2 10 26 https://artgalleries.milne-library.org/files/original/e3855316871d3fb24ac9d2c4d726ce02.JPG 0c210e9a715f5e6deaadbb2bc139ff24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Pietro Ferricio nel Chiostro di S. Maria sopra Minerva Subject The topic of the resource Sepulchral monument of Peter Ferricio in the cloister of St. Mary above Minerva Description An account of the resource Table XVI Sincere and also the author of this monument located in the cloister of the said church of St. Mary Above Minerva. If, however, we do not detect his work and gave the name , well it reveals the prowess of him, and that taste for ornamentation and architecture for exquisite style with which I have dealt with figures in bas-relief , this was reputation for his work in one of the best of that time. Easy as a whole so that the author seems not to place and will study hard to compose it ; to lower and one of the two pillars of the Corinthian order sources are collected by two pedestals where the arms of the deceased cardinal , end I gave to a architrave with frieze and cornice which closes the monument . Between the pillars, on the base, and precisely on a pedestal adorned with small pods, you see a magnificent carvings flanking urn with a plaque, which in a nutshell is manifest as the one that lies above it in bishop's robes were the cardinal of S. And protector of the Church and of Preachers. And it was these Cardinal Peter Ferrici for his doctrine so much forward to the estimate of Popes Paul II and Pope Sixtus IV to be into the management of state affairs, reveals another inscription incised on the base. The cause us to back and top of the urn in seven mirrors, the three largest of which contain two of a graceful candelabrum, one, the middle one, a cross. On these compartments scrolls a frame to put ovules and pods and Marente in the two pillars. And the space between it and the lintel and filled by a bezel where you admire the Virgin Mary with the divine son Jesus placed between two angels that genuflect before. From these figures we learn as looks matter sometimes come alive under the hand of the artist to make believe for a moment that descended to inform the spirit. This happens when the author rose with the mind up to the mentioned transforming of the power in the hand of marble in almost convey their thoughts. Of course those are marble figures, but there was in their faces that I do not know if that is not pure and radiant and earthly thing, perhaps a reflection where the eternal light of God to beautify the face of the heavenly creatures. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/5344ed1bbd63e10e5dc16a995b275e66.JPG d4fa9ac5f6741f4c118e690cdc308d4d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Benedetto Maffei nella Chiesa di S. MAria sopra Minerva Subject The topic of the resource Sepulchral monument of Benedict Maffei in the church of St. Mary above Minerva Description An account of the resource Table XV Descending from the minor ship of the church of St. Mary above Minerva, the fourth chapel that is seen and the one that was founded by the Maffei family of Verona and entitled to Salvatore e an s. Fillip Neri. And to the left point of this chapel the child mercy of Achille Maffei posed the tomb to the father Benedetto, a man with a big reputation of the doctrine under the Pontificate Sisto IV. The tomb we estimate to be one of the vague rings so our knight Tosi formed this valuable necklace to show the richness of the sister arts at that time that in endless mines resurrected treasuring the beautiful and the true. And everything in it, and thanks simplicity. And a socket on a base with three recesses this , the average and more wide a tombstone that the virtues of the deceased and those more narrow side and a coat of glue company of his family to Italian writers of the decades. Above the urn with Greek subscription and over the urn in a case where the middle and carved the image of the extinct. And all that is contained between two pillars Composite order raised on the sides to support the entablature which ends the monument. From the second urn or box lintel start to a vacuum that seems to have been intended for a painting. But this came down to us, the time subtracted from our view as to our memory of the author's name so precious deposit. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/014c4f7f20fb3d1e1dc526263a3024a6.JPG 2fac7aceba702cee3567efab90b79331 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli del Monumento Sepolcrale di Francesco Tornabuoni nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Details of the Sepulchral monument of Francesco Tornabuoni in the church of St. Mary above Minerva Description An account of the resource Table XIV The single parts of the described monument, showed in this Table in a higher level than the one in prospective, proves the truth better than when the written diaspora around his artistic merit. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/f06498182207860705fd0f494819167c.JPG 8fa4e7021cc3c82df3895e297d34acf1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Francesco Tornabuoni nella Chiesa di S. MAria sopra Minerva Subject The topic of the resource Sepulchral monument of Francesco Tornabuoni in the church of St. Mary above Minerva Description An account of the resource Table XIII Who is the face on the wall to look at the left door of the church of St. Mary on top of Minerva presents this store. Two shelves will support the plan with the two side posts and placed upon the frame form the interior of a room, where rich coffin lies stretched over a gentle boy. to which race and which country was this flower of youth and beauty, which forms here the teacher portrayed in marble by Mino da Fiesole, you would know that the two arms of noble hang hanging on the walls of the room, one of Florence and the other of the Tornabuoni, if not better than declare the entry governed by two ribbons and ornaments noble is in the middle of the urn. Since we know it as the one who sleeps the eternal sleep that Francis was a nice house, which granted the years of living with pain of all and in especially way the Pontiff Sixtus IV which was extortionate. And if I want a mind not so much love that he wore Sisto as to the state of his family, wealth and powerful mercantile credit in that not to be related to the Doctors, you will learn how to light the bitter death of him dying from grass in a splendid life of hopes and honors. Between the two arms that already hang on the wall, seeing a circle of blazing light in which Jesus is crucified, perhaps to indicate how his glory was taken to the soul of the deceased is more pure and shining with all worldly glory. Just look at this monument to judge him worthy of holding a gem in the sculpture of the sixteenth century, which of all the connoisseurs of this art is judged the statue of Mino. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/b1a1c8c7fe1e07665d026fdc56896b3a.JPG 62130e860e85c9391afa366641b49678 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Altare nella Sagrestia di S. Maria della Consolanione Subject The topic of the resource Altar of the Sacristy of St. Mary of Consolation Description An account of the resource Table XII The altar that knight Tosi wants to introduce in this table is located in the sacristy of the church of St. Mary of Consolation. Simplistic and the base gently adorned with festoons and two -arms that is encased of Cibo. In the middle there was a table in this verse of the Psalmist - worship Deum in Sanctis ejus. - Two nimble pillars adorned with elegant chandeliers from the work and which skirted the quadrilateral intended to contain a painting , there are two nuts on the ends being in the basement , and stand up holding up the entablature with their capitals to put the whole ovules stars and light garlands of flowers. An entablature ending in volutes, with antefixes in the sides and in the middle of a seraph end of the altar: one in the middle above the main entablature of Innocent VIII noble weapon of the powerful Cibo family. It will be enough to make after work but have noticed that the band of the quadrilateral said above, and all full of golden ornaments, and that taste good proportions, the elegance of the ensemble and the delicacy of the carvings make this a most valuable monument altar art of the fifteenth century. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/d39848c4c8c6fe5b089d1d2de22c9504.JPG 48353d761e6995e63727690d1a9e1625 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli del Monumento Sepolcrale di Bernardo Sculteto e Giovanni Knibe nella Chiesa di S. Maria dell'Anima Subject The topic of the resource Details of the sepulchral monument of Bernard Sculteti and Giovanni Knibe in the church of St. Mary of the Spirit Description An account of the resource Table XI As we said in the mirrors of the ornaments that are subject to the niches may be better at this table where those others are carved into the base put on the best evidence. Here there is foliage and flowers and baskets; birds here and lizards and many other oddities of this work to delight greatly those who endeavor to look at them. In that and to observe that the author unknown to us dispose of this beautiful moment with such adroitness those many details contribute to make their own choice for a good understanding correspondence, united to that of the whole which form the principal merit of each work art. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/fa79e112b5386a67cf4b1c69593c48b2.JPG 9110edd67decdd5e707b882515c37bea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Bernard Sculteti e Giovanni Knibe nella Chiesa di S. Maria dell'Anima Subject The topic of the resource Sepulchral monument of Bernard Sculteti and Giovanni Knibe in the church of St. Mary of the Spirit Description An account of the resource Table X The company built the hospital in Rome for the German nation in 1543 fulfilled the duty of gratitude by putting in the church of St. Mary of the Soul a grave Bernardo Sculteti and John Knibe : one of these and still healthy and the other dying they had donated their property to the company . And so did the tomb and the fact that the knight Tosi has to be seen in this table. The stones that reminds the reader two virtuoso action to be imitated , of charity and gratitude, as the first base , on which it is located less than a second great but certainly richer than various carvings. Since this is the first protruding pedestal of the three pillars, which rise two sides and one in the middle dividing the monument, to support the entablature with a pediment in which space starts to carved a skull. The two parties, each enclosed between two pillars, take half the figure of a parapet and half that of a niche closing almost half of the window. Both of parapets are covered head to toe as wall hangings studded with magnificent arabesques that you seem to look at one another. But if you examine the uncovers and their parts , you will gradually reveals much variety of work that you see that copy disappear as if by magic , and raised under the eye ornaments, two originals , if having nothing in common if you take away the ' harmony of proportions and style . In those niches then, that almost half open to the diaspora of the guardrails, you spot an Ermin like looking pitiful that the two have expanded their wealth to humanity suffering. The institution which avedno and perpetual expiatory prayers for their souls, even today sends his voice to praise grateful to the charity at the back of God. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/fea1c1ea28a814fcd69a590bc8fee1cd.JPG ef73afe3b1fe669f961961cc977ae3e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Beatrice e Lavinia Ponzetti nella Chiesa di S. Maria della Pace Subject The topic of the resource Sepulchral monument of Beatrice and Lavinia Ponzetti in the church of St. Mary of Peace. Description An account of the resource Table IX In the right part of the last chapel in St. Mary of Peace is this deposit and precisely next to that outlined in Table VI. Point from which it differs, is that you will look at the concept is that you like to consider the general arrangement of the parts, the same rectangular shape, the same movement of festoons, the weapons themselves noble and inclusion at the bottom, in the same round percent flowers and foliage in the upper part. But if you think it is the same with its symmetry and distribution as a whole and in parts, do not induce that one is a copy of the other as from the details. In some of these, especially in the foliage and ornaments, each of them presents new and various styles. The lapidary inscription tells us that in this tomb were closed year 1503 with all joy of Ferdinand Ponzetti dean of Protonotaries apostolic, four years before he would put the other to himself and his family. And what was his delight, such as the hopes and delights from death well you see those expressed by two busts sculpted by the two rounds mentioned: Beatrice and Lavigna, one of age six and the other of eight were taken by the plague, and a tragedy to their uncle who loved them with tenderness. And in fact if we look at all those faces full of grace and innocence, we get to read in the belief that to see them suddenly disappear it cost him pain so severe that he never forgot it. Which lasted, however, as in him four years later, it tries to highlight the melancholy spirant by the words of the inscription which he placed another tomb, and we reported that to table V. We believe, therefore, that he wrote a truth when he wrote about the every sweetness to his live lost with these two beloved nieces gone. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/f3f6dc974fa7a1248a19a0681768cb80.JPG ae04cf1f6b0565e59ac40eb6122c3356 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli del Monumento Sepolcrale di Diego ex Valdes in S. Giacomo de Spangnuoli Subject The topic of the resource Details of the sepulchral monument of Diego EX. Valdes in St. James of the Spaniards Description An account of the resource Table VIII If every work of those centuries combines every minute that appreciated beauty befits their partial studies, they are welcome to still be amateurs of beautiful artistic details of the monument described above such as the Knight Tosi in his drawing on this board. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/0ff02c97fc05c5be7baba8e6b58040ed.JPG 1dd4022a7fafe9a45d26ca256c93e588 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 1 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource Etchings Language A language of the resource Italian translated by Arianna Buttarazzi Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumento Sepolcrale di Diego ex Valdes in S. Giacomo de Spagnuoli Subject The topic of the resource Sepulchral monument of Diego EX. Valdes in St. James of the Spaniards Description An account of the resource Table VII Not many years that the hospice attached to the church of St. Mary in Montserrat, has made at least two Valenziani and the Aragonese , the first in 1319 , the other in 1495 , a vague porch was built with the design of architect Knight Peter Camporese. And this porch welcomed all the works of culture that came to fame as a valuable existing in St. James, the Spanish national church already threatened to ruin. Now among the various monuments of the fifteenth and sixteenth centuries there greeted especially true for purity and ease of style that does not gracefully proportioned and the richness of ornamented and why in 1506 the Spanish bishop Ex- Valdes prepared himself. The Knight Tosi, studying in all its details and the style with which this work diligently conducted, believed to recognize that the same sansovino explained in other sculptures for certain the outputs were from his own chisel: therefore he drew from the same work as its author. If any esteem having to disagree with the opinion that it was precisely those the author will not be able to stop not agree in saying , will be conducted this work that only could a hand so valiant as that of Sansovino. Two large pillars and an elegant close in if the monument. Three compartments in the large base are the ones smallest side-arms of the deceased, the average and the largest stones, where laws as he himself ordered the sepulcher, and how many years he lived plucked death on December 26, 1506 being the butler of the Pope Alexander VI. On this basis, two shelves stick out from a band full of gentle grooves to hold up a delicate frame supporting the urn to bury the beautiful by the grace of proportions and for the ornaments: lies stretched over it on the deceased prelate. In the middle of the ballot is written a Latin couplet: there was in this wise counsel to prepare the grave before the death of that and uncertain time. A Greek cross in the middle and the two candlesticks burning in the sides occupy three slots marked in that part of the wall that you have between the urn and the beautiful frieze composed of heads of scrafini, which runs from one to the other capitals of the two pillars. There arises on those close to the monument in semicircular shape a band of exquisite work, leaving between itself and the frame bezel that contains a Virgin and Child flanked by two kneeling angels. Anyone who stands in looking at this monument is not removed since it does not contemplate any first convinced upheld in it all the qualities that essence, represent a masterpiece of the art of that era. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 2, 3, 4, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860