11 10 290 https://artgalleries.milne-library.org/files/original/fea1c1ea28a814fcd69a590bc8fee1cd.JPG ef73afe3b1fe669f961961cc977ae3e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Beatrice e Lavinia Ponzetti nella Chiesa di S. Maria della Pace Subject The topic of the resource Sepulchral monument of Beatrice and Lavinia Ponzetti in the church of St. Mary of Peace. Description An account of the resource Table IX In the right part of the last chapel in St. Mary of Peace is this deposit and precisely next to that outlined in Table VI. Point from which it differs, is that you will look at the concept is that you like to consider the general arrangement of the parts, the same rectangular shape, the same movement of festoons, the weapons themselves noble and inclusion at the bottom, in the same round percent flowers and foliage in the upper part. But if you think it is the same with its symmetry and distribution as a whole and in parts, do not induce that one is a copy of the other as from the details. In some of these, especially in the foliage and ornaments, each of them presents new and various styles. The lapidary inscription tells us that in this tomb were closed year 1503 with all joy of Ferdinand Ponzetti dean of Protonotaries apostolic, four years before he would put the other to himself and his family. And what was his delight, such as the hopes and delights from death well you see those expressed by two busts sculpted by the two rounds mentioned: Beatrice and Lavigna, one of age six and the other of eight were taken by the plague, and a tragedy to their uncle who loved them with tenderness. And in fact if we look at all those faces full of grace and innocence, we get to read in the belief that to see them suddenly disappear it cost him pain so severe that he never forgot it. Which lasted, however, as in him four years later, it tries to highlight the melancholy spirant by the words of the inscription which he placed another tomb, and we reported that to table V. We believe, therefore, that he wrote a truth when he wrote about the every sweetness to his live lost with these two beloved nieces gone. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/5344ed1bbd63e10e5dc16a995b275e66.JPG d4fa9ac5f6741f4c118e690cdc308d4d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Benedetto Maffei nella Chiesa di S. MAria sopra Minerva Subject The topic of the resource Sepulchral monument of Benedict Maffei in the church of St. Mary above Minerva Description An account of the resource Table XV Descending from the minor ship of the church of St. Mary above Minerva, the fourth chapel that is seen and the one that was founded by the Maffei family of Verona and entitled to Salvatore e an s. Fillip Neri. And to the left point of this chapel the child mercy of Achille Maffei posed the tomb to the father Benedetto, a man with a big reputation of the doctrine under the Pontificate Sisto IV. The tomb we estimate to be one of the vague rings so our knight Tosi formed this valuable necklace to show the richness of the sister arts at that time that in endless mines resurrected treasuring the beautiful and the true. And everything in it, and thanks simplicity. And a socket on a base with three recesses this , the average and more wide a tombstone that the virtues of the deceased and those more narrow side and a coat of glue company of his family to Italian writers of the decades. Above the urn with Greek subscription and over the urn in a case where the middle and carved the image of the extinct. And all that is contained between two pillars Composite order raised on the sides to support the entablature which ends the monument. From the second urn or box lintel start to a vacuum that seems to have been intended for a painting. But this came down to us, the time subtracted from our view as to our memory of the author's name so precious deposit. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/6c525c0d55726028fcbed5a6b88c382b.JPG ae1a705cadb38c7b5861f216be28de56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Benedetto Soranzo nella Chiesa di S. Maria Sopra Minerva Subject The topic of the resource Sepulchral monument of Benedict Soranzo in the church of St. Mary above Minerva Description An account of the resource Table XXII And if the opinion of the author of the Knight Tosi around the Ex - Valdes storage place in St. James of the Spaniards , and then moved onto the porch of the hospice of St. Mary of Montserrat, was received with acclaim by the smart of ' art will also not without good reason that we write to Sansovino on this tomb that Victor Superanzio Venetian patrician consecrated to the memory of his brother Benedict , Archbishop of Nicosia apostolic secretary of Innocent VIII and Ceremonies of Alexander V , failure to live fresh age of 45 years. In fact, the two monuments can be said to be equal to each other, which changes where the Ex- Valdes must be distinguished from that of Superanzio you are of slight moment and diversify away from essentially all from one from the other, that would be indifferent and warn the passarcene. As one of the Ex - Valdes of this Superanzio is formed of two pillars adorned with sconces and Display heads and foliage of exquisite work, as in that of the base presents in these three compartments with -arms of the deceased and with the inscription on the life and death of him. Also in this that in those two shelves hold up a frame on which to pose the urn which by way of supporting the coffin of the deceased cardinal. If not this beautiful urn ornament and straight legs of a lion and bigger than that of Ex- Valdes and therefore somewhat covering the three compartments marked in the wall There arises more from at the frieze that is not in other store which frieze, however, and as well as in the compound of heads seraphim, and begins and ends in the pillars on which stands a band and turn in a semicircle in closing the monument, presenting in its bezel Mary with her son in the middle, St. John the Baptist on the right and left Pontiff St., figure all graciously carved in bas-relief. We will cease from noting the similarity of the two works almost perfect without mentioning that among the middle urn hath in this as well as in the plaque, which reads a couplet where do you copy nice advice from mortals. The council which consists in this, that I give every studio in not many years but both does that in life, whatever Salesian life, flowing honest and pious. But after observing how these two works are the children of one idea to another and therefore one countenance together, let us hasten to declare that what goes into the ornaments they COTAL variety to wonder how many other details can dress the same general concept. Eleven years before the Ex-Valdes, died the Superanzio came to life: this is detected by the respective lapidary inscriptions. Although the chronological date of their death is not certain proof of the creation of monuments, not of necessity that the Ex-Valdes, because dead after the Superanzio, not even after it was raised the deposit, the more that those prepare for living in the if and but a strong indication that the erection of this preceded that of the other, in short, this is the original and the other the imitation. Both, however, however, and in one another and start to copy as much of the artistic beauty of details that make you forget the question of the originality of the general thought of the work. This monument is to the left of the chapel already sacred to St. Agnes of Montepulciano and now at St. Raymond in the church of St. Mary above Minerva. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/fa79e112b5386a67cf4b1c69593c48b2.JPG 9110edd67decdd5e707b882515c37bea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Bernard Sculteti e Giovanni Knibe nella Chiesa di S. Maria dell'Anima Subject The topic of the resource Sepulchral monument of Bernard Sculteti and Giovanni Knibe in the church of St. Mary of the Spirit Description An account of the resource Table X The company built the hospital in Rome for the German nation in 1543 fulfilled the duty of gratitude by putting in the church of St. Mary of the Soul a grave Bernardo Sculteti and John Knibe : one of these and still healthy and the other dying they had donated their property to the company . And so did the tomb and the fact that the knight Tosi has to be seen in this table. The stones that reminds the reader two virtuoso action to be imitated , of charity and gratitude, as the first base , on which it is located less than a second great but certainly richer than various carvings. Since this is the first protruding pedestal of the three pillars, which rise two sides and one in the middle dividing the monument, to support the entablature with a pediment in which space starts to carved a skull. The two parties, each enclosed between two pillars, take half the figure of a parapet and half that of a niche closing almost half of the window. Both of parapets are covered head to toe as wall hangings studded with magnificent arabesques that you seem to look at one another. But if you examine the uncovers and their parts , you will gradually reveals much variety of work that you see that copy disappear as if by magic , and raised under the eye ornaments, two originals , if having nothing in common if you take away the ' harmony of proportions and style . In those niches then, that almost half open to the diaspora of the guardrails, you spot an Ermin like looking pitiful that the two have expanded their wealth to humanity suffering. The institution which avedno and perpetual expiatory prayers for their souls, even today sends his voice to praise grateful to the charity at the back of God. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/0ff02c97fc05c5be7baba8e6b58040ed.JPG 1dd4022a7fafe9a45d26ca256c93e588 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Diego ex Valdes in S. Giacomo de Spagnuoli Subject The topic of the resource Sepulchral monument of Diego EX. Valdes in St. James of the Spaniards Description An account of the resource Table VII Not many years that the hospice attached to the church of St. Mary in Montserrat, has made at least two Valenziani and the Aragonese , the first in 1319 , the other in 1495 , a vague porch was built with the design of architect Knight Peter Camporese. And this porch welcomed all the works of culture that came to fame as a valuable existing in St. James, the Spanish national church already threatened to ruin. Now among the various monuments of the fifteenth and sixteenth centuries there greeted especially true for purity and ease of style that does not gracefully proportioned and the richness of ornamented and why in 1506 the Spanish bishop Ex- Valdes prepared himself. The Knight Tosi, studying in all its details and the style with which this work diligently conducted, believed to recognize that the same sansovino explained in other sculptures for certain the outputs were from his own chisel: therefore he drew from the same work as its author. If any esteem having to disagree with the opinion that it was precisely those the author will not be able to stop not agree in saying , will be conducted this work that only could a hand so valiant as that of Sansovino. Two large pillars and an elegant close in if the monument. Three compartments in the large base are the ones smallest side-arms of the deceased, the average and the largest stones, where laws as he himself ordered the sepulcher, and how many years he lived plucked death on December 26, 1506 being the butler of the Pope Alexander VI. On this basis, two shelves stick out from a band full of gentle grooves to hold up a delicate frame supporting the urn to bury the beautiful by the grace of proportions and for the ornaments: lies stretched over it on the deceased prelate. In the middle of the ballot is written a Latin couplet: there was in this wise counsel to prepare the grave before the death of that and uncertain time. A Greek cross in the middle and the two candlesticks burning in the sides occupy three slots marked in that part of the wall that you have between the urn and the beautiful frieze composed of heads of scrafini, which runs from one to the other capitals of the two pillars. There arises on those close to the monument in semicircular shape a band of exquisite work, leaving between itself and the frame bezel that contains a Virgin and Child flanked by two kneeling angels. Anyone who stands in looking at this monument is not removed since it does not contemplate any first convinced upheld in it all the qualities that essence, represent a masterpiece of the art of that era. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/7c8167224a4be11c9d9474d6584c9d34.JPG 89fb9c205fad933881cdcefa01459585 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Ferdinando da Cordova Gia in S. Giacomo de Spagnuoli ora nel Chiostro di Monserrato Subject The topic of the resource TAV. CXIX Description An account of the resource Soon to be translated. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 4 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/f06498182207860705fd0f494819167c.JPG 8fa4e7021cc3c82df3895e297d34acf1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Francesco Tornabuoni nella Chiesa di S. MAria sopra Minerva Subject The topic of the resource Sepulchral monument of Francesco Tornabuoni in the church of St. Mary above Minerva Description An account of the resource Table XIII Who is the face on the wall to look at the left door of the church of St. Mary on top of Minerva presents this store. Two shelves will support the plan with the two side posts and placed upon the frame form the interior of a room, where rich coffin lies stretched over a gentle boy. to which race and which country was this flower of youth and beauty, which forms here the teacher portrayed in marble by Mino da Fiesole, you would know that the two arms of noble hang hanging on the walls of the room, one of Florence and the other of the Tornabuoni, if not better than declare the entry governed by two ribbons and ornaments noble is in the middle of the urn. Since we know it as the one who sleeps the eternal sleep that Francis was a nice house, which granted the years of living with pain of all and in especially way the Pontiff Sixtus IV which was extortionate. And if I want a mind not so much love that he wore Sisto as to the state of his family, wealth and powerful mercantile credit in that not to be related to the Doctors, you will learn how to light the bitter death of him dying from grass in a splendid life of hopes and honors. Between the two arms that already hang on the wall, seeing a circle of blazing light in which Jesus is crucified, perhaps to indicate how his glory was taken to the soul of the deceased is more pure and shining with all worldly glory. Just look at this monument to judge him worthy of holding a gem in the sculpture of the sixteenth century, which of all the connoisseurs of this art is judged the statue of Mino. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/f8f7bafede74e133086bbaa29e56d2d8.JPG 4ac73633eb0d238e79554e9c7a927f1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Giacomo Tebaldi nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Sepulchral monument of James Tebaldi in the church of St. Mary above Minerva Description An account of the resource Table XXI In the same church of St. Mary above Minerva, even on the same wall where the tomb of the Tornabuoni and just above this referred to the treatment table XIII property rises deposit drawn in this table. Five shelves, including standard or candelabra or run festoons of fruit, whose support base in the middle two winged cherubs hold a table. In this written and how the monument superimposed divided into two floors with a frame, was erected to the memory of Cardinal James Tebaldi died in 1466, and for his Christian virtues had in great admiration of Pope Calisto. In the lower floor lies an urn above the cardinal dressed in bishop's robes. From the depth of the upper floor is revealed this was intended to contain some sculpture, ignoring, however, if never been asked or if it was then removed. The pillars cut in the middle of the frame that already have to aim in the below -arms of the noble lineage of Tebaldi, in two niches above the Saints James and Rocco, the one and the other patrons of the deceased. It overlooks the entablature and finally to them this a stylish over- honored, in the midst of which is a bas-relief in a glory of the Divine Savior scrafini having a book in his left hand , the book of his law , and with his right hand in the act of blessing . Oh this figure really shines with divine beauty! With a nod from him who can destroy and bless as in this act manifested to man the whole spirit of His law of love! Not without good reason is attributed to this monument carver Andrea Verrocchio by a talented artist of the time. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/1eecdaa4b19e23030c439313f4819b8a.JPG 3a2d2a732d88b9dfa3ab4cd6b5bf0ecb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Gio. Andrea Bocciacio nel Chiostro di S. Maria della Pace Subject The topic of the resource Sepulchral monument of Gio. Andrea Bocciacio in the cloister of St. Mary of peace. Description An account of the resource Table IV At the time that Sixtus IV Celebrated harmony with the Christian principles, he even raised a temple to the Virgin Mary under the invocation of peace and made at a monastery- precisely in the cloister of this , that and the work of Bramante Lazzari , as the shy Militia recognized many mediocre things also saw the columns of the second order lay in the middle of the arches of the porch and one does not know that the contrast of the lower arch of the architecture above , the deposit is designed by Knight Tosi and recorded in the this table - Three shelves overhanging the wall supporting a large base in the midst of which the ministry is seen hanging horizontally in two bands , and flanked by two noble arms surmounted by miter . Two nimble pillars arise on this basis supporting an entablature and an elegant close between a hara on which lies a man dressed in the clothes of bishops with overlapping hands to his chest. An inscription on the anterior face in the year 1497 reveals the name and dignity of Andrew Bocciacci jurist and bishop of Modena, a man of great stature, in which Pope Sixtus saw to Ferdinand, King of Sicily, and the successors Innocent VIII and Alexander VI in the Hercules, Duke of Ferrara, who is not in the Inquisition for heretics to Savoin. In the sides of the coffin many books are overlapped one another , perhaps to symbolize, or perhaps to signify the product was extinct, or perhaps better to indicate that here rests on the fame of his doctrine. Some nimble and light festoons formed bells running from one capital to the other side of the pillars on the space that lies between the urns with elegant coffered ceiling. It is not known who the author of this deposit was. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/e59af557a845951da2480e240df26776.jpg 2c9784a2fc710182ec8cd2ba97666f5e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Giovanni Alberini nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Table. LXXVIII. SEPULCHRAL MONUMENT OF GIOVANNI ALBERINI In the Santa Maria sopra Minerva Church Description An account of the resource … It consists of two pillars decorated in foliage and flowers, above which rests an entablature that is rich in ornaments, especially in its beautiful frieze, covered in foliage and rosettes. Above this begins an arch covered in carvings, and on it, the venerated images of Our Lady with her Divine Child in her arms, and two winged figures kneeling in a fine act of prayer can be seen. The fresco painting has a wonderful exquisiteness, and it is lamentable that it has been so battered by time. On top of the arch lies the salvific cross. Enclosed between the two aforementioned pillars is an arch, inside of which the mortal remains of the Christian saint are kept, resting peacefully, which was a tradition that dominated the fifteenth century. There is an urn decorated with festoons, and above this. He was honored for his above average prowess in handling public affairs in the forum with the sincerity of one who truly loved his country. And of course he loved it, because it had the desired experience in the difficult years towards the end of the Florentine Republic, divided by factions and torn by external and internal wars. A little lower, hath another body from the same family, the grandson of the above, who entered into eternity at a dear, young age. Both sides of this humble memory are written in Greek; two mottos alluding to the departed, that sound the following way in our discourteous language: WORSHIPPER OF THE HOME BUT MINDFUL OF THE TOMB. And these are the words that should be imprinted into every mortal’s soul. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860