12 10 290 https://artgalleries.milne-library.org/files/original/793aa567b2850135425e7d89c7179a3f.jpg cb49b8a61472fc6a271722690b7f29d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Giovanni battista de Cavalieri nella Chiesa dell' Ara-Corli Subject The topic of the resource Tomb of Giovanni Battista de’Cavalieri in the church of Ara-Coeli Description An account of the resource Giovanni Battista Cavalieri, a Roman patrician, young age while growing up in the virtues, honors, riches, it was from her that does not look neither provided nor to age, and revolves around his scythe inexorably caught forever in many sweet hopes. Sure that a painful feeling of pity filling my heart gazing into the monument of this unfortunate young man, but I see it when I surmounted by a cross, and I think the sweetness of the eternal future homeland, which will be much more intense, as much as resigned and generous was the abandonment of 'labile and passengers suffering of this world, I envy rather than pity the fate of the extinct. So the advantage that you have in gazing at the Christian sepulchers, which, if nothing else, there (avvezzano) to look with an eye of indifference and scorn broke the brief joys of this miserable earth. Forgive me this digression before the tomb of a young husband and son loved so dearly. She was the mother Lucrezia Massimi who put this memory, and that you keep with expressions (all'estinto) son speaks in the epigraph. The decorative part of the monument Remember her condition of the deceased, then the two genes act to extinguish the torches mourn the untimely death of the young to the sides of the torso that recalls his effigy. The two pillars are decorated arms, flowers, bows, (quadrella), torches and musical instruments; frieze of flowers and crests, and the base swags and other arms of the family. The all conducted with great care and kindness set up a very pleasant to look at. The tomb is placed in the Chapel of 'Sir Knights who is the latest in the left hand. It was made by walling Tommasso Orsini in honor of St. Gregory the Great, and Pauline Maffei in the seventeenth century build again the altar and adorned with fine marble. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/f8c51f9415d0307ac71845f277f343c3.jpg 4062acfbc6ec464c8411a5f83445e8b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Giovanni Crivelli e Giacomo Sanzio nella Chiesa dell'Ara-Coeli in Bernardino Landucci nella Chiesa di S. Machimo ai Monti Subject The topic of the resource TABLE XCIV SEPULCHRAL TOMB OF GIOVANNI CRIVELLI AND GIACOMO SANZIO In the Church of Aracoeli, Too unclear to read the rest Description An account of the resource TAVOLA XCIV. The first of these three monuments is a work of Donatello, the Donatello of which Vasari says was not only a sculpture who created rare and marvelous statuary, but was also well practiced in stucco, talented in perspective, and held in high esteem for his architecture, and this work in particular was done with such grace and elegance that it is more than one could have ever wished for. The monument was created to guard the ashes of, and remember the virtue of the Venerable Giuseppe De Crivelli, who died in sanctity. His Christian virtues added little learning in all matters of doctrines. He was an Archdeacon and a writer of unique letters and Apostolic Papal briefs, and the price of the monument was not important because of his good reputation after his death. The second monument is dedicated to perpetuating the memory of the generous actions of Christian virtues, which are responsible for the forgiveness of offenses and abhor revenge. Bernardo Barch of Rome was Stefano’s father, and was deposed in this place. He wished to avenge his father’s death, who was killed by the militia, when he began to see this was wrong and humbly asked for forgiveness. The young Stefano was able to let go of his need for revenge in that humble moment, and was able to forgive and let go: embracing the offender in a very noble action, and introducing him to many gifts. Virginio Orsini, the commander of the royal army, made this memorial wall in the second year of the pontificate of Alexander the Sixth to remember his generous actions. The third monument was created to guard the mortal remains of Sienese Bernardino Landucci. He was a taught at the Carmelite institute, of which he was general, and was known to be very merciful and was universally admired. This is a very valuable sculpture which we regretfully will lose in a few years, because it will continue to be consumed by the friction of what is above it. As with some of our other goals, we aimed to create an ensemble which will remain as the memory of the many beautiful tombstones and their designs, especially when we see them quickly moving towards inevitable destruction: we always feel an ardent love for the arts. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/bd5622622a390bcd33aebc8b2bf40706.JPG 9feb8ceb9588df282a61ae9f51ef65d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Giovanni de Coca nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Sepulchral monument of Giovanni de C. in the church of St. Mary above Minerva Description An account of the resource Table XXV To the right of this sacred chapel of St. Raymond told in the church of St. Mary above Minerva is seen, as it stands in this table, the sepulchral monument which Spanish Didaco De Coca is put through. It consists of a basement and two pedestals protrude forward and containing two -arms ending with a pastoral and the other a machine gun glue : among those states where the entry imparansi the quality of the extinct . Which lies stretched over an urn supported by a small support, flanked by two dad decorated with cornucopias and adorned with a band over a couplet which exposes this judgment : that if vertu porggia to the sky, some of this blessed country welcomes the spirit of the deceased while it closes the sepulcher the body . Two beautiful pillars binned argons above those dice placed beside the casket and go to support the entablature, on which a small attic is based on an entablature in the shape of a shell with swirls and primary phases in the sides and in the middle of a coat of arms which hangs over a cross. The upper wall of the casket and decorated with a fresco failure by time, but you do not see that do not let tuttvia depict the divine Savior in his majesty to judge between two angels who give their trumpets. He raises his right hand in the high solemnly pronounce the words for which the elect will ascend to his bosom, and bowed quietly to the edge in the anime that aim at the head of the prelate is lying, almost melt from the body, joining hands in pious act, how to worship the divine decree that raises as the right to award each of martyrdom. We would like to mention the name of the maker of the work done so: but we succeeded in vain every search around him. What we can write to and what he revealed analysis of this deposit, that he had one or more artists who work there, the work they arose worthy of commendation and should take solemn witness Artistic valor of those who led it. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/45b7ceef269629a7fa09377cf09b4ddd.JPG d488ed26f724c181032d1cfff9d56216 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Giovanni Ortega Gomiel. Nella Sagrestia di S. M. del Popolo Subject The topic of the resource Image of sculpture of reclining man with an image similar to Jesus above him. Description An account of the resource TAV. CXIV Soon to be translated. IMG 5350 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 4 Format The file format, physical medium, or dimensions of the resource etchings Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/81aa590f3cf8ffa366d1fee9ce432484.JPG 4f5339c061fb512b3e365ec4cc2d2cac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Giovanni Sacchi nella Chiesa di S. Onofrio al monte Giannicolo Subject The topic of the resource Image of reclining man within an arch. Inscription on the bottom portion and person gazing down on the man from the top of the arch. Description An account of the resource TAV> CXIII Soon to be translated. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 4 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/0be1712a6f85cec86a34f97fed07e015.jpg 64fcdf52ca2cd3774360b8cb552f4d59 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Giuliano da Volterra nella Chiesa di S. Pietro Montorio Subject The topic of the resource TABLE LXXXIX SEPULCHRAL TOMB OF GIULIANO DA VOLTERRA In the Church of Saint Pietro Montorio Description An account of the resource TAVOLA LXXXIX In the simple yet elegant church of Saint Pietro at Montorio, which was rebuilt based on the designs of Baccio Pintelli, exists this beautiful work of sixteenth century art. It contains the remains of Giuliano of Volterra, of the religious order of Minori, who was the bishop of Ragusi, known for his reputation, studies and virtue. He was called to be a part of a special assemblage of the most brilliant philosophers and theologians in Rome of that time by Cardinal Bessarione, where he practiced the divine sciences. There was also his position in the Apostolic Penitentiary, which he held with passion and zeal until he was taken by God during his 73rd year. Vegerius of Savona, the Cardinal of Senigallia, knew of his burden and erected this monument in his wonderful memory. It was created with the most careful artistic proportions, though it is adorned with unimaginably indistinctive carvings. The carvings are used sparingly at the bottom of the work, and then they increase, and fully cover the stands that lift it. So, at the base, there are commendably beautiful lines, a good proportion of moldings, and a lining of frivolous ornaments. The arms of the dome and its frame are beside it, and the frame is adorned with a lovely ovulo. They are both richly carved and enclose an arch at the middle. The pillars that support the monument faintly show the carving of a braid. In the center of the monument is the urn, which rests on a base and is supported by two lions’ paws, and in the space in between the legs, one can faintly see the emblems exercised by the sacred ministry with regard to the deceased. The lunettes formed by the arch are also rich in ornamentation, and fittingly contain carvings of all three members of the entablature. The realistic top of the work, which can be attributed to Pintelli, is a creation of grace and elegance. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/4a608aceb40629eef9307eae23e20b11.JPG 54384bf3749162a7526aaa1a77d960d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Gundisalvo de Veteta Goa in S. Giacomo de Spagnuoli ora nel Chiostro di Monserrato Subject The topic of the resource TAV. CXVIII Description An account of the resource Soon to be translated Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 4 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/24fe2b84e48ba8b78068ee2658ba345c.jpg 7c7bd39b7777f904d65bc8eb09ca82d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Gundisalvo de Veteta. Gia in S. Giacomo de Spagnuoli, ora nel Chiostro di Menserrato Subject The topic of the resource Image of reclining man in death with decorative surround Description An account of the resource Soon to be translated. IMG 5346 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 4 Format The file format, physical medium, or dimensions of the resource Etching Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/6e067d97153b49152102a7b10255d9f4.jpg a0f5862399db2c4196f7a9431ccee0ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Lucio Mancini nel Chiostro de SS. Apostoli Subject The topic of the resource TABLE LXXXVIII SEPULCHRAL TOMB OF LUCIO MANCINI Of the Cloister of the Holy Apostles Description An account of the resource TAVOLA LXXXVIII Whoever came to for a beautiful day in the Church of the SS. Apostles could not stop looking at this great monument which was created, along with those that were erected during the sixteenth century. At first glance, it is clearly perceived to be intended to perpetuate the memory of some unknown captain, so there are weapons, eagles, trophies, and laurels rather than ornaments. The artist truly made the monument too lavish, so that the eye cannot focus on any particular part, especially at the middle, where there is a recumbent statue of the deceased, and minute details are indented all over. But we will leave such investigations to the duty of others, who we believe will have the appropriate care. I will continue, as I have in the other tables, with the summary description. But first, you will have to consider what was said above, for today you cannot see this beautiful work in the interior of the church, but rather, it is in the cloister. And, what is worse is that it is in such bad conditions that you can hardly see it. With great care, we have been able to rummage through the corners of the cloister, and eventually reassemble everything, finding much of the monument scattered in small remnant that are easy for the eye to miss. First, continuing from the descriptions, and we will start at the base, where signs discussing the noble family who is responsible for the admission of this monument, and will next move up the stacked pillars, that are adorned with all types of military decorations and rich entablatures. Under this is a semicircle covered with simple lines that help the venerated image of Our Lady stand, supported in the air by angels. In the center, resting on a kind of case, is the statue of the departed with a hand on a sword, and his right arm resting. And with what seems to be references to his hard earned military pursuits, this monument is made as a reminder of the perils of war. The urn is supported by two eagles with outstretched wings, each snatching a tortoise in her claws, alluding to the victories of the noble and courageous warrior that is resting here. He was called Lucio Mancini, and was Roman. He felt very naturally inclined to weapons, and became very useful to the Republic of St. Mark, the republic for which he always fought bravely for, reaping praise and fortunes with every conquest. He was considered to be a great captain, who was very honored and envied by all, and was taken from life far too young, filling those who knew him with inconsolable grief and sorrow. And this is why his great love built this tomb for him, so that he would have a place to remain when he took his final trip, since he had hope his pious soul would be delivered to his spouse in heaven, where the good can find peace. Also, their bones were incinerated together in this urn, a testament to the tender love of the couple. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/4b0da0d82f68dfcbfddfc5b29d19079c.jpg bc8b09bd99ca16eb3037e459a7778fb7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Meriaduca Cicala nella Chiesa di S. Giovanni di Geneveai Subject The topic of the resource TABLE XCII SEPULCHRAL TOMB OF MERIADUCA CICALA In the Church of Saint Giovanni of Genoa Description An account of the resource TAVOLA XCII When there are men who come together and decide who to honor with these monuments, in sculpture and with golden letters on their tombstones, those who are chosen have most distinguished themselves by their religion and their loyalty and love to their neighbors. All of these virtues describe Meriaduca Cicala, who is buried here, who was enlivened by a lively faith second to none, and in spirit, which all virtuous Christians possess, especially in the love of our neighbors and God, who our most holy religion teaches us to simultaneously love. When the eminent virtues that accompanied the life of the illustrious deceased and the merciful deceased advised the holy Pope Sixtus IV to appoint him to the guardian of the apostolic tax, the love of the next part of another true Christian that burned in his chest and urged him to build a hospital to feed and house poor sailors. He knew how to rouse the mind of the lowest suffering of this world, and fulfill their divine precepts and then rushes to receive his reward in the home of the blessed. Artistically, this monument is considered to have no shortage of beautiful virtues, both for the decorations that adorn the pillars and the cornice above the other, and the urn lies on top of the body of the deceased. At the top of the interpillar is the scultanel, which shows the image of the Mother of God, who is holding the holy child in her arms. The artist placed Giovanni, the forerunner of Christ and his most beloved disciple, holding a cross, a chalice and a book. The base contains the epigraph and on its sides is the information of the family of Genoese patrician buried here. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860