10 10 290 https://artgalleries.milne-library.org/files/original/45b7ceef269629a7fa09377cf09b4ddd.JPG d488ed26f724c181032d1cfff9d56216 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Giovanni Ortega Gomiel. Nella Sagrestia di S. M. del Popolo Subject The topic of the resource Image of sculpture of reclining man with an image similar to Jesus above him. Description An account of the resource TAV. CXIV Soon to be translated. IMG 5350 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 4 Format The file format, physical medium, or dimensions of the resource etchings Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/18ff5ca90ebb7da5a7f852f8527a8a1d.JPG d488ed26f724c181032d1cfff9d56216 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrali Dell'Ar Civescovo di Kiorck E Di Emanuele Ralbo. Il primo nel Collegio inglese, il secondo nella chiesa di S. Agoatino Subject The topic of the resource Images of the man from different views. Also includes crests and information about the person. Description An account of the resource TAV. CXV Soon to be translated. IMG 5349 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 4 Format The file format, physical medium, or dimensions of the resource Etching Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/8f2a8358a9de1d63990e80183e706753.JPG cd165db3a0cb68c8503f4484e5eeb21f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Altare: Nella Basilica di S. Paolo sulla Via Ostiense Subject The topic of the resource Alter with three figures, center figure has lost his head Description An account of the resource TAV. CXVI Soon to be translated. IMG 5348 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 4 Format The file format, physical medium, or dimensions of the resource Etching Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/e3d0676578535b63d8628c81b52d84bf.JPG 62b5c2ddfdaf600bfc38d0eab4443df6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Neestore Malvezzi. Nell'andito che im mette nella Sagrestia di S. Maria del Popolo Subject The topic of the resource Image of reclining man in death with decorative surround Description An account of the resource TAV. CXVII Soon to be translated. IMG 5347 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 4 Format The file format, physical medium, or dimensions of the resource Etching Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/24fe2b84e48ba8b78068ee2658ba345c.jpg 7c7bd39b7777f904d65bc8eb09ca82d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Gundisalvo de Veteta. Gia in S. Giacomo de Spagnuoli, ora nel Chiostro di Menserrato Subject The topic of the resource Image of reclining man in death with decorative surround Description An account of the resource Soon to be translated. IMG 5346 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 4 Format The file format, physical medium, or dimensions of the resource Etching Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/01da6897c9c2c851e1cb7f79506e3651.jpg f78f534ec8bc7cc827b03b49e76196e3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcrale di Vincenzo e Marcello Rustico nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Tomb of Vincenzo and Marcello Rustico in the church of Santa Maria sopra Minerva Description An account of the resource A right hand of the little port of St. Maria sopra Minerva is placed against the wall this time and supported by three carved corbels. The white marble statue lies down on the urn reminds the effigy of Rural Vincent apostolic secretary and man eminently versed in Greek and Latin literature. Marcello was his father's secretary and writer, and also apostolic. The monument was in place by his son and grandson Anthony. It is not lacking in its simplicity, elegance, and graceful are the ornaments which are the two pillars, and overlaid them entablature. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/1fde8c996722acb52088cd5581910bce.jpg eee362ddee5005d43a0814cfdf46a145 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Altare nella Basilica di S. Giovanni in Laterano Subject The topic of the resource Altar in the Basilica of San Giovanni in Laterano Description An account of the resource As we said in the table LXV intend to repeat here, about the conduct of this elegant altar: that the author is something that is unknown and that it is the work of beautiful and exquisite work, both for the invention of the ornaments, which for the proportion of 'members. Is seen in the Basilica of St. John leaned over the door of the chapel of the ancient family Massimi, noble architecture by Giacomo della Porta. The holy place in the middle of the recess formed between the cross-pillar is the figure of St. James Major, who holds the drone with his right hand or stick (viatorio) from which hangs a shell and a diaper, and has a book in his left hand close to his chest, and with whom he also holds a piece of the rich pallium that descends from the humerus I miss and wraps around with a nice party folds. The whole work is something very gentle and pure you pe 'that adorned her for the correctness of' his (modani), which prayers you do notice it more 'four, cute pilasters ending in many capitals of composite order and very vague to see. The beautiful cornice that rests above these, (comechè) original (estita) not, must not occur for what I imagined, but it is the result of my research. Because finding a day in the cloister of the basilica, in the last one of 'its corners a small fragment of the entablature, whose frieze was decorated with garlands woven with bells, and each of them contained a shell in the middle. Built soul I doubt this was not the cornice of 'altar, I wanted to measure the proportions and examine thoroughly the parties. In seeing that everything between them was answered exactly easy to convince me of the truth of the fact, and seeing me more convinced that ran from the similarity between the shells of the 'one to one that is suspended from the drone of S. James, I said so much that was the thing, and I wanted to add it to 'work to make something pleasing to the artists. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/793aa567b2850135425e7d89c7179a3f.jpg cb49b8a61472fc6a271722690b7f29d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Giovanni battista de Cavalieri nella Chiesa dell' Ara-Corli Subject The topic of the resource Tomb of Giovanni Battista de’Cavalieri in the church of Ara-Coeli Description An account of the resource Giovanni Battista Cavalieri, a Roman patrician, young age while growing up in the virtues, honors, riches, it was from her that does not look neither provided nor to age, and revolves around his scythe inexorably caught forever in many sweet hopes. Sure that a painful feeling of pity filling my heart gazing into the monument of this unfortunate young man, but I see it when I surmounted by a cross, and I think the sweetness of the eternal future homeland, which will be much more intense, as much as resigned and generous was the abandonment of 'labile and passengers suffering of this world, I envy rather than pity the fate of the extinct. So the advantage that you have in gazing at the Christian sepulchers, which, if nothing else, there (avvezzano) to look with an eye of indifference and scorn broke the brief joys of this miserable earth. Forgive me this digression before the tomb of a young husband and son loved so dearly. She was the mother Lucrezia Massimi who put this memory, and that you keep with expressions (all'estinto) son speaks in the epigraph. The decorative part of the monument Remember her condition of the deceased, then the two genes act to extinguish the torches mourn the untimely death of the young to the sides of the torso that recalls his effigy. The two pillars are decorated arms, flowers, bows, (quadrella), torches and musical instruments; frieze of flowers and crests, and the base swags and other arms of the family. The all conducted with great care and kindness set up a very pleasant to look at. The tomb is placed in the Chapel of 'Sir Knights who is the latest in the left hand. It was made by walling Tommasso Orsini in honor of St. Gregory the Great, and Pauline Maffei in the seventeenth century build again the altar and adorned with fine marble. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/29346cb8d7f64a91d9dd8d70e6966d83.jpg 6db2ede8eaa667d2719447dae149edba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Altare nella Chiesa di S. Maria della Pave Subject The topic of the resource Altar in the church of Santa Maria della Pace Description An account of the resource This magnificent altar was made to raise by Innocent VIII in the church of S. Our Lady of Peace in honor of the Virgin Mary for having overcome a painful disease. It took some time for the place of the 'Altar and afterwards was transported to where it now is seen. Everything we have from Pennotti is from his histor. Canon. The Reg. 3. c. 33, who writes: (LATIN). Today the main altar in (LATIN) reads the following inscription: Innocent VIII had to love the Church of Peace also for his genius peaceful, so was able to make peace between the Christian princes, and so Vital Wheat sang her credit for this side: The altar in the said conveyance to the side of the Gospel, and the use of altar of the Crucifix underwent some modifications, which art cannot certainly approve. The niche of Our Lady was not enough (pel) crucifix, and so it was enlarged almost two branches, that spoil the pristine beauty of the lines, and what is more they break the beautiful design of 'pillars carved with ornate, that arise at his side. It incarcerated in a space too small, and not field or background that we mean, who does not show for a tenth of the beauty of art resurgent, and that set that has picture in the paper. About the saints that fill the niches, here is what we could (conghietturare). The first two on the right and left of the upper part are the two John in 'their sides, one and abbot, and it seems that we should thus characterize the pastoral flower that looks inward, unlike the pastoral bishop who turns out: the other seems to S. Anthony abbot and youthful face is the fire that alludes to a famous miracle in order to split the elements that made up a brick. The two circular figures contain some means of two angels, and maybe two evangelists, as does the suspect parchment. Finally at the bottom we have some the only two apostles St. Peter and S. Paul Delk bishop you cannot say anything, and the other with high cross, watching the sky and in a suit venerable and apostolic would seem the apostle St. Philip, or S. Compano apostolic Barnabas S. Paul. As to the reasons for these saints: two apostles, Peter and Paul as protectors of Rome, the two John allude, one in the name of the Pope who order the altar, which was called (LATIN) John, the other being the beloved disciple left his son to Mary, the two must be mitred saints who have written especially the SS. Virgin and so the Evangelists: St. Presumably Anthony was the patron saint of the Pope, as he had studied in Padua. The Crucifix carved in wood, which is in the midst of great niche is working fine, but falsely attributed to Michelangelo. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/9b9656274fd916c92ae145a3406255ee.jpg 4f2166344b48dd69fdc000749e2c252f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 3 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 3 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Bianca Pedulla Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli dell' altare nella Chiesa di S. Maria della Pace Subject The topic of the resource Details of the altar in the church of Santa Maria della Pace Description An account of the resource Even at this altar we wanted to add a table that contains some parts drawn in a greater proportion, because the best you can see the merit of the ornaments and study their behavior. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860