11 10 290 https://artgalleries.milne-library.org/files/original/eaaf7d16fb51d07b38a71196d51c05c9.jpg dec00415d32af98d697d88c126c9fbdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale in bronzo di Martino V. nella Basilica di S. Giovanni in laterano Subject The topic of the resource Bronze tomb of Martino V in the Basilica of San Giovanni in Laterano Description An account of the resource Otto Colonna was born in Rome in 1368, and the 11 of November 1417 at the Council of Constance was elected as Pope Martin V, after the voluntary renunciation of the papacy of Gregory XII, and after the said council had deposed John XXIII and the 'antipope Pietro di Luna that made you call Benedict XIII. Calamitous times for the Church were turning even the inauguration of this Pontiff, and the schism of the West's 'persisted, however, no' his vain efforts to sink the amyl barque of Peter. In that state of what was highly to be wished that a firm and prudent man would take the pontifical chair. And such was Martin V, accompanied on the day of his coronation, which was on December 22, 1417 by the votes and congratulations of all his people, and led to the church to the reins of his horse by the Emperor and the Elector Palatine. The industry and the zeal of the Pope, if you do not see the hand of God, they would have the marvelous. He finished the Council of Constance: Public bubble against the Hussites of Bohemia. He summoned another council at Pavia, who thereafter was transported to Siena and was finally dissolved without any conclusion. He called the Jubilee in 1425, and after having made the most difficult chores of the Church took care of the beautification and decoration material of the city, which owes him a lot of improvements. So he died on 21 February 1431 for 63 years after having governed the Church 13 years 3 months and 12 days. His monument was placed on the floor that he had built at his own expense, in the middle of the ship and much greater at the confession. Today it is the same site, but several palms (sottera), and you go down to two beautiful marble stairs. The author of this burial was a Florentine Simon, brother of the famous Donatello, and it is said that he had invited him to Rome to examine the pattern of this' work before you melt it. It composed of a grand marble urn, while marble set on sockets and covered by a sheet of bronze subdues of very beautiful ornamental sculptures and bas-relief with the image in the middle of the whole dead Pontiff. It 'two longer sides of the case are carved between two frames very well carved four winged putti, supporting two wreaths in relief which are carved the arms of the Colonna family. It 'minor sides there are putti with one crown and an escutcheon. Although this monument is not to be compared with the best works of the century that followed him, the whole time the artist seems to us worthy of praise for the simplicity of the invention and many decorative pieces very well conceived. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/f76eb77564d197081e445ac9591a519e.jpg ade0ca98cc7054ccc7aa8a49be5837a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Custodia degli olii Santi nella Basilica di S. Giovanni in Laterano Subject The topic of the resource Custody of holy oils in the Basilica of San Giovanni in Laterano Description An account of the resource This work of sculpture certainly belongs to the good of the century 'art, wanting to argue it from its simple style and correct. We saw the Rasponi and Crescimbeni cited by Valentini (Illus. the four Bas.) But we could not find the author's name. A more accurate and patient investigator will perhaps one day be more fortunate in his research: we are now able to have enough of is uniform, as can be seen in two parts, an upper and a lower. The first was at the bottom on a plane to equal sides and frame around a metal door on which is written: (LATIN). From the two sides are first put in perspective two arcs, of which are seen going out six and Seraphim prostrate reverently before the sacred deposit. On the whole monument is a pedestal, and over them the whole figure of Christ standing humbly and posed as his head crowned with thorns. The bottom has only two figures, representing S. John the Evangelist, and the Holy Pontiff Leo I. The one standing with a book in his right hand and a glass in the left and the other to the ground on his knees before him, and with his hands clasped in prayer. The little snake that you see out of the cup that S. John presents to S. Leo, perhaps reminiscent of the miracle worked by the saint, when the poison chalice of sojourn served up in the making and he above the sacred sign of redemption discover the deception. This second bas-relief, both for the expression of the figures, as for how to fold and for the kindness of the ornaments, which contains, it is certainly bill once more close to us, that is when the art of the chisel alluded to that perfection which would soon arrive. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/907bf17ac87e729ee47e3cfe3fdfd714.jpg ab392d1ba2b2762a1267984319c085e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcrali di Uberto Strozzi, Antonio Castalio e Girolano Butigella nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Tombs of Uberto Strozzi, Antonio Castalio and Girolano Butigella in the church of Santa Maria sopra Minerva Description An account of the resource There are three monuments. The first is a memory burial Alberto Strozzi Mantua, who died in 1553, operates all of white marble, simple but beautiful in its proportions and with the portrait of the deceased in a bust in full relief. The last Butigella remember the name of Jerome, Doctor of Law, who died in 1515, just 45 years old and man in 'his day (stimabilissimo). The median is sacred to the memory of Antonio Castalio, writer and papal archives of 80 years died in 1533. Before you renew the church of S. Maria sopra Minerva, in the mound under this monument (leggevansi) a marble table in the following two couplets: Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/cb3f24d148f1a691db7c1c27f18feb3a.jpg 78903f7ce8c683f8ffeeb0f4bb485ab1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Pietro da Vicenza nella Chiesa dell'Ara-Coeli Subject The topic of the resource Tomb of Pietro of Vicenza in the church of Ara- Coeli Description An account of the resource The year 1504 went up and this monument to the memory of learned and upright magistrate Pietro da Vicenza, for care of the 'grieving sister Margaret. This man is remembered with praise worthy in the works of many writers (contemporanci) him, insomuch that should not be considered for the two virtues personified liars who worship the top in the inter pillar of his burial, I mean prudence and justice. Eminent qualities of his heart they were these, and the voice of posterity not (ismentì) that laudable that took her life. The Archives Vatican, between the acts of the Papal Master of Ceremonies, is found recorded the following news under the date of 'May 13, 1487: (LATIN) tells us that Peter was Vicar of the Liberian Basilica year 1489. Finally, for the memories that are preserved in the church of Aracoeli know that this prelate died of the plague in 1504 and that was March 1 of 1505 on the Sabbath day he was celebrated a solemn funeral which intervened many cardinals, many prelates, all Auditors of the Rota, all the Presidents, the Cardinals, many prelates, all auditors of Rota, all the Presidents, the clerics, notaries, officials of the Chamber, lawyers and prosecutors Consistorial Rota. The funeral prayer was recited by Canon Thomas of Volterra, a learned and eloquent man, (soprannomato) the Phaedra (Leando Alberti Desciz. throughout Italy p. 49. Venez. 1555), and with this nickname is mentioned in the document, to which (cavammo) this news with the following words: (LATIN) Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/251f76f540ccbc866d03c2ed9f417a3c.jpg 2ad10783e223eef69d74a317aa29ec3f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Parte Superiore del Monumento Sepolcrale in Bronzo di Sisto IV nella Basilica Vaticana Subject The topic of the resource Table. LXXX. UPPER PART OF THE BRONZE TOMB OF POPE SIXTUS IV In the Vatican Basilica Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/fe573d43c022a637a0217009d5cf8688.jpg fcba69b443b41577b0b5e6437cef57aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Nerone Diotisalvi nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Table. LXXXI. SEPULCHRAL TOMB OF DIOTISALVI NERONI In the Santa Maria sopra Minerva Church Description An account of the resource … It consists of two pillars decorated in foliage and flowers, above which rests an entablature that is rich in ornaments, especially in its beautiful frieze, covered in foliage and rosettes. Above this begins an arch covered in carvings, and on it, the venerated images of Our Lady with her Divine Child in her arms, and two winged figures kneeling in a fine act of prayer can be seen. The fresco painting has a wonderful exquisiteness, and it is lamentable that it has been so battered by time. On top of the arch lies the salvific cross. Enclosed between the two aforementioned pillars is an arch, inside of which the mortal remains of the Christian saint are kept, resting peacefully, which was a tradition that dominated the fifteenth century. There is an urn decorated with festoons, and above this. He was honored for his above average prowess in handling public affairs in the forum with the sincerity of one who truly loved his country. And of course he loved it, because it had the desired experience in the difficult years towards the end of the Florentine Republic, divided by factions and torn by external and internal wars. A little lower, hath another body from the same family, the grandson of the above, who entered into eternity at a dear, young age. Both sides of this humble memory are written in Greek; two mottos alluding to the departed, that sound the following way in our discourteous language: WORSHIPPER OF THE HOME BUT MINDFUL OF THE TOMB. And these are the words that should be imprinted into every mortal’s soul. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/08a61a7ba4a4902749860e016694ad3a.jpg 8c8c8114197da8b7cb5dd2e0c3e70952 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli del Monumento Sepolcrale di Nerone Diotisalvi nella Cjiesa di S. Maria sopra Minerva Subject The topic of the resource TABLE. LXXXII DETAILS OF THE SEPULCHRAL TOMB OF DIOTISALVI NERONE In the Santa Maria Sopra Minerva Church Description An account of the resource TABLE LXXXII To benefit the artistic significance of what we have seen in the above-described monument, we believed we needed to provide some more detailed descriptions, which is why we created these tables, and provided them whenever we believed it would help those studying the artist look deeper into the character of the time we are illustrating. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/e64997cfcb9126447d9252962933fd1e.jpg 61e5da7f917cf71879bc19c6c9a8c2bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcrali di Giovacchino Torriani C. Cantacuzeno E Leonardo Mansueti nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource TABLE LXXXIII SEPULCHRAL TOMB OF GIOVACCHINO TORRIANI C. CANTACUZENO E LEONARDO MANSUETI In the Santa Maria sopra Minerva Church Description An account of the resource TABLE LXXXIII The church of Saint Maria above Minerva was erected over the ruins of the temple of a Goddess, who people offered many spoils in thanksgiving for the victories against enemies of Rome. This church has always been under the protection of the popes, and of great veneration of the Romans; and though it is always kept adorned, it was not long ago that the door to that degree of splendor that befits the house of God was opened by the Reverends PP. Dominicans were allocated in the annexed convent. The special devotion with which he gave the constant concern to the floor and the walls so they were crowded with sepulchral monuments can be seen here, and we have listed them here, as we took them from that magnificent temple. The first of which much adorned with foliage and flowers and was named after Gioacchino Torriani, from the noble city, Venice; who, after he had the religious order of the preachers, was appointed General for his great goodness and scholarliness. He knew several languages and divine sciences were among the first intellects of his time. The second monument consists of an arch supported by pillars adorned with very elegant pedestals, and a shrine arises form them, which consists of a base, fluted pilasters, and entablatures. On the pillar, there are inscriptions which remind us of the three Christians, of whom <the monument> contains the mortal remains: Caterina Cantacuseno Floridi, a noble Cypriot with many beautiful qualities that can be equated to the old matrons; of Isabella Belli, the only daughter, a delight to her relatives; and of Ettore Legles of Cyprus, this monument is erected to him and those above mentioned. In the third monument, with architecture and ornate decorations almost equal to the first, awaits the resurrection of Leonardo Mansueti from Perugia, the most knowledgeable theologian, who had Christian integrity. He was a religious preacher and, under Paul II, he was the master of the Sacred Apostolic Palaces, and was universally valued. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/496e9dcdff9f673c812abffc2ca52599.jpg 535663b675e65f4674fb43d06a3fa99f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Agapito Rustico nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource TABLE LXXXIV SEPULCHRAL TOMB OF AGAPITO RUSTICO In the Santa Maria sopra Minerva Church Description An account of the resource TABLE LXXXIV This monument that is rich in the simplicity of its lines, rests on three shelves decorated with acanthus leaves, and is one of the best things that can be seen in the Church of Saint Maria above Minerva. The shape is unlike its style, which is typically firmly rooted in the century in which it was constructed. Though it has a simple base, it is cleverly created, and at either end, it has a coat of arm of the deceased, and has two pillars on it, covered with ornaments and topped with two lovely capital composites. Above this lies a very vague and rich entablature, on top of which is also a beautifully decorated pediment. The interpillar is placed on the arch that encloses the ashes of the man who was laid to rest there, and depicts a statue of the actual headdress, on top of which is the episcopal statue. This recumbent statue and work of expert sculpting, which shows a marvelous portrait of charity and kindness that, should depict the sacred mystery that such an important priest maintains. In addition, the garments show a cyclical style, and portray all of the uplifting majesty and devotion. And a devout and majestic Christian with the poise of Agapito Rustico, was buried here; because the Shepard of souls was always gracious and sweet in his advising that in return for those who remain with the integrity of Catholic morals should be a mirror to the world. He was a bishop of Camerino, and due to the magnificence of his church, is still remembered as a beloved pastor whose biographers recorded the remarkable virtue that surrounded his truly Christian spirit. And they know that in addition to his aforementioned moral excellence, he had cultivated the spirit, by knowing much about divinity, and being skillful in the Latin language that was orally known throughout Italy. On the bare space that can be seen between the interpillar of this tomb, and in the tympanum, perhaps there will one day be someone who can interpret these vague fresco paintings, or what is shown the bas-reliefs means, but in the same location, most of the monuments to goddesses that existed in the 15th century, as well as others, were damaged, decomposed and mutilated. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/1eed3539cacfce6cccf5fc1fe4d50672.jpg e3a9c8ad28d508c97b1dfd06aa6634d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Altare nel Tempietto di Bramante in S. Pietro Mantorio Subject The topic of the resource TABLE LXXXV ALTER In the Temple of Bramante Lazeri in San Pietro in Montorio Description An account of the resource TAVOLA LXXXV In the model of architectural elegance that is in the walkway of S. Pietro of Montorio, and which Vasari says – cannot proportion, order, and diversity be imagined, and grace kinder be better imagined – this altar is dedicated to the Prince of the Apostles, of which Bramante himself was the creator. It consists of a table upon which stands a base, from two pillars stand out which encloses a seated statue of the first Vicar of Christ on Earth, who was given the keys to the Kingdom of Heaven, which is depicted by the artist on the right. In front of the table, there are three panes of which the two side arms refer to those who order the fabrication of this altar, the middle one containing the image of fish in the waves of the sea, which was important to the life of the sovereign apostle to whom this monument was dedicated. The bas-relief that adorns the aforementioned base recalls the terrible death administered to Peter by the impious Pagans. The whole work ends with an arch, within which a beautiful shell shape is enclosed. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860