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This magnificent altar was made to raise by Innocent VIII in the church of S. Our Lady of Peace in honor of the Virgin Mary for having overcome a painful disease. It took some time for the place of the 'Altar and afterwards was transported to where…

Table XIX
It would be enough that the altar is presented in this table to have made a wise degree of perfection in which they were the sister arts in the fifteenth and sixteenth century. In fact, the architectural proportions or want to, or do you…

The interior of the church of Santa Maria del Popolo changed shape at the time of Bernini, who was an architect invited to direct its work. He among many beautiful things that (vi operò) knew not to deserve universal approval in substituting another…

Table XII
The altar that knight Tosi wants to introduce in this table is located in the sacristy of the church of St. Mary of Consolation. Simplistic and the base gently adorned with festoons and two -arms that is encased of Cibo. In the middle…

Soon to be translated. IMG 5348

These two existing monuments are in the cloister of the church of St. Augustine, and were made to honor the piety of loving brothers laid to rest next to each other, one to the memory of modesty and integrity of the scholarly and zealous…

Sepia print of full length man (sepia).

Title page preceding print of "Behold the Moor."

Realism. The date of attribution is c. 1870.
Jeffrey's signature is found in the lower right corner.

For more information of Agnes Jeffrey, see collection description.

Signature: LR.
Old Accession Number: J-2D-JEFFREY-A-9

OPVS MINI- these words are read to the foot of the tabernacle where the holy oils are situated in the passage where the sacristy of St. Maria in Trastevere is located-And these words, as we all see, stray away some doubts about its…
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