13 10 290 https://artgalleries.milne-library.org/files/original/e3d0676578535b63d8628c81b52d84bf.JPG 62b5c2ddfdaf600bfc38d0eab4443df6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Neestore Malvezzi. Nell'andito che im mette nella Sagrestia di S. Maria del Popolo Subject The topic of the resource Image of reclining man in death with decorative surround Description An account of the resource TAV. CXVII Soon to be translated. IMG 5347 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 4 Format The file format, physical medium, or dimensions of the resource Etching Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/fe573d43c022a637a0217009d5cf8688.jpg fcba69b443b41577b0b5e6437cef57aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Nerone Diotisalvi nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Table. LXXXI. SEPULCHRAL TOMB OF DIOTISALVI NERONI In the Santa Maria sopra Minerva Church Description An account of the resource … It consists of two pillars decorated in foliage and flowers, above which rests an entablature that is rich in ornaments, especially in its beautiful frieze, covered in foliage and rosettes. Above this begins an arch covered in carvings, and on it, the venerated images of Our Lady with her Divine Child in her arms, and two winged figures kneeling in a fine act of prayer can be seen. The fresco painting has a wonderful exquisiteness, and it is lamentable that it has been so battered by time. On top of the arch lies the salvific cross. Enclosed between the two aforementioned pillars is an arch, inside of which the mortal remains of the Christian saint are kept, resting peacefully, which was a tradition that dominated the fifteenth century. There is an urn decorated with festoons, and above this. He was honored for his above average prowess in handling public affairs in the forum with the sincerity of one who truly loved his country. And of course he loved it, because it had the desired experience in the difficult years towards the end of the Florentine Republic, divided by factions and torn by external and internal wars. A little lower, hath another body from the same family, the grandson of the above, who entered into eternity at a dear, young age. Both sides of this humble memory are written in Greek; two mottos alluding to the departed, that sound the following way in our discourteous language: WORSHIPPER OF THE HOME BUT MINDFUL OF THE TOMB. And these are the words that should be imprinted into every mortal’s soul. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/99040478447976415996e48639b9a8f8.JPG 62b5c2ddfdaf600bfc38d0eab4443df6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Nestore Malvezzi nell'andito che immette nella Sagrestia di S. Maria del Popolo Subject The topic of the resource TAV. CVII Description An account of the resource Soon to be translated Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 4 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/cb3f24d148f1a691db7c1c27f18feb3a.jpg 78903f7ce8c683f8ffeeb0f4bb485ab1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Pietro da Vicenza nella Chiesa dell'Ara-Coeli Subject The topic of the resource Tomb of Pietro of Vicenza in the church of Ara- Coeli Description An account of the resource The year 1504 went up and this monument to the memory of learned and upright magistrate Pietro da Vicenza, for care of the 'grieving sister Margaret. This man is remembered with praise worthy in the works of many writers (contemporanci) him, insomuch that should not be considered for the two virtues personified liars who worship the top in the inter pillar of his burial, I mean prudence and justice. Eminent qualities of his heart they were these, and the voice of posterity not (ismentì) that laudable that took her life. The Archives Vatican, between the acts of the Papal Master of Ceremonies, is found recorded the following news under the date of 'May 13, 1487: (LATIN) tells us that Peter was Vicar of the Liberian Basilica year 1489. Finally, for the memories that are preserved in the church of Aracoeli know that this prelate died of the plague in 1504 and that was March 1 of 1505 on the Sabbath day he was celebrated a solemn funeral which intervened many cardinals, many prelates, all Auditors of the Rota, all the Presidents, the Cardinals, many prelates, all auditors of Rota, all the Presidents, the clerics, notaries, officials of the Chamber, lawyers and prosecutors Consistorial Rota. The funeral prayer was recited by Canon Thomas of Volterra, a learned and eloquent man, (soprannomato) the Phaedra (Leando Alberti Desciz. throughout Italy p. 49. Venez. 1555), and with this nickname is mentioned in the document, to which (cavammo) this news with the following words: (LATIN) Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/e3855316871d3fb24ac9d2c4d726ce02.JPG 0c210e9a715f5e6deaadbb2bc139ff24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Pietro Ferricio nel Chiostro di S. Maria sopra Minerva Subject The topic of the resource Sepulchral monument of Peter Ferricio in the cloister of St. Mary above Minerva Description An account of the resource Table XVI Sincere and also the author of this monument located in the cloister of the said church of St. Mary Above Minerva. If, however, we do not detect his work and gave the name , well it reveals the prowess of him, and that taste for ornamentation and architecture for exquisite style with which I have dealt with figures in bas-relief , this was reputation for his work in one of the best of that time. Easy as a whole so that the author seems not to place and will study hard to compose it ; to lower and one of the two pillars of the Corinthian order sources are collected by two pedestals where the arms of the deceased cardinal , end I gave to a architrave with frieze and cornice which closes the monument . Between the pillars, on the base, and precisely on a pedestal adorned with small pods, you see a magnificent carvings flanking urn with a plaque, which in a nutshell is manifest as the one that lies above it in bishop's robes were the cardinal of S. And protector of the Church and of Preachers. And it was these Cardinal Peter Ferrici for his doctrine so much forward to the estimate of Popes Paul II and Pope Sixtus IV to be into the management of state affairs, reveals another inscription incised on the base. The cause us to back and top of the urn in seven mirrors, the three largest of which contain two of a graceful candelabrum, one, the middle one, a cross. On these compartments scrolls a frame to put ovules and pods and Marente in the two pillars. And the space between it and the lintel and filled by a bezel where you admire the Virgin Mary with the divine son Jesus placed between two angels that genuflect before. From these figures we learn as looks matter sometimes come alive under the hand of the artist to make believe for a moment that descended to inform the spirit. This happens when the author rose with the mind up to the mentioned transforming of the power in the hand of marble in almost convey their thoughts. Of course those are marble figures, but there was in their faces that I do not know if that is not pure and radiant and earthly thing, perhaps a reflection where the eternal light of God to beautify the face of the heavenly creatures. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/f3a60c0ae750105ed2897840b1503f3c.jpg 711359d0f28efef9ae047837e241a5e0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Valentino d'ausia del Poggio nella Chiesa di S. Sabina Description An account of the resource In the old church of San Sabina, built according to some in 425 under Pope Celestine in that place where the saint has his father’s house, but not consecrated shortly after the pontificate of Sisto III., exists this monument. It is located in the chapel of S. Rosario, made to manufacture at the expense of Cardinal Valentino d’Ausia del Poggio buried here. This distinguished cardinal was born in Zativa in the kingdom of Valencia, and it became clear for many doctrines and for the sanctity of matters. Acting as advisor to the King of Aragon, he went as ambassador of several principles. Sixtus IV declared him the governor of Rome and on May 17, 1473 made him cardinal. For he was invited as ambassador to Fredrick III and the kings of Hungary, Bohemia, and Poland to excite them in taking up arms against the Turks. I was received on behalf of Pope Eleonora of Aragon that was going to marry the Duke of Ferrara. In 1476, he was the administrator of Capaccio, archbishop of Monreale, and administrator of Zaragoza. He attended decorously the diet of Frankfort. (Abbellì) and factories grew in his titular church of S. Sabina. He was largely protected by his scholars and writers with their own fortunes, and was so liberal to the poor by naming his heirs in his will. Man truly esteemed and highly commendable, as long as the virtues of the heart, if nothing else except for voice, will follow to have the first place among the people. The friends that were interpreters of his last will, as gathered from the epigraph, made him raise this monument, a work remarkable for agreement with the architecture, for the elegance of ornaments and for goodness of sculpture. The base has the inscription and the weapons of the diseased: the pillars of the four cardinal virtues to the left, justice and fortitude, and in front, prudence and temperance. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/dfdb814b468747b3f0f4b62080876e4e.JPG 98375b17163625deee8ba7c809ab1e9d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale in Bronzo D'Innocenzo VIII nella Basilica Vaticana Subject The topic of the resource Man sitting on throne with arch surround Description An account of the resource Soon to be translated Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 4 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/eaaf7d16fb51d07b38a71196d51c05c9.jpg dec00415d32af98d697d88c126c9fbdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale in bronzo di Martino V. nella Basilica di S. Giovanni in laterano Subject The topic of the resource Bronze tomb of Martino V in the Basilica of San Giovanni in Laterano Description An account of the resource Otto Colonna was born in Rome in 1368, and the 11 of November 1417 at the Council of Constance was elected as Pope Martin V, after the voluntary renunciation of the papacy of Gregory XII, and after the said council had deposed John XXIII and the 'antipope Pietro di Luna that made you call Benedict XIII. Calamitous times for the Church were turning even the inauguration of this Pontiff, and the schism of the West's 'persisted, however, no' his vain efforts to sink the amyl barque of Peter. In that state of what was highly to be wished that a firm and prudent man would take the pontifical chair. And such was Martin V, accompanied on the day of his coronation, which was on December 22, 1417 by the votes and congratulations of all his people, and led to the church to the reins of his horse by the Emperor and the Elector Palatine. The industry and the zeal of the Pope, if you do not see the hand of God, they would have the marvelous. He finished the Council of Constance: Public bubble against the Hussites of Bohemia. He summoned another council at Pavia, who thereafter was transported to Siena and was finally dissolved without any conclusion. He called the Jubilee in 1425, and after having made the most difficult chores of the Church took care of the beautification and decoration material of the city, which owes him a lot of improvements. So he died on 21 February 1431 for 63 years after having governed the Church 13 years 3 months and 12 days. His monument was placed on the floor that he had built at his own expense, in the middle of the ship and much greater at the confession. Today it is the same site, but several palms (sottera), and you go down to two beautiful marble stairs. The author of this burial was a Florentine Simon, brother of the famous Donatello, and it is said that he had invited him to Rome to examine the pattern of this' work before you melt it. It composed of a grand marble urn, while marble set on sockets and covered by a sheet of bronze subdues of very beautiful ornamental sculptures and bas-relief with the image in the middle of the whole dead Pontiff. It 'two longer sides of the case are carved between two frames very well carved four winged putti, supporting two wreaths in relief which are carved the arms of the Colonna family. It 'minor sides there are putti with one crown and an escutcheon. Although this monument is not to be compared with the best works of the century that followed him, the whole time the artist seems to us worthy of praise for the simplicity of the invention and many decorative pieces very well conceived. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/76de5eed7a275970885a2dbbd07ec388.jpg 36fc9e2352327cbc16f798b79f4cf151 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale in Bronzo di Sisto IV. nella Balisica Vatirana Subject The topic of the resource Table LXXIX. BRONZE TOMB OF POPE SIXTUS IV In the Vatican Basilica Description An account of the resource … It consists of two pillars decorated in foliage and flowers, above which rests an entablature that is rich in ornaments, especially in its beautiful frieze, covered in foliage and rosettes. Above this begins an arch covered in carvings, and on it, the venerated images of Our Lady with her Divine Child in her arms, and two winged figures kneeling in a fine act of prayer can be seen. The fresco painting has a wonderful exquisiteness, and it is lamentable that it has been so battered by time. On top of the arch lies the salvific cross. Enclosed between the two aforementioned pillars is an arch, inside of which the mortal remains of the Christian saint are kept, resting peacefully, which was a tradition that dominated the fifteenth century. There is an urn decorated with festoons, and above this. He was honored for his above average prowess in handling public affairs in the forum with the sincerity of one who truly loved his country. And of course he loved it, because it had the desired experience in the difficult years towards the end of the Florentine Republic, divided by factions and torn by external and internal wars. A little lower, hath another body from the same family, the grandson of the above, who entered into eternity at a dear, young age. Both sides of this humble memory are written in Greek; two mottos alluding to the departed, that sound the following way in our discourteous language: WORSHIPPER OF THE HOME BUT MINDFUL OF THE TOMB. And these are the words that should be imprinted into every mortal’s soul. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/18ff5ca90ebb7da5a7f852f8527a8a1d.JPG d488ed26f724c181032d1cfff9d56216 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrali Dell'Ar Civescovo di Kiorck E Di Emanuele Ralbo. Il primo nel Collegio inglese, il secondo nella chiesa di S. Agoatino Subject The topic of the resource Images of the man from different views. Also includes crests and information about the person. Description An account of the resource TAV. CXV Soon to be translated. IMG 5349 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 4 Format The file format, physical medium, or dimensions of the resource Etching Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860