2
10
290
-
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464705355c9be23925edda5758c25ab8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Agnes Jeffrey Collection
Description
An account of the resource
A biography of the artist, Agnes Jeffrey, by her niece, Virginia Jeffrey Smith, who gave the paintings to SUNY Geneseo in Agnes Jeffrey's memory:
"Agnes Jeffrey was born in Edinburgh March 1806 and died in Rochester, NY, November, 1896. She was the third child of John Jeffrey, a leading barrister (lawyer) of Edinburgh and of Elizabeth McConnel, his wife. The family lived in York Place, Edinburgh, a very beautiful Georgian house which I have seen. They also have a summer place in Wigtownshire, going there each year by a three day's drive in their coach. She and her sisters painted and she studied painting in Edinburgh and then in London. Her watercolor "American wild flowers" took the first prize at the Crystal Palace- England's first world fair. She came to America, probably in the 1840s, to keep house for her widowed mother and two brothers who had preceded her to America and lived in Canadaigua. Her art was undoubtedly influenced by Raeburn, Scotland's chief artist who had painted portraits of her father and uncle. Her brother William, a leading attorney, who had come to the United States to act as agent for Mr. John Geig of Canadaigua in the Phelps Gorham Estate (land development), later moved to Rochester opening his own practice. Upon the death of his wife, Agnes came to Rochester to live, caring for his children, especially the two little girls- Clarice Greig Jeffrey, also a painter and who taught painting at the old Mechanics Institute, and Mary, also an artist who later married A. Byron Smith and became my mother. Four generations of the Jeffrey family have painted professionally. After her brother's death, and his property lost through mismanagement by his executor, she supported the two girls for years by painting and teaching art. A woman of intellectual ability, she was in authority in botany and on the Bible, teaching a Bible class most of her life. At the age of seventy she decided [she] wanted to read Dante in the original and began the study of Italian and learned to speak it as well as to read it fluently."
Contributor
An entity responsible for making contributions to the resource
Virginia Jeffrey Smith
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bougainvillaea Vines
Subject
The topic of the resource
Watercolor
Description
An account of the resource
Realism. The date of attribution is c. 1870.
Jeffrey's signature is found in the lower right corner.
For more information of Agnes Jeffrey, see collection description.
Signature: LR.
Old Accession Number: J-2D-JEFFREY-A-9
Creator
An entity primarily responsible for making the resource
Agnes Jeffrey (1806-1896)
Source
A related resource from which the described resource is derived
Gift to the college in 1971 from Virginia Jeffrey Smith of East Avenue, Rochester, NY, grand niece of Agnes Jeffrey.
Part of the "Art of Four Generations of Jeffrey Family Women" exhibit sponsored by the College from June 27th to July 18th, 1976 at the Brodie Fine Arts Gallery.
Also shown in "The Genteel Pastime: 19th Century Watercolors by the Ladies of the Jeffrey Family" at the Memorial Art Gallery of the University of Rochester from December 9, 1988 to February 26, 1989.
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Format
The file format, physical medium, or dimensions of the resource
14.938" x 20.75"
Identifier
An unambiguous reference to the resource within a given context
1980.48
Publisher
An entity responsible for making the resource available
Gifted by Virgina Jeffrey Smith.
Rights
Information about rights held in and over the resource
Geneseo Foundation
Relation
A related resource
Jeffrey Collection 1980.40-1980.57
Language
A language of the resource
English
Type
The nature or genre of the resource
Watercolor on paper
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
c. 1870
-
https://artgalleries.milne-library.org/files/original/0b9fe6a8453a17b2334001d89e7f433b.JPG
1e9791ac05b3814b96f14065f14356df
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Agnes Jeffrey Collection
Description
An account of the resource
A biography of the artist, Agnes Jeffrey, by her niece, Virginia Jeffrey Smith, who gave the paintings to SUNY Geneseo in Agnes Jeffrey's memory:
"Agnes Jeffrey was born in Edinburgh March 1806 and died in Rochester, NY, November, 1896. She was the third child of John Jeffrey, a leading barrister (lawyer) of Edinburgh and of Elizabeth McConnel, his wife. The family lived in York Place, Edinburgh, a very beautiful Georgian house which I have seen. They also have a summer place in Wigtownshire, going there each year by a three day's drive in their coach. She and her sisters painted and she studied painting in Edinburgh and then in London. Her watercolor "American wild flowers" took the first prize at the Crystal Palace- England's first world fair. She came to America, probably in the 1840s, to keep house for her widowed mother and two brothers who had preceded her to America and lived in Canadaigua. Her art was undoubtedly influenced by Raeburn, Scotland's chief artist who had painted portraits of her father and uncle. Her brother William, a leading attorney, who had come to the United States to act as agent for Mr. John Geig of Canadaigua in the Phelps Gorham Estate (land development), later moved to Rochester opening his own practice. Upon the death of his wife, Agnes came to Rochester to live, caring for his children, especially the two little girls- Clarice Greig Jeffrey, also a painter and who taught painting at the old Mechanics Institute, and Mary, also an artist who later married A. Byron Smith and became my mother. Four generations of the Jeffrey family have painted professionally. After her brother's death, and his property lost through mismanagement by his executor, she supported the two girls for years by painting and teaching art. A woman of intellectual ability, she was in authority in botany and on the Bible, teaching a Bible class most of her life. At the age of seventy she decided [she] wanted to read Dante in the original and began the study of Italian and learned to speak it as well as to read it fluently."
Contributor
An entity responsible for making contributions to the resource
Virginia Jeffrey Smith
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Allemander"
Subject
The topic of the resource
Watercolor
Description
An account of the resource
Yellow Flowers, Realism.
The date of attribution is c. 1870
For more information on Agnes Jeffrey, see collection description.
Old Accession Number: J-2D-JEFFREY-A-10.
Creator
An entity primarily responsible for making the resource
Agnes Jeffrey (1806-1896)
Source
A related resource from which the described resource is derived
Gift in 1971 from Virginia Jeffrey Smith of East Avenue, Rochester, NY, grand niece of Agnes Jeffrey.
Part of the "Art of Four Generations of Jeffrey Family Women" exhibit sponsored by the College from June 27th to July 18th, 1976 at the Brodie Fine Arts Gallery.
Also shown in "The Genteel Pastime: 19th Century Watercolors by the Ladies of the Jeffrey Family" at the Memorial Art Gallery of the University of Rochester from December 9, 1988 to February 26, 1989.
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Format
The file format, physical medium, or dimensions of the resource
15.5x20
Identifier
An unambiguous reference to the resource within a given context
1980.49
-
https://artgalleries.milne-library.org/files/original/5c105e865f51fd9e8b70dd962777c290.JPG
19f24aed29486a83e90f07fd694fb2cb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Agnes Jeffrey Collection
Description
An account of the resource
A biography of the artist, Agnes Jeffrey, by her niece, Virginia Jeffrey Smith, who gave the paintings to SUNY Geneseo in Agnes Jeffrey's memory:
"Agnes Jeffrey was born in Edinburgh March 1806 and died in Rochester, NY, November, 1896. She was the third child of John Jeffrey, a leading barrister (lawyer) of Edinburgh and of Elizabeth McConnel, his wife. The family lived in York Place, Edinburgh, a very beautiful Georgian house which I have seen. They also have a summer place in Wigtownshire, going there each year by a three day's drive in their coach. She and her sisters painted and she studied painting in Edinburgh and then in London. Her watercolor "American wild flowers" took the first prize at the Crystal Palace- England's first world fair. She came to America, probably in the 1840s, to keep house for her widowed mother and two brothers who had preceded her to America and lived in Canadaigua. Her art was undoubtedly influenced by Raeburn, Scotland's chief artist who had painted portraits of her father and uncle. Her brother William, a leading attorney, who had come to the United States to act as agent for Mr. John Geig of Canadaigua in the Phelps Gorham Estate (land development), later moved to Rochester opening his own practice. Upon the death of his wife, Agnes came to Rochester to live, caring for his children, especially the two little girls- Clarice Greig Jeffrey, also a painter and who taught painting at the old Mechanics Institute, and Mary, also an artist who later married A. Byron Smith and became my mother. Four generations of the Jeffrey family have painted professionally. After her brother's death, and his property lost through mismanagement by his executor, she supported the two girls for years by painting and teaching art. A woman of intellectual ability, she was in authority in botany and on the Bible, teaching a Bible class most of her life. At the age of seventy she decided [she] wanted to read Dante in the original and began the study of Italian and learned to speak it as well as to read it fluently."
Contributor
An entity responsible for making contributions to the resource
Virginia Jeffrey Smith
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Wisteria
Subject
The topic of the resource
Watercolor
Description
An account of the resource
Realism c. 1870s
Received by the college in 1971
Old Accession Number: J-2D-JEFFREY-A-11
For more information see the Jeffrey Collection description
Creator
An entity primarily responsible for making the resource
Agnes Jeffrey (1806-1896)
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Format
The file format, physical medium, or dimensions of the resource
19.25" x 15.5"
Identifier
An unambiguous reference to the resource within a given context
1980.54
Source
A related resource from which the described resource is derived
Gifted by Virginia Jeffrey Smith.
Gift from Virginia Jeffrey Smith of East Avenue, Rochester, NY, grand niece of Agnes Jeffrey. Part of the "Art of Four Generations of Jeffrey Family Women" exhibit sponsored by the College from June 27th to July 18th, 1976 at the Brodie Fine Arts Gallery Also shown in "The Genteel Pastime: 19th Century Watercolors by the Ladies of the Jeffrey Family" at the Memorial Art Gallery of the University of Rochester from December 9, 1988 to February 26, 1989.
Publisher
An entity responsible for making the resource available
Virginia Jeffrey Smith
Rights
Information about rights held in and over the resource
Geneseo Foundation
Language
A language of the resource
English
Type
The nature or genre of the resource
Watercolor on paper
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
c. 1870
Relation
A related resource
Jeffrey Collection 1980.40-1980.57
-
https://artgalleries.milne-library.org/files/original/2159a3d8965956ba4a90b66ea60312cb.jpg
b26d1b53be28831bf3674e090f5ab7a0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Agnes Jeffrey Collection
Description
An account of the resource
A biography of the artist, Agnes Jeffrey, by her niece, Virginia Jeffrey Smith, who gave the paintings to SUNY Geneseo in Agnes Jeffrey's memory:
"Agnes Jeffrey was born in Edinburgh March 1806 and died in Rochester, NY, November, 1896. She was the third child of John Jeffrey, a leading barrister (lawyer) of Edinburgh and of Elizabeth McConnel, his wife. The family lived in York Place, Edinburgh, a very beautiful Georgian house which I have seen. They also have a summer place in Wigtownshire, going there each year by a three day's drive in their coach. She and her sisters painted and she studied painting in Edinburgh and then in London. Her watercolor "American wild flowers" took the first prize at the Crystal Palace- England's first world fair. She came to America, probably in the 1840s, to keep house for her widowed mother and two brothers who had preceded her to America and lived in Canadaigua. Her art was undoubtedly influenced by Raeburn, Scotland's chief artist who had painted portraits of her father and uncle. Her brother William, a leading attorney, who had come to the United States to act as agent for Mr. John Geig of Canadaigua in the Phelps Gorham Estate (land development), later moved to Rochester opening his own practice. Upon the death of his wife, Agnes came to Rochester to live, caring for his children, especially the two little girls- Clarice Greig Jeffrey, also a painter and who taught painting at the old Mechanics Institute, and Mary, also an artist who later married A. Byron Smith and became my mother. Four generations of the Jeffrey family have painted professionally. After her brother's death, and his property lost through mismanagement by his executor, she supported the two girls for years by painting and teaching art. A woman of intellectual ability, she was in authority in botany and on the Bible, teaching a Bible class most of her life. At the age of seventy she decided [she] wanted to read Dante in the original and began the study of Italian and learned to speak it as well as to read it fluently."
Contributor
An entity responsible for making contributions to the resource
Virginia Jeffrey Smith
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ruined Castle
Subject
The topic of the resource
Watercolor
Description
An account of the resource
Realism c. 1870
Old Accession number: J-2D-JEFFREY-A-12
For more information see the Jeffrey Collection Description
Creator
An entity primarily responsible for making the resource
Agnes Jeffrey (1806-1896)
Source
A related resource from which the described resource is derived
Gifted by Virginia Jeffrey Smith.
Gift from Virginia Jeffrey Smith of East Avenue, Rochester, NY, grand niece of Agnes Jeffrey. Part of the "Art of Four Generations of Jeffrey Family Women" exhibit sponsored by the College from June 27th to July 18th, 1976 at the Brodie Fine Arts Gallery Also shown in "The Genteel Pastime: 19th Century Watercolors by the Ladies of the Jeffrey Family" at the Memorial Art Gallery of the University of Rochester from December 9, 1988 to February 26, 1989.
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Format
The file format, physical medium, or dimensions of the resource
15" x 20.625"
Identifier
An unambiguous reference to the resource within a given context
1980.55
Publisher
An entity responsible for making the resource available
Virginia Jeffrey Smith
Rights
Information about rights held in and over the resource
Geneseo Foundation
Language
A language of the resource
English
Type
The nature or genre of the resource
Watercolor on paper
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
c. 1870
Relation
A related resource
Jeffrey Collection 1980.40-1980.57
-
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4a16dade1ff7760d0c193a8de6fd6943
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Agnes Jeffrey Collection
Description
An account of the resource
A biography of the artist, Agnes Jeffrey, by her niece, Virginia Jeffrey Smith, who gave the paintings to SUNY Geneseo in Agnes Jeffrey's memory:
"Agnes Jeffrey was born in Edinburgh March 1806 and died in Rochester, NY, November, 1896. She was the third child of John Jeffrey, a leading barrister (lawyer) of Edinburgh and of Elizabeth McConnel, his wife. The family lived in York Place, Edinburgh, a very beautiful Georgian house which I have seen. They also have a summer place in Wigtownshire, going there each year by a three day's drive in their coach. She and her sisters painted and she studied painting in Edinburgh and then in London. Her watercolor "American wild flowers" took the first prize at the Crystal Palace- England's first world fair. She came to America, probably in the 1840s, to keep house for her widowed mother and two brothers who had preceded her to America and lived in Canadaigua. Her art was undoubtedly influenced by Raeburn, Scotland's chief artist who had painted portraits of her father and uncle. Her brother William, a leading attorney, who had come to the United States to act as agent for Mr. John Geig of Canadaigua in the Phelps Gorham Estate (land development), later moved to Rochester opening his own practice. Upon the death of his wife, Agnes came to Rochester to live, caring for his children, especially the two little girls- Clarice Greig Jeffrey, also a painter and who taught painting at the old Mechanics Institute, and Mary, also an artist who later married A. Byron Smith and became my mother. Four generations of the Jeffrey family have painted professionally. After her brother's death, and his property lost through mismanagement by his executor, she supported the two girls for years by painting and teaching art. A woman of intellectual ability, she was in authority in botany and on the Bible, teaching a Bible class most of her life. At the age of seventy she decided [she] wanted to read Dante in the original and began the study of Italian and learned to speak it as well as to read it fluently."
Contributor
An entity responsible for making contributions to the resource
Virginia Jeffrey Smith
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Milrose Abbey
Subject
The topic of the resource
Watercolor
Description
An account of the resource
Realism c. 1870
Gifted to the college in 1971
Old Accession number: J2D-JEFFREY-A-13
For more information read the Jeffrey Collection description.
Creator
An entity primarily responsible for making the resource
Agnes Jeffrey (1806-1896)
Source
A related resource from which the described resource is derived
Gifted by Virginia Jeffrey Smith
Gift from Virginia Jeffrey Smith of East Avenue, Rochester, NY, grand niece of Agnes Jeffrey. Part of the "Art of Four Generations of Jeffrey Family Women" exhibit sponsored by the College from June 27th to July 18th, 1976 at the Brodie Fine Arts Gallery Also shown in "The Genteel Pastime: 19th Century Watercolors by the Ladies of the Jeffrey Family" at the Memorial Art Gallery of the University of Rochester from December 9, 1988 to February 26, 1989.
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Format
The file format, physical medium, or dimensions of the resource
10.5" x 14.1875"
Identifier
An unambiguous reference to the resource within a given context
1980.56
Publisher
An entity responsible for making the resource available
Virginia Jeffrey Smith
Rights
Information about rights held in and over the resource
Geneseo Foundation
Language
A language of the resource
English
Type
The nature or genre of the resource
Watercolor on paper
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
c. 1870
Relation
A related resource
Jerrrey Collection 1980.40-1980.57
-
https://artgalleries.milne-library.org/files/original/55739b8c82e1100164abeca17827b65d.jpg
db1bbc082370bf24081972e0fcee35e2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Agnes Jeffrey Collection
Description
An account of the resource
A biography of the artist, Agnes Jeffrey, by her niece, Virginia Jeffrey Smith, who gave the paintings to SUNY Geneseo in Agnes Jeffrey's memory:
"Agnes Jeffrey was born in Edinburgh March 1806 and died in Rochester, NY, November, 1896. She was the third child of John Jeffrey, a leading barrister (lawyer) of Edinburgh and of Elizabeth McConnel, his wife. The family lived in York Place, Edinburgh, a very beautiful Georgian house which I have seen. They also have a summer place in Wigtownshire, going there each year by a three day's drive in their coach. She and her sisters painted and she studied painting in Edinburgh and then in London. Her watercolor "American wild flowers" took the first prize at the Crystal Palace- England's first world fair. She came to America, probably in the 1840s, to keep house for her widowed mother and two brothers who had preceded her to America and lived in Canadaigua. Her art was undoubtedly influenced by Raeburn, Scotland's chief artist who had painted portraits of her father and uncle. Her brother William, a leading attorney, who had come to the United States to act as agent for Mr. John Geig of Canadaigua in the Phelps Gorham Estate (land development), later moved to Rochester opening his own practice. Upon the death of his wife, Agnes came to Rochester to live, caring for his children, especially the two little girls- Clarice Greig Jeffrey, also a painter and who taught painting at the old Mechanics Institute, and Mary, also an artist who later married A. Byron Smith and became my mother. Four generations of the Jeffrey family have painted professionally. After her brother's death, and his property lost through mismanagement by his executor, she supported the two girls for years by painting and teaching art. A woman of intellectual ability, she was in authority in botany and on the Bible, teaching a Bible class most of her life. At the age of seventy she decided [she] wanted to read Dante in the original and began the study of Italian and learned to speak it as well as to read it fluently."
Contributor
An entity responsible for making contributions to the resource
Virginia Jeffrey Smith
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sweetheart Abbey
Subject
The topic of the resource
Watercolor
Description
An account of the resource
Realism c. 1870
Acquired by the college in 1971
Old Accession number: J2D-JEFFREY-A-14
For more information read the Jeffrey Collection description
Creator
An entity primarily responsible for making the resource
Agnes Jeffrey (1806-1896)
Source
A related resource from which the described resource is derived
Gifted by Virginia Jeffrey Smith.
Gift from Virginia Jeffrey Smith of East Avenue, Rochester, NY, grand niece of Agnes Jeffrey. Part of the "Art of Four Generations of Jeffrey Family Women" exhibit sponsored by the College from June 27th to July 18th, 1976 at the Brodie Fine Arts Gallery Also shown in "The Genteel Pastime: 19th Century Watercolors by the Ladies of the Jeffrey Family" at the Memorial Art Gallery of the University of Rochester from December 9, 1988 to February 26, 1989.
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Format
The file format, physical medium, or dimensions of the resource
11.875" x 12.75"
Identifier
An unambiguous reference to the resource within a given context
1980.57
Publisher
An entity responsible for making the resource available
Virginia Jeffrey Smith
Rights
Information about rights held in and over the resource
Geneseo Foundation
Type
The nature or genre of the resource
Watercolor on paper
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
c. 1870
Language
A language of the resource
English
Relation
A related resource
Jeffrey Collection 1980.40-1980.57
-
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2245c3ef8e682688ec3c8a071f332581
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
978
Height
1470
Bit Depth
8
Channels
3
IPTC String
caption:
date_created:28.08.2011
IPTC Array
a:2:{s:7:"caption";s:31:" ";s:12:"date_created";s:10:"28.08.2011";}
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mr. and Mrs. Samuel S. Silverman Collection
Description
An account of the resource
This Collection contains oil paintings from several School of Paris artists: Blaquiere, Grandmaison, Hardy, Hasegawa, Marchand des Raux, Sanh, Tanaka, Ubeda, Coignard, Priking, Goetz and Grandjean. These are all artists that were active in and around Paris after WWII.
Roger Blaquiere was born in Paris in 1933. He attended the School of Applied Arts and the National School of Beaux Arts. He won the Prix d'Art Monumental in 1956, the Prix Casa Velazquez in 1959 and the Grand Prix de Rome in 1963. Blaquiere has had one-man shows in Madrid as well as in Paris. From 1958-1963, he participated in the Salon of Young Painters at the Museum of Modern Art. He exhibited in the Salon d'Automne in 1959 and 1960. He was one of twenty young French painters presented by the Museum of Modern Art and the Alliance Francaise in a traveling show in the United States. Stuart Preston, critic of the New York Times, reported that he and one other painter in the Exhibition gave promise of a fine future as an artist. Both France and the City of Paris have purchased his works.
James Coignard was born in Tours, France in 1925. He remained there until he was 17, then went to live in Paris. During the war, he returned to Touraine. While there, he met the painter Marchand des Raux. When Marchand des Raux returned to St. Jean, Cap Ferrat, Coignard joined him and worked in the studio belonging to Marchand des Raux. He made his home with this painter for many years. Coignard set himself up in a pottery studio in St. Cloud, continuing to paint and draw and to exhibit in the galleries of the Left Bank. In Paris, he met other painters and took part in the difficult life of Paris. He married in 1956 and abandoned Paris and pottery. He went to live on the Riviera. He had one-man shows in Sweden, Geneva, Venice, Paris, New York and Berlin. He also took part in a School of Paris exhibition in Dublin in 1960 and in Tokyo in 1961. He is represented in the following museums: Dublin Museum, Museum of San Diego, Museum of New Mexico, Historical Society of Montana, La Jolla Art Centre, Oklahoma Art Centre. Group Shows: 1956, Won first prize in Barcelona show of Fine Arts. 1957, Second Prize young painters & Juan Gris Prize honorable mention. 1959, Alexandria Biennale. 1960, Ecole de Paris & Galerie Charpentier. 1961, Salon de Paris (Japan). 1964, Biennale de Menton. 1964, First Prize Dorothy Gould.
Henri Goetz was born in New York in 1909 and arrived in Paris in 1930. He became a naturalized French citizen in 1949. Goetz had 32 one-man exhibitions in Europe. He is well known for his work in pastel and engraving as in painting. He started as a surrealist painter and developed into one of the foremost in abstraction. All of his work is done from nature, he made his sketches on the spot and then did the painting or pastel. In 1947, Alain Resnais did a film on him. He was a highly respected teacher as well, having two academies in Paris and being professor at the American School in Fontainebleau. He is represented at the following museums: Museum of Modern Art, Paris. Museum of Grenoble. Museum of Eliat. Museum of Newark (NJ). Museum of St. Etienne. Museum of San Diego (CA).
Raymond Grandjean was born in Lyon, France in 1929. He was independent in his artistic development, becoming a non-figurative painter in 1951. He had one-man shows in France since 1954 and participated in group shows in Italy and Germany. He is represented in the Museum of Lyon, and in the Museum of Modern Art in New York.
Louis de Grandmaison was born in Le Havre in 1928. He studied for a time with Andre Lhote. He had one-man shows in Paris since 1960 and participated in many group shows in the Museum of Modern Art (Paris), Luxembourg and New York. He is represented in the collections of the City of Paris, the Museum of Modern Art (Paris) and in private collections throughout Europe and the United States.
Shoichi Hasegawa was born in 1929 in Japan. His first one-man show was in Japan in 1957. He went to Paris in 1961 and worked in the studio of S.W. Hayter. He exhibited in the Salon of Young Painters, and in the Salon des Independants in 1962 and in many important group shows in Paris, London, Portugal, South America, Australia and Canada. In 1964, he had a one-man show at the Galerie La Nouvelle Gravure in Paris, at the Galerie Philadelphie (Paris), Stockholm, and Yugoslavia. His works are in the following museums: Victoria and Albert (London), Bibliotheque Nationale (Paris), Museum of Modern Art (New York), Norrkopings Museum (Sweden) and the French Ministry of Cultural Affairs (Paris).
Louis Marchand des Raux was born in Touraine in 1904 and went to the south of France in 1920. He started to paint in 1934 and was completely self-taught. An eminent collector, Adolphe Schloss, encouraged him and purchased his first canvases. He was the chief landscapist at the chateau "Ile-de-France" belonging to the Baronne Ephrussi de Rothschild. His work reflects the rich colors of the flowers that surrounded him. He exhibited widely in France, London and Italy.
Franz Priking was born in 1927 in Germany. In 1947 he was attracted to painting and abandoned his college studies in Weimar, entering the Bauhaus in Weimar (the college founded by Klee and Kandinsky). In 1948, he entered the Academy of Berlin, the class of Max Pechstein. As a student, he traveled to France in 1950 and lived there from then on. He exhibited in Germany, London, Geneva, throughout France and the United States.
Georges Sanh was born in 1909 in Hanoi, his father was French. He is a self-taught painter and expresses himself in a very personal way. He has been exhibited in Sweden, Norway, Switzerland and the United States.
Shu Tanaka was born in Tokyo in 1908, the son of a traditional painter. He studied at the Beaux Arts in Tokyo and was in China in 1935-1936. He went to live in Paris in 1954. He has exhibited in Tokyo and in many shows in Paris, particularly in the Musee Galliera with the Japanese painters of Paris in four successive years. He was influenced by the School of Paris tangentially but retained the Japanese spirit in his paintings.
Augustin Ubeda was born in Spain in 1925. He attended the Beaux Arts in Madrid from 1944-1948 and exhibited throughout Spain from 1949-1953. He won a scholarship to study in France and stayed in Paris from that point on. In 1957, he won the prize for young painters and had his first one-man show in Paris. He has exhibited in France, Switzerland, England, Sweden, Canada, Italy, the United States and all over South America.
The Collector, Mr. Silverman, owned a chain of stores and he was contacted through Edgar Tafel to donate the School of Paris paintings to SUNY Geneseo
Contributor
An entity responsible for making contributions to the resource
Mr. and Mrs. Samuel Silverman
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
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Title
A name given to the resource
Composition
Subject
The topic of the resource
Oil Painting
Description
An account of the resource
Abstract
Oil on canvas
School of Paris
Signature: LR.
Augustin Ubeda was born in Spain in 1925. He attended the Beaux Arts in Madrid from 1944-1948 and exhibited throughout Spain from 1949-1953. He then won a scholarship to study in France. In 1957, he won the prize for young painters and had his first one-man show in Paris. He exhibited in France, Switzerland, England, Sweden, Canada, Italy, the United States and all over South America.
Old Accession Number: Sl-2D-Ubeda
Creator
An entity primarily responsible for making the resource
Augustin Ubeda (1925-2007)
Source
A related resource from which the described resource is derived
Gift from Mr. and Mrs. Samuel Silverman
Date
A point or period of time associated with an event in the lifecycle of the resource
1980
Relation
A related resource
One of 21 Oil Paintings in the Silverman Collection (1980.8.1 - 1980.8.21)
Format
The file format, physical medium, or dimensions of the resource
22 x 15.25
Identifier
An unambiguous reference to the resource within a given context
1980.8.19
-
https://artgalleries.milne-library.org/files/original/e256025d466ee5e7de2cdefc005af377.jpg
66b5c93d27cb49397349112289f0f83d
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
Format of the item being described (e.g., painting, drawing, print, sculpture, tapestry,photograph, etc.)
Lithograph
Physical Dimensions
The actual physical size of the original image or object, in inches and/or centimeters.
22.5 x 28.5 Inches
Accession
The accession number assigned to the (likely physical) work for which this digital image serves as surrogate.
2018.1.2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Locust
Description
An account of the resource
"Locust" is a part of the "10 Plagues" scenes. it is a red and black lithograph.
Creator
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Cohen, Adele
Date
A point or period of time associated with an event in the lifecycle of the resource
1985
Format
The file format, physical medium, or dimensions of the resource
Paper, Lithograph, 22.5 x 28.5 Inches
Language
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English
Type
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Still Image
Identifier
An unambiguous reference to the resource within a given context
2018.1.2
-
https://artgalleries.milne-library.org/files/original/7a5e4d3675663a758cda3a424dac0352.jpg
1d45cde817735aaf3e1f3463d4329e6a
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
Format of the item being described (e.g., painting, drawing, print, sculpture, tapestry,photograph, etc.)
Lithograph
Physical Dimensions
The actual physical size of the original image or object, in inches and/or centimeters.
22.5 x 28.5 Inches
Accession
The accession number assigned to the (likely physical) work for which this digital image serves as surrogate.
2018.1.3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Beasts
Description
An account of the resource
A black and brown lithograph in the "10 Plagues" scene.
Creator
An entity primarily responsible for making the resource
Cohen, Adele
Date
A point or period of time associated with an event in the lifecycle of the resource
1985
Format
The file format, physical medium, or dimensions of the resource
Paper, lithograph, 22.5 x 28.5 Inches
Language
A language of the resource
English
Type
The nature or genre of the resource
Still Image
Identifier
An unambiguous reference to the resource within a given context
2018.1.3
-
https://artgalleries.milne-library.org/files/original/185ce78cb65861683cd57d4bd826b419.jpg
5e8964e5fb18bcb69917f72341220e9d
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
Format of the item being described (e.g., painting, drawing, print, sculpture, tapestry,photograph, etc.)
Lithograph
Physical Dimensions
The actual physical size of the original image or object, in inches and/or centimeters.
22.5 x 28.5 Inches
Accession
The accession number assigned to the (likely physical) work for which this digital image serves as surrogate.
2018.1.4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cattle Disease
Description
An account of the resource
This is a part of the "10 Plagues" scenes. It is a brown and black lithograph.
Creator
An entity primarily responsible for making the resource
Cohen, Adele
Date
A point or period of time associated with an event in the lifecycle of the resource
1985
Format
The file format, physical medium, or dimensions of the resource
Paper. Lithograph, 22.5 x 28.5 Inches
Language
A language of the resource
English
Type
The nature or genre of the resource
Still Image
Identifier
An unambiguous reference to the resource within a given context
2018.1.4