1 10 26 https://artgalleries.milne-library.org/files/original/ad7440bc75b1a561533a5939fffec7af.JPG 062abf35b661b9122ee152d5895bf625 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento a Dante Alighieri Subject The topic of the resource Monument to Dante Alighieri to the illustrious and papal Of the beautiful arts Roman Academy Of St. Luke Description An account of the resource Title Page The terrible singer of the Three Kingdoms sits at a throne where the pedestal reads that mysterious apostrophe. But, we want to say at once, analyze each mystery if you look good in that little rod that opens the door of Dite, and these sententious words-What advantage in the fairy given through a horn hit? - Pronounced solemnly made from the sky. But we did not make it slows us in a comment. We will stop in looking at that big crown with laurel and fixed eyes to the sky is in this attitude: having written the last words of his book, the pen has gone away almost automatically, while with the spirit engrossed in a ray of divine wisdom, however, basks in contemplation. The love that makes new the sun and the other stars Here is what is added when the attention is stopped on who looks at the monument that the knight Francesco Tosi Maria consecrated to Dante Alighieri on the title of this collection. As this happens because the monument itself, with defects richness of the ornaments, which instead all parties subscribing , but because these are available for a rational rays converge at all since the center , who willed to recognize in the main: Topic . In fact, you are descended from this and to examine its parts, and first among them stand where they are collected into three compartments of equal number symbolizing the three realms of the divine comedy. View in from the right Charon the demon and the evil seed of Adam to go on the wave brunette Acheron, in the middle of the mystical chariot drawn by the mystic hill griffin seven dancers around, the four feathered animals, and two old dress odd but seems in place, and finally the old man alone be sleeping with his face witty. And among these allegories of the holy virtues, the evangelists, the New and Old Testament, go to wonderful hymned and the ledge of divine things, theology, figuration Beatrice. Finally, in what is missing from you are presented to the eye. The high triumph of the Cerace Kingdom The topics covered so open and again before the divine volume, in order to return you to contemplate him who and teacher of color who can lift up with one at home and himself a sublime monument of glory. It alerts you to stay right on the head with them, that if this was the big prize of knowing, ever more worthy stop for front and girded himself. He and only after having seen and thought everything that catered granted carry the eye around the other parts of the work, and to consider the four pillars of beautiful chandeliers of various flowers and foliage flanking the niche where sits the poet and with the very capitals rise to support the architrave frieze and cornice . And over this, trying to finish the monument with a semi-circular shape that lots of drawers made of foliage and poetic, in whose midst was fierce and the bezel is engraved in a pitiful tragedy of Ugolino; precisely what the haggard face revealing of the sons to the father unhappy of the horrible reality of his situation, whose biting his hands from the pain. Poor children whose prime of life was stripped before the eyes of his father’s last moments with despairing barbarism! Poor father whose name, in which you summarize all the dearest pleasures of nature, was hit with the most acute tip while his heart bled! Oh a painting of a crime so horrendous that makes people bow to his words just as he who gives one shudder to human nature, it squeezes out from the edge of the tears of pity, for which we feel how beautiful that sublimed daughter of God truly is. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/c3b732727e8921ef72aed35efefe9aca.JPG 82fb3d9ca1cb7d89bd50c5cb39074d43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettaglia del Monumento Sepolcrale de Fratelli Bonsi nel Portico di S. Gregorio al Monte Celio Subject The topic of the resource Details of the sepulchral monument of the Bonsi brothers at the porch of St. Gregory at Mount Celio Description An account of the resource TABLE II To better detect the partial beauties that subscribe the monument shown in the table above, the knight Tosi offers to us to admire the details conducted on a larger scale. From a rigorous analysis of each artist, they will be drawn in the good faith and belief that it frankly took us around to the merits of this well-done job. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/3862d636a775189cb536f51247d22c90.JPG 1a1edac2ab5e587ca9b3d70ccc9e8f65 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ciborio di Mino da Fifsole nella Chiesa di S. Maria in Trastever Subject The topic of the resource Siena di Fiesole in the church of St. Mary at TerraServer Description An account of the resource TABLE III OPVS MINI- these words are read to the foot of the tabernacle where the holy oils are situated in the passage where the sacristy of St. Maria in Trastevere is located-And these words, as we all see, stray away some doubts about its author's name. Which we do not know if it came to thank his work at the sight of the beholder; the best glue elegance of that neck of the ornaments or exquisite crafting with good design of carved figures and bas-relief. Sure, after being delighted overall, we are delighted to view in its details; grateful to the knight Tosi who has such accuracy in posing the design at which point Mino da Fiesole decided to shape it and make it through marble. The name of this author makes you want to remind him of when he writes the Vasari: about art instead of squaring the stones with Desiderio of Settignano, young and excellent in sculpture, who begins to make from earth the things that his master had done in marble, and with such skill that he points out which artist would seize him first before putting it to work on things that his art brought him up from. He was so fond and grew affection toward Mino that, when Desire died, he had so much despair that he grew bored with the Sojourn in Florence and abandoned the city and is here in Rome. Of the few jobs that Mino did in Rome, some were lost; he was willed therefore to know Knight Tosi who had chosen to be a part of this collection of works that survived. And presently treating this tabernacle, we sell it consisting of two pillars, by the Corinthian order, of a simple base decorated with vague foliage and supported by an eagle in flight between two cornucopias of such beautiful sculpture that not by an entablature and a pediment containing elegant ones in the middle of the Holy Spirit that is upon all the work. in the closed compartment of those pillars, five angels stand in various poses, some which sing hosanna and others which support the tabernacle where on top, these words are written- olea sancta-This is located in the middle of two niches put in perspective surmounted by a frame of rich work and flanked on the outside by two candlesticks that each have a prophet explaining laws, in that verse of Ecclesiastics -eum Cibavit vitae pane-and in that left these words taken from the seventh seventieth psalm of David- panem coeli debit eis- That alludes to the mystery of the Eucharist, in which it certainly also helps that the figure of the Savior is standing on the frame above the two aforementioned niches. On the cross from his left and right hand while it's raining blood in a chalice below. A crown of seraphim always acts behind praising with him offerings to the Eternal Father his very blood for the redemption of mankind to him that falls under the Eucharistic species in his redeemed souls to keep you well and is as beautiful as the remade passion in the eyes of God Oh, in those sacred symbols, the cross and the chalice, it contains a great idea, the love of the creator for his creation! Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/1eecdaa4b19e23030c439313f4819b8a.JPG 3a2d2a732d88b9dfa3ab4cd6b5bf0ecb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Gio. Andrea Bocciacio nel Chiostro di S. Maria della Pace Subject The topic of the resource Sepulchral monument of Gio. Andrea Bocciacio in the cloister of St. Mary of peace. Description An account of the resource Table IV At the time that Sixtus IV Celebrated harmony with the Christian principles, he even raised a temple to the Virgin Mary under the invocation of peace and made at a monastery- precisely in the cloister of this , that and the work of Bramante Lazzari , as the shy Militia recognized many mediocre things also saw the columns of the second order lay in the middle of the arches of the porch and one does not know that the contrast of the lower arch of the architecture above , the deposit is designed by Knight Tosi and recorded in the this table - Three shelves overhanging the wall supporting a large base in the midst of which the ministry is seen hanging horizontally in two bands , and flanked by two noble arms surmounted by miter . Two nimble pillars arise on this basis supporting an entablature and an elegant close between a hara on which lies a man dressed in the clothes of bishops with overlapping hands to his chest. An inscription on the anterior face in the year 1497 reveals the name and dignity of Andrew Bocciacci jurist and bishop of Modena, a man of great stature, in which Pope Sixtus saw to Ferdinand, King of Sicily, and the successors Innocent VIII and Alexander VI in the Hercules, Duke of Ferrara, who is not in the Inquisition for heretics to Savoin. In the sides of the coffin many books are overlapped one another , perhaps to symbolize, or perhaps to signify the product was extinct, or perhaps better to indicate that here rests on the fame of his doctrine. Some nimble and light festoons formed bells running from one capital to the other side of the pillars on the space that lies between the urns with elegant coffered ceiling. It is not known who the author of this deposit was. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/750b7fba791347b634e04672d66507ac.JPG d0a5e3fda1ac338711e4d7c2f85512c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli del Monumento Sepolcrale di Gio. Andrea Bocciacio nel Chiostro di S. Maria della Pace Subject The topic of the resource Details of the sepulchral monument of Gio, Andrea Bocciacio in the cloister of St. Mary of Peace. Description An account of the resource Table V We did not make the word of how they conducted the decorations of the monument described diaspora; everyone can appreciate for themselves the merit of the individual parts that the knight Tosi offers in this table for the examination of the lovers of fine art. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/be1c7fa803e225dfc4b54fc7dd7381e5.JPG 6a083f5cbcfe6cb84d3a8fe97d46c3a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale della Famiglia Ponzetti nella Chiesa di S. Maria della Pace Subject The topic of the resource Sepulchral monument of the Ponzetti family in the church of St. Mary of Peace. Description An account of the resource Table VI Ferdinand Ponzettiint in the year 1509 erected a tomb to his family; spear of noble and ancient lineage of Naples transplanted to Rome had to be here to flourish. And growing in the chapel the statue of St. Mary of Peace in the church built with the architecture of Baccio Pintello by Pope Sixtus IV, as we have said elsewhere, obtained for the concord of Christian principles - This tomb, as seen on the table, is a simple, rectangular shape and divided into two parts - the lower, almost base- wide, contains a framework in which it holds the entry where people are buried and who it was intended for the funeral room. The frame of this picture adorned with festoons read that has two coats of arms on his hips formed a shield that represents two hands indicating a rise and the other the set of a star , life and death. At the top, almost the urn, see among the various intertwined flowers and leaves with whimsical animals, two rounds comprising two half-figure portrait of an old man and a young person of a family who rests in here. Both play a sad face in a scroll, perhaps one where recorded and what was the old plant that produced their gentile offspring. Maybe that thought saddens them that it is not worth blazon to instantly lengthen the days prescribed in live human? Or maybe that they be freezing outside of his native land? This would lead us to believe the words that Ferdinand wrote on the stones-Vetustissimae Ponzettorii familiae partenopeeRomae obiture- inspiring words to Christians but it is but a melancholy resignation to a deep pain. If not it better to reveal the cause of their sadness other store that Ferdinand raised a few years before this. The time was a major disaster. We'll see him at the table IX: but of this, I was given and what we track down the author's name and those who do not question was one among talented artists of his century. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/0ff02c97fc05c5be7baba8e6b58040ed.JPG 1dd4022a7fafe9a45d26ca256c93e588 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Diego ex Valdes in S. Giacomo de Spagnuoli Subject The topic of the resource Sepulchral monument of Diego EX. Valdes in St. James of the Spaniards Description An account of the resource Table VII Not many years that the hospice attached to the church of St. Mary in Montserrat, has made at least two Valenziani and the Aragonese , the first in 1319 , the other in 1495 , a vague porch was built with the design of architect Knight Peter Camporese. And this porch welcomed all the works of culture that came to fame as a valuable existing in St. James, the Spanish national church already threatened to ruin. Now among the various monuments of the fifteenth and sixteenth centuries there greeted especially true for purity and ease of style that does not gracefully proportioned and the richness of ornamented and why in 1506 the Spanish bishop Ex- Valdes prepared himself. The Knight Tosi, studying in all its details and the style with which this work diligently conducted, believed to recognize that the same sansovino explained in other sculptures for certain the outputs were from his own chisel: therefore he drew from the same work as its author. If any esteem having to disagree with the opinion that it was precisely those the author will not be able to stop not agree in saying , will be conducted this work that only could a hand so valiant as that of Sansovino. Two large pillars and an elegant close in if the monument. Three compartments in the large base are the ones smallest side-arms of the deceased, the average and the largest stones, where laws as he himself ordered the sepulcher, and how many years he lived plucked death on December 26, 1506 being the butler of the Pope Alexander VI. On this basis, two shelves stick out from a band full of gentle grooves to hold up a delicate frame supporting the urn to bury the beautiful by the grace of proportions and for the ornaments: lies stretched over it on the deceased prelate. In the middle of the ballot is written a Latin couplet: there was in this wise counsel to prepare the grave before the death of that and uncertain time. A Greek cross in the middle and the two candlesticks burning in the sides occupy three slots marked in that part of the wall that you have between the urn and the beautiful frieze composed of heads of scrafini, which runs from one to the other capitals of the two pillars. There arises on those close to the monument in semicircular shape a band of exquisite work, leaving between itself and the frame bezel that contains a Virgin and Child flanked by two kneeling angels. Anyone who stands in looking at this monument is not removed since it does not contemplate any first convinced upheld in it all the qualities that essence, represent a masterpiece of the art of that era. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/f3f6dc974fa7a1248a19a0681768cb80.JPG ae04cf1f6b0565e59ac40eb6122c3356 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli del Monumento Sepolcrale di Diego ex Valdes in S. Giacomo de Spangnuoli Subject The topic of the resource Details of the sepulchral monument of Diego EX. Valdes in St. James of the Spaniards Description An account of the resource Table VIII If every work of those centuries combines every minute that appreciated beauty befits their partial studies, they are welcome to still be amateurs of beautiful artistic details of the monument described above such as the Knight Tosi in his drawing on this board. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/fea1c1ea28a814fcd69a590bc8fee1cd.JPG ef73afe3b1fe669f961961cc977ae3e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Beatrice e Lavinia Ponzetti nella Chiesa di S. Maria della Pace Subject The topic of the resource Sepulchral monument of Beatrice and Lavinia Ponzetti in the church of St. Mary of Peace. Description An account of the resource Table IX In the right part of the last chapel in St. Mary of Peace is this deposit and precisely next to that outlined in Table VI. Point from which it differs, is that you will look at the concept is that you like to consider the general arrangement of the parts, the same rectangular shape, the same movement of festoons, the weapons themselves noble and inclusion at the bottom, in the same round percent flowers and foliage in the upper part. But if you think it is the same with its symmetry and distribution as a whole and in parts, do not induce that one is a copy of the other as from the details. In some of these, especially in the foliage and ornaments, each of them presents new and various styles. The lapidary inscription tells us that in this tomb were closed year 1503 with all joy of Ferdinand Ponzetti dean of Protonotaries apostolic, four years before he would put the other to himself and his family. And what was his delight, such as the hopes and delights from death well you see those expressed by two busts sculpted by the two rounds mentioned: Beatrice and Lavigna, one of age six and the other of eight were taken by the plague, and a tragedy to their uncle who loved them with tenderness. And in fact if we look at all those faces full of grace and innocence, we get to read in the belief that to see them suddenly disappear it cost him pain so severe that he never forgot it. Which lasted, however, as in him four years later, it tries to highlight the melancholy spirant by the words of the inscription which he placed another tomb, and we reported that to table V. We believe, therefore, that he wrote a truth when he wrote about the every sweetness to his live lost with these two beloved nieces gone. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/fa79e112b5386a67cf4b1c69593c48b2.JPG 9110edd67decdd5e707b882515c37bea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Bernard Sculteti e Giovanni Knibe nella Chiesa di S. Maria dell'Anima Subject The topic of the resource Sepulchral monument of Bernard Sculteti and Giovanni Knibe in the church of St. Mary of the Spirit Description An account of the resource Table X The company built the hospital in Rome for the German nation in 1543 fulfilled the duty of gratitude by putting in the church of St. Mary of the Soul a grave Bernardo Sculteti and John Knibe : one of these and still healthy and the other dying they had donated their property to the company . And so did the tomb and the fact that the knight Tosi has to be seen in this table. The stones that reminds the reader two virtuoso action to be imitated , of charity and gratitude, as the first base , on which it is located less than a second great but certainly richer than various carvings. Since this is the first protruding pedestal of the three pillars, which rise two sides and one in the middle dividing the monument, to support the entablature with a pediment in which space starts to carved a skull. The two parties, each enclosed between two pillars, take half the figure of a parapet and half that of a niche closing almost half of the window. Both of parapets are covered head to toe as wall hangings studded with magnificent arabesques that you seem to look at one another. But if you examine the uncovers and their parts , you will gradually reveals much variety of work that you see that copy disappear as if by magic , and raised under the eye ornaments, two originals , if having nothing in common if you take away the ' harmony of proportions and style . In those niches then, that almost half open to the diaspora of the guardrails, you spot an Ermin like looking pitiful that the two have expanded their wealth to humanity suffering. The institution which avedno and perpetual expiatory prayers for their souls, even today sends his voice to praise grateful to the charity at the back of God. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860