in a sacrament of love. In these columns, we do not know when they were replaced with two spirals very ugly, which (discordine) as with the rest of the monument will be able to see every man for himself. Under the cornice, which, starting from the capitals of the columns, turns in a vain quest ' interpillar format niche, are two angels holding a cup in her hands on which is far-fetched the sacred Eucharistic symbol of our faith. More still under (opresi?) the door that was to enclose the sacred species, the sides of which are placed two angels standing in adoration. The niches carved into the two-pillar side are occupied by two figures, one representing St. Augustine and the other Menasca: perhaps hinting at a special devotion to these saints of the buried. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/898d74cbea382d7d02444812cade0367.jpg 086bbe10e5d8ea956144091c0d96cef2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Altare nella chiesa di a Marcello Monumento Sepolcrale del Card. Nicola de'Cusa nella chiesa di a Pietro in Vincoli Subject The topic of the resource Altar in the church of San Marcello Tomb of Cardinal Nicola de’Cusa in the church of San Pietro in Vincoli Description An account of the resource Entering the church of S. Marcello, in the third chapel on the right hand you see the altar that we give in this table. The chapel contains, provided in 1562 by Monsignor Griffins and finished in ornate in 1607 by Cav. John Matthew his kinsman, since its first erection was colored by Giovanni Battista Ricci from Novara and Francesco Salviati, who painted the main face. We do not know the author of this 'work of art, but the beauty of the decorations and the right proportion of' members are believed to be good for anything in the century. The upper part of the table is occupied by the monument erected in S. Pietro in Vincula to the memory of the illustrious Cardinal Nicholas de Cusa , so called from his birthplace on the banks of the Moselle to Treves , where was born the year 1405. He was in charge of the monastery Wotobergense regular canon, archdeacon do Liege, dean of St. Florinus Constance and prothonotary apostolic. Intervened in 1441 at the Diet of Mainz, where the presence of Emperor Frederick III defended (gagliardemente) the Pontiff. Ascended the Chair of Peter Nicholas V, was this Pope to December 20 , 1448 raised to the honor of the purple with the title of S. Pietro in Vincula , which added a monastery and embellished the church of a new ceiling. He held several important legations in Germany, Bohemia, and in other northern provinces, and worked for all things of great benefit to Christianity. In the absence of Pius II in Rome he kept his post as vicar linked the city, and it was all an object of admiration and complacency. In addition to that he was a man full of so much teaching to write on a variety of materials a good number of works, which were printed in Basel gathered in three vol. in fol. in 1565. Do not stay there we know by reporting the following words of Ciaconio (Vit et res. Gest. Pont. V. 5. P. 975) in praise of this man virtuous: (LATIN) He had until (visso) a singular devotion to the chains that (avvinsero) the apostle Peter in prison, and therefore is seen portrait on the front of his monument in the act of praying (ginocchinone) to land the Prince of the Apostles who is sitting in the middle, and the other side has also an angel with bent knee, while his hands were holding up the chain. The top of the monument contains the arms of a Cardinal, who was a shrimp on a blue field. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/37d6bfa960c87d3bedf07daf654f9107.jpg 50e72ad6fd7bfcf766491b64b3977a72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Custodia Degli olii Santi - E Monumento Sepolcrale del Card. Gia. Ammannati nel Chiostro di S. Agosline Subject The topic of the resource Custody of holy oils- and tomb of Cardinal Giacomo Ammannati in the cloister of Sant’Agostino Description An account of the resource Of the four existing monuments of the Cloister of S. Augustine, as we said in the Table LXI, this is the third dedicated to the memory of the learned Cardinal Jacopo Ammannati, distinguished patron of the arts and sciences, and he himself not the least among the scholars and scientists of his time. He was a native of Lucca, where 1422 was born of a noble but poor family. He was secretary of the Latin letters under Pius II, that I adopt in their Piccolomini family, but after he had done before the wicked Sigismondo Malatesta, ch'erasi ribetllato against the Pope, and (costrettolo), to return to his lands, was in 1460 in grace of signal service so appointed bishop of Pavia, and the following year to December 18 was decorated with the sacred purple (utolo) S. Griscogono . He died on September 10 of 1479 in the castle called the caves of S. Lorenzo at Belsena , and his body was transported to Rome followed by numerous retinue . He wrote the life of this outstanding Cardinal Jacopo da Volterra his secretary, and was as published in Lucca in 1712 by P. Sebastiano Paoli. This monument has great similarity with that of Costanza Piccolomini, and it may be supposed to have been the architect one who led them both, for they by rising from one to the other that it does not run that little more than a year. The inside part has the same coffin with the remains of extinct Cardinal, which is (finacheggiata) by the arms of the Piccolomini house carved it 'side pillars. Which weapons you (ripetone) under the two niches of the upper part as occupied by St. Nicholas of Tolentino and St. Giacomo of Maggiore. The story carved in the middle represents the Last Judgment. Over there is the figure of Christ surrounded by 'the twelve who are with him in that extreme day. A 'his feet, very prominent angels that fans feel the horrible sound of the trumpet, and below the messengers of heaven with one hand welcome the righteous and the other point to them the way of the heavenly homeland. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/cb3f24d148f1a691db7c1c27f18feb3a.jpg 78903f7ce8c683f8ffeeb0f4bb485ab1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Pietro da Vicenza nella Chiesa dell'Ara-Coeli Subject The topic of the resource Tomb of Pietro of Vicenza in the church of Ara- Coeli Description An account of the resource The year 1504 went up and this monument to the memory of learned and upright magistrate Pietro da Vicenza, for care of the 'grieving sister Margaret. This man is remembered with praise worthy in the works of many writers (contemporanci) him, insomuch that should not be considered for the two virtues personified liars who worship the top in the inter pillar of his burial, I mean prudence and justice. Eminent qualities of his heart they were these, and the voice of posterity not (ismentì) that laudable that took her life. The Archives Vatican, between the acts of the Papal Master of Ceremonies, is found recorded the following news under the date of 'May 13, 1487: (LATIN) tells us that Peter was Vicar of the Liberian Basilica year 1489. Finally, for the memories that are preserved in the church of Aracoeli know that this prelate died of the plague in 1504 and that was March 1 of 1505 on the Sabbath day he was celebrated a solemn funeral which intervened many cardinals, many prelates, all Auditors of the Rota, all the Presidents, the Cardinals, many prelates, all auditors of Rota, all the Presidents, the clerics, notaries, officials of the Chamber, lawyers and prosecutors Consistorial Rota. The funeral prayer was recited by Canon Thomas of Volterra, a learned and eloquent man, (soprannomato) the Phaedra (Leando Alberti Desciz. throughout Italy p. 49. Venez. 1555), and with this nickname is mentioned in the document, to which (cavammo) this news with the following words: (LATIN) Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/907bf17ac87e729ee47e3cfe3fdfd714.jpg ab392d1ba2b2762a1267984319c085e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcrali di Uberto Strozzi, Antonio Castalio e Girolano Butigella nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Tombs of Uberto Strozzi, Antonio Castalio and Girolano Butigella in the church of Santa Maria sopra Minerva Description An account of the resource There are three monuments. The first is a memory burial Alberto Strozzi Mantua, who died in 1553, operates all of white marble, simple but beautiful in its proportions and with the portrait of the deceased in a bust in full relief. The last Butigella remember the name of Jerome, Doctor of Law, who died in 1515, just 45 years old and man in 'his day (stimabilissimo). The median is sacred to the memory of Antonio Castalio, writer and papal archives of 80 years died in 1533. Before you renew the church of S. Maria sopra Minerva, in the mound under this monument (leggevansi) a marble table in the following two couplets: Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/f76eb77564d197081e445ac9591a519e.jpg ade0ca98cc7054ccc7aa8a49be5837a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Custodia degli olii Santi nella Basilica di S. Giovanni in Laterano Subject The topic of the resource Custody of holy oils in the Basilica of San Giovanni in Laterano Description An account of the resource This work of sculpture certainly belongs to the good of the century 'art, wanting to argue it from its simple style and correct. We saw the Rasponi and Crescimbeni cited by Valentini (Illus. the four Bas.) But we could not find the author's name. A more accurate and patient investigator will perhaps one day be more fortunate in his research: we are now able to have enough of is uniform, as can be seen in two parts, an upper and a lower. The first was at the bottom on a plane to equal sides and frame around a metal door on which is written: (LATIN). From the two sides are first put in perspective two arcs, of which are seen going out six and Seraphim prostrate reverently before the sacred deposit. On the whole monument is a pedestal, and over them the whole figure of Christ standing humbly and posed as his head crowned with thorns. The bottom has only two figures, representing S. John the Evangelist, and the Holy Pontiff Leo I. The one standing with a book in his right hand and a glass in the left and the other to the ground on his knees before him, and with his hands clasped in prayer. The little snake that you see out of the cup that S. John presents to S. Leo, perhaps reminiscent of the miracle worked by the saint, when the poison chalice of sojourn served up in the making and he above the sacred sign of redemption discover the deception. This second bas-relief, both for the expression of the figures, as for how to fold and for the kindness of the ornaments, which contains, it is certainly bill once more close to us, that is when the art of the chisel alluded to that perfection which would soon arrive. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/eaaf7d16fb51d07b38a71196d51c05c9.jpg dec00415d32af98d697d88c126c9fbdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale in bronzo di Martino V. nella Basilica di S. Giovanni in laterano Subject The topic of the resource Bronze tomb of Martino V in the Basilica of San Giovanni in Laterano Description An account of the resource Otto Colonna was born in Rome in 1368, and the 11 of November 1417 at the Council of Constance was elected as Pope Martin V, after the voluntary renunciation of the papacy of Gregory XII, and after the said council had deposed John XXIII and the 'antipope Pietro di Luna that made you call Benedict XIII. Calamitous times for the Church were turning even the inauguration of this Pontiff, and the schism of the West's 'persisted, however, no' his vain efforts to sink the amyl barque of Peter. In that state of what was highly to be wished that a firm and prudent man would take the pontifical chair. And such was Martin V, accompanied on the day of his coronation, which was on December 22, 1417 by the votes and congratulations of all his people, and led to the church to the reins of his horse by the Emperor and the Elector Palatine. The industry and the zeal of the Pope, if you do not see the hand of God, they would have the marvelous. He finished the Council of Constance: Public bubble against the Hussites of Bohemia. He summoned another council at Pavia, who thereafter was transported to Siena and was finally dissolved without any conclusion. He called the Jubilee in 1425, and after having made the most difficult chores of the Church took care of the beautification and decoration material of the city, which owes him a lot of improvements. So he died on 21 February 1431 for 63 years after having governed the Church 13 years 3 months and 12 days. His monument was placed on the floor that he had built at his own expense, in the middle of the ship and much greater at the confession. Today it is the same site, but several palms (sottera), and you go down to two beautiful marble stairs. The author of this burial was a Florentine Simon, brother of the famous Donatello, and it is said that he had invited him to Rome to examine the pattern of this' work before you melt it. It composed of a grand marble urn, while marble set on sockets and covered by a sheet of bronze subdues of very beautiful ornamental sculptures and bas-relief with the image in the middle of the whole dead Pontiff. It 'two longer sides of the case are carved between two frames very well carved four winged putti, supporting two wreaths in relief which are carved the arms of the Colonna family. It 'minor sides there are putti with one crown and an escutcheon. Although this monument is not to be compared with the best works of the century that followed him, the whole time the artist seems to us worthy of praise for the simplicity of the invention and many decorative pieces very well conceived. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/9b9656274fd916c92ae145a3406255ee.jpg 4f2166344b48dd69fdc000749e2c252f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli dell' altare nella Chiesa di S. Maria della Pace Subject The topic of the resource Details of the altar in the church of Santa Maria della Pace Description An account of the resource Even at this altar we wanted to add a table that contains some parts drawn in a greater proportion, because the best you can see the merit of the ornaments and study their behavior. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/29346cb8d7f64a91d9dd8d70e6966d83.jpg 6db2ede8eaa667d2719447dae149edba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Altare nella Chiesa di S. Maria della Pave Subject The topic of the resource Altar in the church of Santa Maria della Pace Description An account of the resource This magnificent altar was made to raise by Innocent VIII in the church of S. Our Lady of Peace in honor of the Virgin Mary for having overcome a painful disease. It took some time for the place of the 'Altar and afterwards was transported to where it now is seen. Everything we have from Pennotti is from his histor. Canon. The Reg. 3. c. 33, who writes: (LATIN). Today the main altar in (LATIN) reads the following inscription: Innocent VIII had to love the Church of Peace also for his genius peaceful, so was able to make peace between the Christian princes, and so Vital Wheat sang her credit for this side: The altar in the said conveyance to the side of the Gospel, and the use of altar of the Crucifix underwent some modifications, which art cannot certainly approve. The niche of Our Lady was not enough (pel) crucifix, and so it was enlarged almost two branches, that spoil the pristine beauty of the lines, and what is more they break the beautiful design of 'pillars carved with ornate, that arise at his side. It incarcerated in a space too small, and not field or background that we mean, who does not show for a tenth of the beauty of art resurgent, and that set that has picture in the paper. About the saints that fill the niches, here is what we could (conghietturare). The first two on the right and left of the upper part are the two John in 'their sides, one and abbot, and it seems that we should thus characterize the pastoral flower that looks inward, unlike the pastoral bishop who turns out: the other seems to S. Anthony abbot and youthful face is the fire that alludes to a famous miracle in order to split the elements that made up a brick. The two circular figures contain some means of two angels, and maybe two evangelists, as does the suspect parchment. Finally at the bottom we have some the only two apostles St. Peter and S. Paul Delk bishop you cannot say anything, and the other with high cross, watching the sky and in a suit venerable and apostolic would seem the apostle St. Philip, or S. Compano apostolic Barnabas S. Paul. As to the reasons for these saints: two apostles, Peter and Paul as protectors of Rome, the two John allude, one in the name of the Pope who order the altar, which was called (LATIN) John, the other being the beloved disciple left his son to Mary, the two must be mitred saints who have written especially the SS. Virgin and so the Evangelists: St. Presumably Anthony was the patron saint of the Pope, as he had studied in Padua. The Crucifix carved in wood, which is in the midst of great niche is working fine, but falsely attributed to Michelangelo. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860