1 10 25 https://artgalleries.milne-library.org/files/original/1eed3539cacfce6cccf5fc1fe4d50672.jpg e3a9c8ad28d508c97b1dfd06aa6634d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Altare nel Tempietto di Bramante in S. Pietro Mantorio Subject The topic of the resource TABLE LXXXV ALTER In the Temple of Bramante Lazeri in San Pietro in Montorio Description An account of the resource TAVOLA LXXXV In the model of architectural elegance that is in the walkway of S. Pietro of Montorio, and which Vasari says – cannot proportion, order, and diversity be imagined, and grace kinder be better imagined – this altar is dedicated to the Prince of the Apostles, of which Bramante himself was the creator. It consists of a table upon which stands a base, from two pillars stand out which encloses a seated statue of the first Vicar of Christ on Earth, who was given the keys to the Kingdom of Heaven, which is depicted by the artist on the right. In front of the table, there are three panes of which the two side arms refer to those who order the fabrication of this altar, the middle one containing the image of fish in the waves of the sea, which was important to the life of the sovereign apostle to whom this monument was dedicated. The bas-relief that adorns the aforementioned base recalls the terrible death administered to Peter by the impious Pagans. The whole work ends with an arch, within which a beautiful shell shape is enclosed. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/4b3808a647093abba184ec350c3f72ea.jpg 1289f7b47b5a40aeb2b035ebec4b8729 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basamenti ed Urne Sepolcrali di Ottaviano Fornari e del Car. Giov. Giacomo Schiaffenati nel Chiostro di S. Agostino Subject The topic of the resource TABLE XCVI SEPULCHRAL URNS AND STANDS OF OTTAVIANO FORNARI AND CARDINAL GIOVANNI GIACOMO SCHIAFFENATI In the Cloister of Saint Agostino Description An account of the resource TABLE XCVI These two existing monuments are in the cloister of the church of St. Augustine, and were made to honor the piety of loving brothers laid to rest next to each other, one to the memory of modesty and integrity of the scholarly and zealous Cardinal Giacomo Sciaffenati, the other to remember the virtues of the industrious Bishop Octavian Fornari. Each monument consists of a base, flanked by the arms of the deceased with an epigraph that recalls their main important merits. Next to it is a beautifully carved urn that contains the ashes of the illustrious departed, whose body is carved into the bass-relief and is shown lying on the cover, with his head resting on his hands, and he seems to be as gentle and quiet as one sleeping. The death of the righteous is a sweet sleep, among the continuing struggles of the underworld, and Francati flying to recommend the eternal reward of virtue in the smile of the angels. As for me, given all the times I have paused in front of these Christian monuments, I can only highly regret the strange customs some took in creating the graces with more than moral or religious instruction. But granted that this bad technique does not invade the mind of most artists, we can say this was just a brief and illustrious fad; it is the most inferior of the monuments are here. It was made for Father Milano, who had gone to Rome, when Sixtus IV appointed him to be an attendant, and he was elected the Bishop of Parma in 1482, and the following year he was awarded the “sacred purple” with the title first of St. Cecilia and later St. Stefano of Monticello. There was a Roman Curia, who often worked with him in business activities, though few could match the affability and kindness of his ways. The aspects of his life that earned him the affection and esteem from everybody earned him no less than to perpetuate his desire that after death in 1497 he would receive Christian resignation. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/7870cd9847ac9f63fd05cc6c784d263b.jpg 380a9cff09f1212adaa93acfb91939d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ciborio nella Chiesa di S. Giovanni de Genevesi Subject The topic of the resource TABLE XCIII CIBORIUM In the Church of Saint Giovanni of Genoa Description An account of the resource TAVOLA XCIII We took this design of a pretty ciborium from the church of St. Genovesi, which in our opinion, is commendable and worthy of giving various amounts of exquisite work of others. It is composed of two pillars resting on a simple base, which is supported by two dolphins in the middle by a plaque on which is carved an eagle, and this is placed in the arms of Meriaduca Cicala, to whom we dedicated the monument from table 92, although the work was erected at his own expense, incorporating the shield of the initial letters of his name and family name. It is said that the pillars supporting a lintel covered with carved works of small globes. In the frieze there are two festoons tied together by a ribbon, and above an entablature with ovules, which are seen again in the tympanum, which is what makes it stand out. On this gable, the artist drew the divine dove with outstretched wings, which reminds us of the love of God who gives the institutions of divine sacraments. In the interpillar, one can see two angels, with their hands clasped on their chests and their eyes looking towards heaven, which flank the tabernacle on whose door which is held up by a pediment reads “SANCTUM OLEUM INFIRMORUM”. On this side of the door shows the perspective of two angels coming out from above, and above them raises a divided bezel, which is supported by a frame whose overhang supports three statues, of which the side ones are ancient and seem to be two saints, both of whom are carrying pergaments in their hands, on which the mystery of the Eucharist is written. The first figure in the background is the divine Redeemer, and to the left of him is the sign of redemption and to the right of him is the cup filled with his living blood, which is the precious price he paid to his father for human redemption. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/ca8fa86dc782fa3be635825a3f8355cb.jpg 181539e4b491456a762279b95a7ad937 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Descrizione Dei Monumenti Sacri E Sepolcrali Del Secolo XV. E XVI Contenuti Nel Urdu Volume. Page 5 of 7 Subject The topic of the resource Description of Volume 4. Page 5 of 7. Description An account of the resource Descriptions will be placed in the corresponding plates Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/a733edc30519f1d5aaa296273f876d10.jpg fc4d20d30eccf4a1d5ad0ecba5e2b381 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Descrizione Dei Monumenti Sacri E Sepolcrali Del Secolo XV. E XVI Contenuti Nel Urdu Volume. Page 6 of 7 Subject The topic of the resource Description of Volume 4. Page 6 of 7. Description An account of the resource Descriptions will be placed in the corresponding plates Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/8470563369c4e3a56e0705a8f0750ab2.jpg c65ec30ebf7075d842d13c8dba3041c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Descrizione Dei Monumenti Sacri E Sepolcrali Del Secolo XV. E XVI Contenuti Nel Urdu Volume. Page 7 of 7 Subject The topic of the resource Description of Volume 4. Page 7 of 7. Description An account of the resource Descriptions will be placed in the corresponding plates Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/a6745347f95a00dfaad464308d89dd8e.jpg 7e60cec485253bbb2d665101589c6efc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli del Monumento Sepolcrale del Card. Domenico Capranica nella Chiesa di S. Maria sopra Minerva Subject The topic of the resource Table. LXXVII. DETAILS OF THE SEPULCHRAL MONUMENT OF THE BELOVED DOMENICO CAPRANICA In the Santa Maria sopra Minerva Church Description An account of the resource … It consists of two pillars decorated in foliage and flowers, above which rests an entablature that is rich in ornaments, especially in its beautiful frieze, covered in foliage and rosettes. Above this begins an arch covered in carvings, and on it, the venerated images of Our Lady with her Divine Child in her arms, and two winged figures kneeling in a fine act of prayer can be seen. The fresco painting has a wonderful exquisiteness, and it is lamentable that it has been so battered by time. On top of the arch lies the salvific cross. Enclosed between the two aforementioned pillars is an arch, inside of which the mortal remains of the Christian saint are kept, resting peacefully, which was a tradition that dominated the fifteenth century. There is an urn decorated with festoons, and above this. He was honored for his above average prowess in handling public affairs in the forum with the sincerity of one who truly loved his country. And of course he loved it, because it had the desired experience in the difficult years towards the end of the Florentine Republic, divided by factions and torn by external and internal wars. A little lower, hath another body from the same family, the grandson of the above, who entered into eternity at a dear, young age. Both sides of this humble memory are written in Greek; two mottos alluding to the departed, that sound the following way in our discourteous language: WORSHIPPER OF THE HOME BUT MINDFUL OF THE TOMB. And these are the words that should be imprinted into every mortal’s soul. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/62180253f8951d18a0104d35a7087cdc.jpg a68c5dc394f90676433f63ac5e7ba22a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli del Monumento Sepolcrale di Giuliano da Volterra nella Chiesa di S. Pietro Montorio Subject The topic of the resource TABLE XC DETAILS OF THE SEPULCHRAL TOMB OF GIULIANO DA VOLTERRA In the Church of Saint Pietro Montorio Description An account of the resource TAVOLA XC This table shows the more details of the monument whose beauty is mentioned above. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/08a61a7ba4a4902749860e016694ad3a.jpg 8c8c8114197da8b7cb5dd2e0c3e70952 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dettagli del Monumento Sepolcrale di Nerone Diotisalvi nella Cjiesa di S. Maria sopra Minerva Subject The topic of the resource TABLE. LXXXII DETAILS OF THE SEPULCHRAL TOMB OF DIOTISALVI NERONE In the Santa Maria Sopra Minerva Church Description An account of the resource TABLE LXXXII To benefit the artistic significance of what we have seen in the above-described monument, we believed we needed to provide some more detailed descriptions, which is why we created these tables, and provided them whenever we believed it would help those studying the artist look deeper into the character of the time we are illustrating. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 https://artgalleries.milne-library.org/files/original/5313de6cb30117210a3d8187458eb834.jpg a08c9f7ad7afe0336eaa253b0447fec0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raccolta di Monumenti Sacri e Sepolcrali Volume 4 Subject The topic of the resource Roman Sculpture from the 15th and 16th Century Description An account of the resource Volume 4 of 5 Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Century Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian translated by Marisa Powell Type The nature or genre of the resource Prints Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monumenti Sepolcrale di Gherardo Maffei. Brigida Milizia, Stefano Capodiferro e Benedetto Ponto nella Chiesa dell'Ara-coeli Subject The topic of the resource TABLE CIV SEPULCHRAL MONUMENTS OF GHERARDO MAFFEI, BRIGIDA MILIZIA, STEFANO CAPODIFERRO, E BENEDETTO PONTO In the Church of Araroeli Description An account of the resource TABLE CIV In this most gracious Church of St. Maria of Ara-Coeli, made over the temple of Giove Feretrio, raised by Romoto to vote in a battle against the Cecinensi peoples, and it contains many precious moments of every art style and every age, that there is an abundance for individuals to observe. Aleuni, as understood by four others, understood that this table marked 104 is the one we will speak about. But before you can look at the two words above this art from ancient times, what was finished in Etrusci by the architects of the sixteenth century and their particular tastes and styles. I want to say that this art shows a history in the kind of marble that was used and the way it was adorned with the facades of houses. After the painter Duccio had hollowed the figures in the marble cathedral of Siena, this art was thought to be perfected by Domenico Beccafuni, who led so many subjects of Genesi, and who still has among the most beautiful artistic monuments. And the way of doing so pleased him, and outraged the best craftsmen, who wanted to pursue it even on the facades of the houses. Today, they seem to have going into disuse and have almost been lost, and we see particular evidence for this in the distinguished sculptor Mr. Vincenzo Gaissi, who designed the marble in a forceful and original way, and has been able to replace the fragile asphalt, when previously its grooves were unfilled, and made it much more durable and lasting. These are very beautiful works for the committee of the lovely Prince Alexander of Torlonio, who displayed the freshly made monument to adverse viewers. But it is time to go back to the discussion of our illustration of the monument. The first of them, and the others that follow, make up a quadrilateral in the center enclosed by a circle of leaves and flowers, as well as the figure of a deer, which represents the generosity of the Lord, to whom this coat of arms belongs. At the of the sepulchral plaque, it is known to hold and preserve the remains of the deceased Gerardo Maffei of Velletri, who was known for his costumes, pious ways, and knowledge which got him much praise as an apostolic writer, who was in charge of the register of the apostolic chamber, and the secretary of many Roman Popes. In the second monument, which is more ornate than the first, but otherwise created in a similar way, there is an outline around the effigy of Brigid, posthumous daughter of Francis Militia, wife of the Evangelist Risoca, who is deposited in this tomb. This figure carved in marble is a wonderful and sad work for the sad resignation that shines from his face, and for the east of the clothes and the blankets surrounded by delicate pleats. On the sides of the head, you can see the names, with a picture of a rampant greyhound dog, which teaches that fidelity should be the warrior to God and to the prince. The ornaments, which are the frieze of this monument, are sunken in and made of marble, and filled with metals: this is the only example of this style we have seen in Rome, and we could not omit it from the collection because it is something so unique. In the third picture, you can see a man wearing a long dress, and over his shoulders is a peninsula. This is the portrait of Stefano Capodiffero, who was a unique man, who was fairly lucky, yet impassive in reactions. His sepulchral monument was paid for by Diana Tebaldi, who was unhappy over conditions of common mortals, and the bitter task of seeing the composing bones of his son for whom he hoped his eyes were closed. As in the previous ones, the head us surrounded by two coats of arms (of Tebaldi of Capodiferro from left to right), which expresses the love to the hardships of life, and in another is a half prancing horse that represents generosity and love. The epigraph on these monuments reads much more, and we were able to find it after a great deal of care. So, again, we know that the marble epigraph was disturbed by the enemies of the deceased with the intent of affronting his memory. It is here where we read about the accurate description of the church and convent of Ara-Coeli, which left to us by P. Casimiro. On page 102 of his work, which discusses the monument, he says “two plaques are seen on the floor, however, graphite composes the inscriptions at the foot of Stefano and Tiberius, which have been destroyed and levelled by envy, and they were found in the library of Emo Albrani Alexander, the other place mentioned in the register”. As for how much care we put in throughout the book and in other works by the same author, we have come to find that the epigraph is of swine and vesicular disease, rather than the words he promises us. That which we were able to find more of in the memorial of the Sepulchral Cardinal Francis Gualdi, is in the process of being printed by Mr. Benedetto and Mr. Constantine Mellini Gigli.3 Finally, the fourth is far more ornate than any of those aforementioned, and has stayed in the midst of the family, consisting of a rampant lion traveling through three mountains, signifying the great and generous actions, and his invincible and virile mind. This monument is in memory of Benedetto Podio, a young teenager removed from the world by dead, to signify hope to his relative and much of the country. Creator An entity primarily responsible for making the resource Drawn by Francesco M. Tosi Publisher An entity responsible for making the resource available Presso l'Editore Proprietario Date A point or period of time associated with an event in the lifecycle of the resource 15th and 16th Sculpture Contributor An entity responsible for making contributions to the resource Unknown Donor Rights Information about rights held in and over the resource Geneseo Foundation Relation A related resource Volumes 1, 2, 3, and 5 Format The file format, physical medium, or dimensions of the resource 20 x 16 Language A language of the resource Italian Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context Italian Monuments in Rome created during the 15th and 16th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Prints were made circa 1835 to 1860